- Irit Rogoff, “Education Actualized” – Editorial
- Nora Sternfeld, Unglamorous Tasks: What Can Education Learn from its Political Traditions?
- Adrian Rifkin, Artistic Education of the Public
- Fred Moten and Stefano Harney, Debt and Study
- Dietrich Lemke, Mourning Bologna
- Nicolas Siepen and Åsa Sonjasdotter, Learning by Doing: Reflections on Setting Up a New Art Academy
- Irit Rogoff, FREE
- Susanne Lang and Darius James, Magic Hat – Property of the People
- Bernard Stiegler and Irit Rogoff, Transindividuation
- Isabelle Bruno and Christopher Newfield, Can the Cognitariat Speak?
- Florian Schneider, (Extended) Footnotes On Education
- Julieta Aranda, Brian Kuan Wood, Anton Vidokle, Editorial
- Bernardo Ortiz Campo, Criticism and Experience
- Adam Kleinman, Tempus Edax Rerum?
- Elisabeth Lebovici, The Death of the Audience: A Conversation with Pierre Bal-Blanc
- Sven Lütticken, Art and Thingness, Part One: Breton’s Ball and Duchamp’s Carrot
- Nataša Petrešin-Bachelez, Innovative Forms of Archives, Part One: Exhibitions, Events, Books, Museums, and Lia Perjovschi’s Contemporary Art Archive
- Monika Szewczyk, Negation Notes (while working on an exhibition with Allan Sekula featuring This Ain’t China: A Photonovel)
- Julieta Aranda, Brian Kuan Wood, Anton Vidokle, What is Contemporary Art? Issue Two
- Hal Foster, Contemporary Extracts
- Cuauhtémoc Medina, Contemp(t)orary: Eleven Theses
- Hans Ulrich Obrist, Manifestos for the Future
- Raqs Media Collective, Now and Elsewhere
- Martha Rosler, Take the Money and Run? Can Political and Socio-critical Art “Survive”?
- Jan Verwoert, Standing on the Gates of Hell, My Services Are Found Wanting
- Julieta Aranda, Brian Kuan Wood, Anton Vidokle, What is Contemporary Art? Issue One
- Zdenka Badovinac, Contemporaneity as Points of Connection
- Boris Groys, Comrades of Time
- Jörg Heiser, Torture and Remedy: The End of Isms and the Beginning Hegemony of the Impure
- Hu Fang, New Species of Spaces
- Carol Yinghua Lu, Back to Contemporary: One Contemporary Ambition, Many Worlds
- Dieter Roelstraete, What is Not Contemporary Art?: The View from Jena
- Julieta Aranda, Brian Kuan Wood, Anton Vidokle, Editorial
- Sherif El-Azma, The Psychogeography of Loose Associations
- Luis Camnitzer, ALPHABETIZATION, Part Two: Hegemonic Language and Arbitrary Order
- Paul Chan, What Art Is and Where it Belongs
- Céline Condorelli, Life Always Escapes
- Peter Friedl, Secret Modernity
- Hans Ulrich Obrist, Ever Spero
- Hito Steyerl, In Defense of the Poor Image
- Julieta Aranda, Brian Kuan Wood, Anton Vidokle, Editorial
- François Bucher, Subjects of the American Moon: From Studio as Reality to Reality as Studio
- Luis Camnitzer, ALPHABETIZATION, Part One: Protocol and Proficiency
- Jill Magid, Becoming Tarden — Prologue
- Nina Möntmann, (Under)Privileged Spaces: On Martha Rosler’s “If You Lived Here...”
- Simon Sheikh, Positively Trojan Horses Revisited
- Sean Snyder, Disobedience in Tokyo
- Julieta Aranda, Brian Kuan Wood, Anton Vidokle, Editorial
- Michael Baers, Concerning Matters to be Left for a Later Date, Part 4 of 4 (Guest-Starring Annika Eriksson)
- Boris Groys, Self-Design and Aesthetic Responsibility
- Raqs Media Collective, Earthworms Dancing: Notes for a Biennial in Slow Motion
- Omnia El Shakry, Artistic Sovereignty in the Shadow of Post-Socialism: Egypt’s 20th Annual Youth Salon
- Hito Steyerl, Is a Museum a Factory?
- Monika Szewczyk, Art of Conversation, Part II
- Brian Kuan Wood, A Universalism for Everyone
- Pauline J. Yao, A Game Played Without Rules Has No Losers
- Julieta Aranda, Brian Kuan Wood, Anton Vidokle, Editorial
- Zdenka Badovinac, What Will the Next Revolution Be Like?
