November 17, 2015 - Signal - Center for Contemporary Art - Pauline Oliveros and Ilias Papailiakis: Water hollows stone
November 17, 2015

Signal - Center for Contemporary Art

Pauline Oliveros and Ilias Papailiakis
Water hollows stone
November 20, 2015–February 14, 2016

Opening: November 20, 7–9pm

Signal - Center for Contemporary Art
Monbijougatan 17H
SE-211 53 Malmö
Sweden
Hours: Thursday–Friday 12–6pm,
Saturday–Sunday 12–4pm

T +46 40 97 92 10
info@signalsignal.org

www.signalsignal.org
Facebook / Instagram

Pauline Oliveros and Ilias Papailiakis
Water hollows stone
November 20, 2015–February 14, 2016

Opening: November 20, 7–9pm

Signal - Center for Contemporary Art
Monbijougatan 17H
SE-211 53 Malmö
Sweden
Hours: Thursday–Friday 12–6pm,
Saturday–Sunday 12–4pm

T +46 40 97 92 10
info@signalsignal.org

www.signalsignal.org
Facebook / Instagram

Listening is the foundation of social relations, of politics, and of negotiations. It is the foundation for an articulation of opposition, the basis for protest and affirmation. A lack thereof nurtures conflicts and creates borders—the Us and Them.

Pauline Oliveros is a composer, artist, musician, educator and deep listener. Her practice spans 50 years of boundary-dissolving compositions, research and education. She is a prominent figure in the world of contemporary music and describes her life practice of Deep Listening as listening in every possible way to everything possible to hear, no matter what you are doing. This sonic sensibility is based on a synthesis of the psychology of consciousness, the physiology of the martial arts, and the sociology of the feminist movement. Understanding and performing such a task of listening is always a two-way processing of information—focal attention and global attention.

Seeing is the practice of the witness. It is what defines and distinguishes. Seeing is the foundation of differentiation, of discipline, but also of desire. For some, seeing is believing, the foundation of truth; others close their eyes to what is. 

Through painting, Ilias Papailiakis takes on the task of identifying and archiving images. He zooms in on carefully selected details and lets the close study reveal the depiction of a merciless society marked by cruel battles in eternal repetition. In The Book of Silence, the attention is turned towards the notion of loss. What is left is a situation of vacuum, beyond the capacity of speech. It is the veil of silence that does not retreat. Political and religious conflicts, acts of intimate and domestic violence, the spatial boundary of a relief, and the attempt to render eternity and remembrance to a cruel assassination are all negotiations on the traumas that are reflected in the historical and contemporary monstrosities of humankind. What is the meaning of loss in an era of great silence? 
 
The act of listening is about slowing down; the act of seeing is about paying attention. As two distinct artistic practices are juxtaposed, the audible and visual sensitivities of each practice are put to the forefront. The one enhances the other in this specific relationship, in this particular dialogue. It is about receiving and digesting, rather than delivering or declaring—a sensitivity, a tuning in on details. It is about thinking and understanding. It is about formulating an argument and articulating it. Listening is the beginning of the possibility to change, and seeing embraces the act of acknowledgement. Persistence is the strongest force of opposition, and water hollows stone.

Pauline Oliveros, b. 1932, lives and works in Kingston, New York.
Ilias Papailiakis, b. 1970, lives and works in Athens.

Signal is run by Carl Lindh, Joel Odebrant and Elena Tzotzi.

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Water hollows stone
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