Sofia Hultén’s “Pressure Drop” at RaebervonStenglin, Zürich
Quinn Latimer explores the “Mars-meets-Minimalism” of Sofa Hultén’s “slippery and slapstick works, which are always threatening to leak out.”
Sharjah Biennial 10: Plot for a Biennial and Art Dubai
November Paynter jet sets between Dubai and Sharjah for a two pronged account of the UAE’s major art events, Sharjah Biennial 10: Plot for a Biennial and Art Dubai.
James Franco’s “The Dangerous Book Four Boys” at Peres Projects, Berlin
Certified copy or celebrity mash-up? Adam Keinman reports on James Franco’s “The Dangerous Book Four Boys” at Peres Projects, Berlin.
2011 Singapore Biennale
Pauline J. Yao reports on one of her “more agreeable Asian biennial experiences” at the 2011 Singapore Biennial.
Joachim Koester’s “I myself am only a receiving apparatus” at Jan Mot, Brussels
Vivian Sky Rehberg enters the spellbinding world of Joachim Koester’s silent films and talking pictures at Jan Mot, Brussels.
Cerith Wyn Evans’s “Assemblage” at Galerie Neu, Berlin
Kirsty Bell on Cerith Wyn Evans’s latest at Galerie Neu: “the works […] appear like ephemeral thoughts suddenly clothed in three dimensions.”
Elmgreen & Dragset’s “Amigos” at Galeria Helga de Alvear, Madrid
Mr B. is dead again! Octavio Zaya revisits his newly contextualized death in the sauna at Galería Helga de Alvear, Madrid—Elmgreen & Dragset’s latest “powerless structure.”
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