- Michael Baers, Concerning Matters to be Left for a Later Date, Part 3 of 4 (Guest-Starring Alexandra Croitoru and Stefan Tiron)
- Gean Moreno & Ernesto Oroza, Learning from Little Haiti
- Hans Ulrich Obrist, In Conversation with Raoul Vaneigem
- Marion von Osten, Architecture Without Architects—Another Anarchist Approach
- Dieter Roelstraete, After the Historiographic Turn: Current Findings
- Mariana Silva & Pedro Neves Marques, The Escape Route’s Design: Assessment of the Impact of Current Aesthetics on History and a Comparative Reading Based on an Example Close to the City of Berlin
- Julieta Aranda, Brian Kuan Wood, Anton Vidokle, Editorial
- Michael Baers, Concerning Matters to be Left for a Later Date, Part 2 of 4 (Guest-Starring Pia Rönicke)
- Natascha Sadr Haghighian, Sleepwalking in a Dialectical Picture Puzzle, Part 2: A Conversation with Thomas Keenan
- Carol Yinghua Lu, Don’t Stop: Doing Art Potluck Style
- Metahaven, Europe Sans: History, Politics, and Protocol in the EU Image
- Simon Sheikh, Positively Counter-Publics Revisited
- Sean Snyder, Disobedience in Byelorussia: Self-Interrogation on “Research-Based Art”
- Julieta Aranda, Brian Kuan Wood, Anton Vidokle, Editorial
- Michael Baers, Concerning Matters to be Left for a Later Date, Part 1 of 4
- Elena Filipovic, A Museum That is Not
- Boris Groys, Religion in the Age of Digital Reproduction
- Silvia Kolbowski, Two in One
- Dieter Lesage, The Academy is Back: On Education, the Bologna Process, and the Doctorate in the Arts
- Dieter Roelstraete, The Way of the Shovel: On the Archeological Imaginary in Art
- Julieta Aranda, Brian Kuan Wood, Anton Vidokle, Editorial
- Luis Camnitzer, Art and Literacy
- Liam Gillick, Maybe it would be better if we worked in groups of three? Part 2 of 2: The Experimental Factory
- Natascha Sadr Haghighian, Sleepwalking in a Dialectical Picture Puzzle, Part 1: A Conversation with Avery Gordon
- Tom Holert, Art in the Knowledge-based Polis
- Bilal Khbeiz, Gaza–Beirut–Tel Aviv: In Praise of Selfishness and Opportunism
- Simon Sheikh, Positively White Cube Revisited
- Monika Szewczyk, Art of Conversation, Part I
- Julieta Aranda, Brian Kuan Wood, Anton Vidokle, Editorial
- Daniel Birnbaum and Anders Olsson, An Interview with Jacques Derrida on the Limits of Digestion
- Liam Gillick, Maybe it would be better if we worked in groups of three? Part 1 of 2: The Discursive
- Boris Groys, Politics of Installation
- Marina Gržinić, Drawing a Border (Reartikulacija, Part 3 of 3)
- Hassan Khan, RANT
- Silvia Kolbowski, “When Even Good News Worsens a Panic”
- Julieta Aranda, Brian Kuan Wood, Anton Vidokle, Editorial
- Staš Kleindienst, Between Resistance and Commodity (Reartikulacija, Part 2 of 3)
- Dieter Lesage, The Next Documenta Shouldn’t Be in Kassel
- Carol Yinghua Lu, Accidental Conceptualism
- Metahaven, Brand States: Postmodern Power, Democratic Pluralism, and Design
- Nataša Petrešin-Bachelez, Blame It on Gorbachev: The Sources of Inspiration and Crucial Turning Points of Inke Arns
- Simon Sheikh, Positively East Village Revisited: The Problem with Puerilism
- Jan Verwoert, The Boss: On the Unresolved Question of Authority in Joseph Beuys’ Oeuvre and Public Image
- Julieta Aranda, Brian Kuan Wood, Anton Vidokle, Editorial
- Omer Fast, Take a Deep Breath
- Boris Groys, The Obligation to Self-Design
- Bilal Khbeiz, Los Angeles: The Invention of Public Weather
- Sebastjan Leban, Conditioned Contemporaneity (Reartikulacija, Part 1 of 3)
- Marjetica Potrč, New Territories in Acre and Why They Matter
- Raqs Media Collective, Stammer, Mumble, Sweat, Scrawl, and Tic
- Irit Rogoff, Turning
- Pelin Tan, Beneath Our Skin
