San Francisco Art Institute


SFAI presents a survey exhibition of Gutai

Saburo Murakami, Passing through, 1956. Courtesy of Ashiya City Museum of Art & History. © Makiko Murakami and the former members of the Gutai Art Association.

Experimental Exhibition of Modern Art to Challenge the Mid-Winter Burning Sun: Gutai Historical Survey and Contemporary Response

February 8–March 30, 2013

Opening reception:
Friday, February 8, 6–9pm
With special live performances

Walter and McBean Galleries 
San Francisco Art Institute
800 Chestnut Street, San Francisco, CA
Free and open to the public

www.sfai.edu/gutai

Curated by John Held, Jr. and Andrew McClintock.

The San Francisco Art Institute (SFAI) is proud to present the first West Coast survey exhibition of Gutai (1954–1972), a significant avant-garde artist collective in postwar Japan whose overriding directive was: “Do something no one’s ever done before.” As one of the nation’s most vital contemporary fine arts institutions—and an epicenter of experimental thinking on the West Coast for more than 140 years—SFAI is the ideal venue for an exhibition that celebrates the legacy of the Gutai artists and contextualizes these important works for a new generation.

Rejecting the figurative and abstract art of the era, and in an effort to transform the Japanese psyche from wartime regimentation to independence of thought, Gutai artists fulfilled their commitment to innovative practices by producing art through concrete, performative actions: smashing paint-filled bottles; full-body wrestling with mud and cement; leaping through a series of paper screens; painting with feet. With a diverse assembly of historical and contemporary art, including several site-specific performances commissioned exclusively for SFAI, Experimental Exhibition of Modern Art to Challenge the Mid-Winter Burning Sun: Gutai Historical Survey and Contemporary Response creates a dialogue with classic Gutai works while demonstrating the lasting significance and radical energy of this movement.

This exhibition showcases North American neo-conceptualist artists’ responses to groundbreaking Gutai performances; original paintings, video, photographs, and ephemera from private collections; and an expansive collection of Mail Art from more than 200 contemporary artists in 30 countries. The exhibition’s nearly two dozen paintings by artists including Jiro Yoshihara, Kazuo Shiraga, and Shozo Shimamoto—several on view for the first time in the U.S.—range from pre-Gutai works to the “action painting” that characterized the early years of the movement to post-Gutai paintings that reveal how the artists remained rooted in their quest for freedom through novel means, even after the group disbanded. Building on the movement’s lineage, the exhibition’s opening reception will debut two performances: Bay Area artist and SFAI alumnus Guy Overfelt will break open the plane of painting atop a motorcycle in response to Saburo Murakami’s Passing Through (1956); and Jeremiah Jenkins, also an alumnus, will respond to Kazuo Shiraga’s Challenging Mud (1955) by taking on the materials as a professional wrestler, complete with WWF-style theatrics.

SFAI’s exhibitions and public programs are supported in part by the Grants for the Arts/San Francisco Hotel Tax Fund. Special thanks to the Ashiya City Museum of Art and History, Museum of Osaka University, Hyogo Prefectural Museum of Art, Don Soaker Gallery, Gallery Paule Anglim, Japonesque Gallery, Inc., The Falkenstein Foundation, and private collectors.

Gallery hours
Tuesdays 11am–7pm 
Wednesdays–Saturdays 11am–6pm
Open until 7:30pm on evenings with lectures

Associated events
Space is limited for some events, and advance registration is recommended. Get complete program details and register online: www.sfai.edu/gutai.

Lecture 
Dr. Shoichi Hirai, Curator at The National Museum of Modern Art, Kyoto
Thursday, February 21, 7:30–9pm

Film screening 
Play It Again: A Screening of Performance Art Documentation 1954–1972
Tuesday, March 5, 7:30–9pm

Closing Reception and Panel Discussion 
Wednesday, March 27, 6:30–9pm
Panel participants: Tony Labat, SFAI’s Faculty Director of MFA Programs; Rudolf Frieling, Curator of Media Arts at SFMOMA; Constance Lewallen, Adjunct Curator at Berkeley Art Museum and Pacific Film Archive; artist and curator TOM MARIONI; and Mayumi Handa, special assistant to Shozo Shimamoto

San Francisco Art Institute
Founded in 1871, the San Francisco Art Institute (SFAI), a nonprofit art institution, is a vital convening place for arts communities and an international leader in fine arts education. A small school with global impact—notable faculty and alumni include Richard Diebenkorn, Ansel Adams, Annie Leibovitz, Enrique Chagoya, Kathryn Bigelow, Peter Pau, Paul Kos, George Kuchar, Catherine Opie, Lance Acord, Barry McGee, and Kehinde Wiley—SFAI enrolls approximately 650 students in undergraduate and graduate programs, and offers extensive continuing education courses and public programs.  

www.sfai.edu
Twitter: @SFAIevents
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Press: ldresnick@sfai.edu

SFAI presents a survey exhibition of Gutai
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