Angela Mitropoulos, Contract and Contagion (Minor Compositions, 2012), 117; Gille Deleuze and Félix Guattari, Anti-Oedipus: Capitalism and Schizophrenia (Penguin, 2009); Karl Marx, Capital: A Critique of Political Economy, vol. 1 (Progress Press, 1978), 43; Rosa Luxemburg, The Accumulation of Capital (Routledge, 2003).
Mitropoulos, “Autonomy, Recognition, Movement,” in Constituent Imagination: Militant Investigations//Collective Theorization, eds. S. Shukaitis, D. Graeber, and E. Biddle (AK Press, 2007); Mitropoulos, “The Micro-Physics of Theoretical Production and Border Crossings,” Borderlands 3, no. 2 (2004).
Jeffery M Bale, “‘National Revolutionary’ Groupuscules and the Resurgence of ‘Left-Wing’ Fascism: The Case of France’s Nouvelle Résistance,” Patterns of Prejudice 36, no. 3 (2002): 24–49; Anthony Giddens, The Third Way: The Renewal of Social Democracy (Polity Press, 2008).
Gille Deleuze, Cinema 1: The Movement-Image (Athlone, 2001), 177, 169.
Deleuze, Cinema 1, 6–8.
Deleuze, Cinema 1, 6–8.
Deleuze, Cinema 1, 6–8.
Henri Bergson, Matter and Memory (Cosimo, 2007), 329.
The term “afformative” is borrowed from Werner Hamacher’s “Afformative, Strike: Benjamin’s ‘Critique of Violence’” (Cardozo Law Review 13, no. 4 (1991): 1133–57), which may or may not concur with its usage here.
Emmy Noether, “Abstrakter Aufbau der Idealtheorie in algebraischen Zahl- und Funktionenkörpern,” Math. Ann. Mathematische Annalen 96, no. 1 (1927): 26–61.
John Joseph Martin, The Modern Dance (A. S. Barnes & Co, 1972), 6.
Loie Fuller, Fifteen Years of a Dancer’s Life (Herbert Jenkins, 1913), 70.
Randy Martin, Critical Moves: Dance Studies in Theory and Politics (Duke University Press, 1998), 186.
Fuller, Fifteen Years, 34.
Fuller v. Bemis (Circuit Court, New York 1892).
Quoted in Penny Farfan, Performing Queer Modernism (Oxford University Press, 2017), 27.
Anthea Kraut, “White Womanhood, Property Rights, and the Campaign for Choreographic Copyright: Loïe Fuller’s Serpentine Dance,” Dance Research Journal 43, no. 1 (2011): 3–26; Mitropoulos, Contract and Contagion, 34.
Mitropoulos, Contract and Contagion, 117, 131.
André Lepecki, Exhausting Dance: Performance and the Politics of Movement (Routledge, 2006), 3–4.
Lepecki, Exhausting Dance, 1–4.
Aristotle, The Complete Works of Aristotle, ed. Jonathan Barnes, vol. 2 (Princeton University Press, 1984), 1032a32.
Mitropoulos, Contract and Contagion, 8–9, 231–32. The Heraclitean flux or the Lucretian swerve that signals the demise of certain outcomes deduced from origins and, in doing so, snaps the bonds of fatal necessity.
Quoted in Ann Cooper Albright, Traces of Light: Absence and Presence in the Work of Loïe Fuller (Wesleyan University Press, 2007), 183.
Caroline Joan S. Picart, “Loie Fuller, ‘Goddess of Light’ and Josephine Baker, ‘Black Venus’: Non-Narrative Choreography as Mere ‘Spectacle,’” in Critical Race Theory and Copyright in American Dance: Whiteness as Status Property, ed. C. J. S. Picart (Palgrave Macmillan, 2013), 45–65.
Quoted in Rhonda K. Garelick, Electric Salome: Loie Fuller’s Performance of Modernism (Princeton University Press, 2009), 53.
Albright, Traces of Light, 183; Picart, “Loie Fuller, ‘Goddess of Light.’”
Fuller, Fifteen Years, 70–72.
Marion Kant, “German Dance and Modernity: Don’t Mention the Nazis,” in Rethinking Dance History: A Reader, ed. Alexandra Carter (Routledge, 2004), 114.
Evelyn Doerr, Rudolf Laban: The Dancer of the Crystal (Scarecrow Press, 2007), 159.
Lilian Karina and Marion Kant, Hitler’s Dancers: German Modern Dance and the Third Reich (Berghahn, 2003), 16.
Rudolf Laban, “Eurhythmy and Kakorhythmy in Art and Education,” Body & Society 20, no. 3–4 (2014): 75–78.
Kant, “German Dance,” 124.
Doerr, Laban, 159.
Laban, “Eurhythmy and Kakorhythmy,” 76.
Laban, “Eurhythmy and Kakorhythmy”; Laban, Choreutics (Macdonald and Evans, 1966).
Rudolf Laban and F. C. Lawrence, Effort (Macdonald & Evans, 1947).
