July 17, 2015 - REDCAT - João Maria Gusmão and Pedro Paiva: One month without filming
July 17, 2015

REDCAT

João Maria Gusmão and Pedro Paiva, Sleeping in a bullet train, 2015. 16mm film, color, no sound, 8:08 minutes.
João Maria Gusmão and Pedro Paiva
One month without filming
July 11–September 20, 2015

REDCAT
631 West 2nd Street
Los Angeles, CA 90012
USA
Hours: Tuesday–Sunday 12–6pm

www.redcat.org
Twitter

João Maria Gusmão and Pedro Paiva
One month without filming
July 11–September 20, 2015

REDCAT
631 West 2nd Street
Los Angeles, CA 90012
USA
Hours: Tuesday–Sunday 12–6pm

www.redcat.org
Twitter

The work of Portuguese artists João Maria Gusmão and Pedro Paiva, who have worked collaboratively since 2001, is characterized by the use of silent films and other analog forms of expression to portray poetic-philosophical narratives suspended in an indeterminate zone between reality and artifice. For the first major exhibition by the duo in Los Angeles, newly commissioned films are juxtaposed with past works to create a conceptual narrative and provide a larger glimpse at the duo's extended practice.

This artistic duo has developed their work through research travel to a variety of destinations around the world, allowing the artists to investigate enigmatic scenarios and landscapes and discover anecdotes and stories, which they incorporate into their writing and film practice. For the exhibition at REDCAT, Gusmão and Paiva travelled to Japan to produce a new body of films that approach centuries-old ceremonies that overlap with daily life objects and rituals. For instance, Sleeping in a bullet train (2014–15) shows a group of workers resting in one of the fastest commuter trains in the world. This quotidian situation, filmed in slow motion, creates a prolonged moment where the slumbering minds of the sleepers are paradoxically framed with the velocity of the express train. Cleaning Marty's family graveyard (2015) depicts the slow motion cleaning of a garden adjacent to a little altar holding ashes of the deceased. The nearly imperceptible movement of the cleaners is a metaphor for a spiritual process, where the mundane and sacred come together in the same frequency.

In all of the films, indistinct and ordinary situations or methodic rituals are frozen in an ongoing but impossible movement. As subtle background, the ghostly shadows behind their filmography bring to mind the unresolved problem of the mind/body divide—the antithesis of the outer and the inner; the material and the intangible. These acts are further filtered by the technological device of the camera, exploring the time-space dichotomy associated with the mind/body dilemma.  

One day without filming in Naha City (2015) is one of the most eloquent and cryptic of the works in the exhibition. The camera is attached to a vehicle that slowly moves into an automated parking garage. The machine transports the car from the daylight to the most absolute darkness, where image, sound and the consequent movements appear only as an abstraction to the observer. The repetitive and automatic movement is intertwined with the desire of the mind to understand its position within this framework, without knowing what is inside what, who interrogates whom, or whether these positions are plural or parts of a single entity.

This exhibition is curated by Ruth Estévez, REDCAT Gallery Director and Curator.

One month without filming is commissioned by REDCAT and coproduced in collaboration with Kadist Art Foundation, San Francisco. The exhibition is funded in part by generous support from The Andy Warhol Foundation for the Visual Arts, The Gulbenkian Foundation, Lisbon and Taguchi Art Collection, Japan. Special thanks to Galeria Fortes Vilaça, Sao Paolo. 

The Gallery at REDCAT focuses on experimentation through new commissions that often represents the artist's first major presentation in the US or Los Angeles. The exhibition program ventures to cross-pollinate shared concepts and critical discourses that connect art to other fields in service of an interdisciplinary program. Using different scales and temporary structures, the exhibition formats are flexible and constantly reformulated. REDCAT continues the tradition of the California Institute of the Arts, its parent organization, by encouraging experimentation, discovery and lively civic discourse.

Information:
Gallery at REDCAT is open Tuesdays through Sundays from noon to 6pm or until intermission. It is closed Mondays and major holidays. Admission to the Gallery at REDCAT is always free.

REDCAT is located at the corner of W. 2nd and Hope Streets, inside the Walt Disney Concert Hall complex in downtown Los Angeles.

 

    

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