Issue #95 Workers and Robots Enter a Factory Canteen

Workers and Robots Enter a Factory Canteen

Words by Raqs Media Collective / Illustrations by Freddy Carrasco

Issue #95
November 2018
Category
Labor & Work, Literature
Subject
Automation, Algorithms
Return to Issue #95
Author

Raqs Media Collective was formed in 1992 in Delhi, India by Monica Narula, Jeebesh Bagchi, and Shuddhabrata Sengupta. The word “raqs” in several languages denotes an intensification of awareness and presence attained by whirling, turning, being in a state of revolution. Raqs Media Collective take this sense to mean “kinetic contemplation” and a restless entanglement with the world, and with time. Raqs enlists objects such as an early-modern tiger-automata from Southern India, or a biscuit from the Paris Commune, or a cup salvaged from an ancient Mediterranean shipwreck, to turn them into devices to sniff and taste time. Devices are deployed thus in order to undertake historical subterfuge and philosophical queries. Raqs practices across several media; making installation, sculpture, video, performance, text, lexica, and curation. The members of Raqs Media Collective live and work in Delhi, India. In 2001, they co-founded the Sarai program at CSDS New Delhi and ran it for a decade, where they also edited the Sarai Reader series. They were the Artistic Directors for the recently concluded Yokohama Triennale 2020, Afterglow, where they developed sources around toxicity, care, and the luminosity of friendship.

Subscribe
I have read e-flux’s privacy policy and agree that e-flux may send me announcements to the email address entered above and that my data will be processed for this purpose in accordance with e-flux’s privacy policy*

Thank you for subscribing to e-flux

Feel free to subscribe to additional content from the e-flux platform.