Mallarmé, “Considérations Sur L’art Du Ballet et La Loie Fuller,” National Observer 13 (1893).
Roger Marx, “Chorégraphie: Loïe Fuller,” Revue Encyclopédique, no. 52 (1893): 107.
Mallarmé, “Considérations.”
Camille Mauclair, “Un Exemple de Fusion Des Arts, Sada Yacco et Loïe Fuller,” Idees Vivantes, 1904, 106.
Natalia Cecire, “Ways of Not Reading Gertrude Stein,” ELH 82, no. 1 (2015): 281–312.
Jacques Rancière, Aisthesis: Scenes from the Aesthetic Regime of Art (Verso, 2013).
Picart, “Loie Fuller.”
Kraut, “White Womanhood.”
Whitehead, The Function of Reason (Beacon Press, 1929), 3–4.
Whitehead, Function of Reason, 7–17.
Max Horkheimer and Theodor W. Adorno, Dialectic of Enlightenment: Philosophical Fragments, ed. Gunzelin Schmid Noerr, trans. Edmund Jephcott (Stanford University Press, 2002), 35–61.
Whitehead, Function of Reason, 3.
Mitropoulos, Contract and Contagion, 52. Cf. Patricia Owens, Economy of Force: Counterinsurgency and the Historical Rise of the Social (Cambridge University Press, 2016).
Mitropoulos, Contract and Contagion, 20–31.
Angela Mitropoulos, “Archipelago of Risk: Uncertainty, Borders and Migration Detention Systems,” New Formations 84 (2015): 163.
Plato, The Republic, trans. H. D. P. Lee (Penguin, 1987), 561d–562b.
Hansard, 1950.
Angela Mitropoulos, “Encoding the Law of the Household and the Standardisation Of Uncertainty,” in Mapping Precariousness, Labour Insecurity and Uncertain Livelihoods: Subjectivities and Resistance, eds. E. Armano and A. Bove (Taylor & Francis, 2017).
President Dwight D. Eisenhower, “Presidential News Conference,” April 7, 1954.
Quoted in Frank A. Ninkovich, Modernity and Power: A History of the Domino Theory in the Twentieth Century (University of Chicago Press, 1994), 92.
Jerome Slater, “Dominos in Central America: Will They Fall? Does It Matter?,” International Security 12, no. 2 (1987): 105.
Quoted in Walter Lafeber, “The Reagan Administration and Revolutions in Central America,” Political Science Quarterly 99, no. 1 (1984).
Quoted in Pamela Sodhy, “The Malaysian Connection in the Vietnam War,” Contemporary Southeast Asia 9, no. 1 (1987): 39.
Quoted in Jiri Valenta, “Soviet Policy Toward Hungary and Czechoslovakia,” in Soviet Policy in Eastern Europe, ed. Sarah Meiklejohn Terry (Yale University Press, 1984), 100.
Meeting Notes, “Truman Doctrine” (Truman Library, 1947), 6.
Antoine-Henri Jomini, The Art of War, ed. W. P. Craighill, trans. George H. Mendell (Lippincott, 1862), 252–53.
Carl von Clausewitz, On War (Penguin, 1832).
Jomini, The Art of War, 69.
Quoted in Peter Paret, Gordon A. Craig, and Felix Gilbert, Makers of Modern Strategy: From Machiavelli to the Nuclear Age (Princeton University Press, 1986), 154.
V. I. Lenin, The Imperialist War (International Publishers, 1930), 284.
Antonio Gramsci, Selections from the Prison Notebooks, ed. Quintin Hoare (Lawrence and Wishart : 1971), 233.
Jomini, The Art of War, 135–38.
David Egan, “Rethinking War of Maneuver/War of Position: Gramsci and the Military Metaphor,” Critical Sociology 40, no. 4 (July 1, 2014): 534.
John Darwin, “Constituting the Settler Colony and Reconstituting the Indigene,” 2010 (unpublished thesis), 84.
Cf. Lorenzo Veracini, “Colonialism Brought Home: On the Colonization of the Metropolitan Space,” Borderlands 4, no. 1 (2005).
Gramsci, Selections from the Prison Notebooks, 196.
Friedrich Hayek, “A Theory of Complex Phenomena,” in Readings in the Philosophy of Social Science, eds. Michael Martin and Lee C. McIntyre (MIT Press, 1994), 55–70.
Rosa Luxemburg, The Rosa Luxemburg Reader, trans. Peter Hudis (Monthly Review Press, 2004), 169.
Luxemburg, Reader, 198.
Luxemburg, Reader, 198.
Angela Mitropoulos, “The Commons,” in Gender: Nature, ed. Iris van der Tuin (Macmillan, 2016), 165–81.
Bale, “‘National Revolutionary’ Groupuscules”; Giddens, The Third Way.
Mitropoulos, Contract and Contagion, 117.
Marx, Capital, vol. 1, 43.
Luxemburg, Accumulation of Capital.