July 26, 2010 - Biennial of the Americas - Janet Echelman Sculpture Premieres for Biennial of the Americas
July 26, 2010

Janet Echelman Sculpture Premieres for Biennial of the Americas

Janet Echelman, “1.26″
Courtesy of Janet Echelman, Inc.

Janet Echelman “1.26″ Sculpture Project
July 6 – August 6, 2010

Illumination hours: 9pm-6am

Denver Art Museum and
Denver Civic Center Park
100 West 14th Ave. Pkwy.
Denver, Colorado

www.denvergov.org/publicart
www.echelman.com

Janet Echelman’s 230-foot-long aerial sculpture “1.26” suspends from the roof of the 7-story Denver Art Museum above downtown street traffic to commemorate the inaugural Biennial of the Americas.

The City of Denver asked the artist to create a monumental yet temporary work exploring the theme of the interconnectedness of the 35 nations that make up the Western Hemisphere. She drew inspiration from the NASA Jet Propulsion Laboratory’s announcement that the February 2010 Chile earthquake shortened the length of the earth’s day by 1.26 microseconds by slightly redistributing the earth’s mass. Exploring further, Echelman drew on a National Oceanic and Atmospheric Administration (NOAA) simulation of the earthquake’s ensuing tsunami, using the 3-dimensional form of the tsunami’s amplitude rippling across the Pacific as the basis for her sculptural form.

The temporary nature of the Biennial and its accelerated timeline precluded the artist’s use of a permanent steel armature, as employed in the artist’s previous monumental permanent commissions. Instead, “1.26” pioneers a tensile support matrix of Spectra® fiber, a material 15 times stronger than steel by weight. This low-impact, super-lightweight design made it possible to temporarily attach the sculpture directly to the façade of the Denver Art Museum, and this structural system opens up a new trajectory for the artist’s work in urban airspace.

Because this monumental sculpture is made entirely of soft materials, it is animated by the wind. Its fluidly moving form contrasts with the rigid surfaces of the surrounding urban architecture.

At night, colored lighting transforms the work into a floating, luminous form while darkness conceals the support cables.

1.26” was commissioned by the Denver Office of Cultural Affairs Public Art Program for the inaugural Biennial of the Americas and realized through the artist’s collaboration with a team of award winning engineers, architects, artists, fabricators, and installers. The Chilean Ambassador to the United States officiated at the opening and requested that Chile be the first stop among the sculpture’s traveling exhibition venues.

A limited-edition letterpress book about “1.26” includes an essay by Sanford Kwinter, Professor of Architectural Theory and Criticism at the Harvard Graduate School of Design, cofounder of the journal Zone and Zone Books, and author of Architectures of Time: Towards a Theory of the Event in Modernist Culture.

More information about the project, the book, and traveling exhibition venues:
www.denvergov.org/publicart, kendall.peterson@denvergov.org
www.biennialoftheamericas.org, rchaparro@biennialoftheamericas.org
www.echelman.com, studio@echelman.com

Artist Bio

Janet Echelman is an American artist who creates aerial urban sculpture that responds to environmental forces including wind, water, and sunlight. This year she premiered Water Sky Garden at the Vancouver Olympic Winter Games, and she completed 2009′s largest US public art commission, Her Secret is Patience, a new civic icon for Phoenix that has been hailed for contributing to the revitalization of its downtown. Echelman’s 160-foot-tall waterfront She Changes in Portugal was called “one of the truly significant public artworks in recent years” by Sculpture Magazine.

Her art has been presented in Spain, Italy, Portugal, Lithuania, India, Japan, Indonesia, Hong Kong, Canada, Mexico, and the US.

She graduated from Harvard College and completed graduate degrees in psychology and painting, yet is a self-taught sculptor.

A recipient of fellowships from the New York Foundation for the Arts, Pollock-Krasner Foundation, Japan Foundation, Rotary International Foundation, Harvard Graduate School of Design Loeb Fellowship, Aspen Institute Henry Crown Fellowship, and a Fulbright Senior Lectureship, she currently serves on the national board of the Fulbright Association and the Aspen Institute Energy and Environment Awards.

Credits

Sponsoring Agency: Denver Office of Cultural Affairs
City Project Coordinator: Kendall Peterson, DOCA; Chris Jahn, Fuse Studio Architects
Artist: Janet Echelman, Janet Echelman, Inc.
Art Project Manager: Mark Drummond Davis, Janet Echelman, Inc.
Engineer of Record: Charles Keyes, Shane McCormick, Martin/Martin Consulting Engineers
Design Engineer: Peter Heppel, Peter Heppel Associates
NASA Scientist: Richard Gross, Jet Propulsion Laboratory
NOAA Scientist: Christopher Moore, Center for Tsunami Research
Installation Management: Mike Mancarella, Junoworks
Lighting Designer: Joseph Gann, Richter Scale Productions
Donor of Spectra® Fiber: Honeywell
Book Designer: Peter Bergman
Book Essay Author: Sanford Kwinter

Biennial of the Americas

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