February 20, 2016 - Parc Saint Léger - Eva Kot’átková: Mute Bodies (Becoming Object, Again)
February 20, 2016

Parc Saint Léger

© Eva Koťátková.

Eva Kot’átková
Mute Bodies (Becoming Object, Again)
February 20–May 1, 2016

Parc Saint Léger
Centre d'art contemporain
Avenue Conti
F - 58320 Pougues-les-Eaux
Hours: Wednesday–Sunday 2–6pm

T +33 3 86 90 96 60
contact@parcsaintleger.fr

www.parcsaintleger.fr

Eva Kot’átková
Mute Bodies (Becoming Object, Again)
February 20–May 1, 2016

Parc Saint Léger
Centre d'art contemporain
Avenue Conti
F - 58320 Pougues-les-Eaux
Hours: Wednesday–Sunday 2–6pm

T +33 3 86 90 96 60
contact@parcsaintleger.fr

www.parcsaintleger.fr

Parc Saint Léger is delighted to present a solo show with the artist Eva Koťátková. The show offers a look back through her work with a display of both old works and pieces that are being shown for the first time, extending a particular corpus called "Theater of Speaking Objects."

Through her installations, drawings, videos, and performances, Eva Koťátková explores a form of mediation between man and the world, and the processes of subjectivization vis-à-vis her objects and installations. Like her exhibitions, the artist's installations always have a narrative character. Yet her narrative never develops linearly; rather, it is fragmented, broken up, or interrupted, underscoring in this way the difficulties of communication. She develops her constructs in such a way as to suggest that ideas, thoughts, and emotions can only be formulated indirectly.

At first the artist, interested in the different educational models that are spread throughout all societies, sampled images in historical books on education. Her iconography draws its inspiration from a number of sources, including the practices of Moritz Schreber (1808–61), the German physician, teacher, and orthopedist, who equipped his clinic with the most sophisticated mechanisms of the day. These objects, falling somewhere between a prosthesis and an instrument of torture, are so many representations for expressing security, control, and constraint, and so many metaphors for denouncing the normative measures of the social context.

Inspired by this iconography, Eva Koťátková produces drawings, collages, and objects that are often akin to grids, cages, or traps for the body. By lending them an anthropomorphic character, she makes her objects a support for voices or ideas which could not be expressed otherwise. She is also shifting her experiments increasingly in the direction of a body language, viewed as a true means of communication. Thus, her installations deliberately play with theater and its conventions. The different elements on display are like accessories waiting to be activated, either by a performer or in the mind of the viewer, who becomes actively involved in the show.

While Eva Koťátková's theater maintains ties with literature, it also explores its therapeutic and political counterpart. Her experiments summon such figures as Jacob Levy Moreno (1889–1974), the inventor of psychodrama and one of the pioneers of group therapy, and Augusto Boal (1931–2009), the Brazilian writer, playwright, stage director, and politician. Both men were interested in improvisation and the exploration of emotions and critical thinking through role play and situations that examine the connections between individuals and interpersonal relationships. These two figures also have in common the fact that they gave a voice to the marginal, the impaired, and the oppressed. Continuing along the same lines, Eva Koťátková has introduced into her installations and objects faint or loud voices which often deal with the theme of dysfunctional interpersonal connections or altered communication.

As in Surrealist collage or films, Eva Koťátková's theater summons elements of rational thought and the unconscious, where phenomena of uncertain origins and real things are found side by side. Her work remains in disuse, on hold; it conceals more than it reveals by employing allusion and secret code. And in this way it leaves all the room the invisible and the subconscious need.

Catherine Pavlovic
Curator 


Events around the exhibition:

Conversations: Sundays starting at 4pm, Parc Saint Léger invites you to get-togethers around contemporary art. As part of this special Sunday program, we propose three appointments:
Sunday, March 20
Talk with Giuseppe Falchi, psychoanalyst
Sunday, April 3
Activation of the artwork Anatomical Orchestra
Sunday, April 24
Talk with Jacqueline Massicot, specialist of the Freinet educational method

Zones Mixtes:
In the Jean Jaurès Multimedia Library of Nevers.
Lecture with Paul Bernard, art critic and curator at the Mamco, Museum of Modern and Contemporary Art, Geneva.
Saturday, April 9, 3pm 

Screening at the Cinema of Nevers, in partnership with ACNE, Association des Cinéphages de Nevers.
L'Enfant Sauvage (1969), a François Truffaut's movie.
Tuesday, April 28, 8:30pm 

Meeting with families around the exhibition, followed by an afternoon snack.
Sunday, March 6, 3pm

One day writing workshop facilitated by Pierre Bastide. 
Saturday, April 16, 10am–5pm

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Mute Bodies (Becoming Object, Again)
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