What makes a city successful today? Over the past few decades, artists—and more broadly, clusters of creative people—have become central to narratives of urban revitalization and civic growth in cities around the world.
In many locales, artists in search of cheap rent constitute the vanguard wedge of gentrification. Yet the so-called creative class includes whole categories of knowledge workers enjoying far less precarious conditions than artists, and it is their affluence that continually leads to the displacement of both working-class residents and artists alike. In the creative city, the branding of subcultural movements, the translation of the gritty into the quaint, and the professionalization of the arts combine to produce a user-friendly social interface dressed in the trappings of former bohemian artistic milieus.
How do we confront the soft violence of an urban landscape that adapts itself to successive booms and busts by dissolving or willfully suppressing class distinctions to the point of amnesia? Has a contradiction emerged between the declared politics of artists and their actual role in flows of global capital that course through biennials and art fairs? Can we take the broad commitment of so many artists to the Occupy movement as a signal of their desire to mobilize and redirect their energies back toward social justice?
This collection of essays written between 2010 and 2012 presents Martha Rosler’s most extensive update to her consideration of the role of artists in world culture and in urban gentrification since her landmark 1989 project If You Lived Here….
With an introduction by Stephen Squibb
Edited by Julieta Aranda, Brian Kuan Wood, Anton Vidokle
Stephen Squibb, Introduction: On the Artistic Mode of Production
Take the Money and Run? Can Political and Socio-Critical Art “Survive”?
Part I: Art and Urbanism
Part II: Creativity and Its Discontents
Part III: In the Service of Experience(s)
The Artistic Mode of Revolution: From Gentrification to Occupation
Contemporary Art at Center and Periphery
For over 40 years, Martha Rosler has engaged the social imperatives of everyday life through photography, video, installation, and performance. Her work investigates the intersections of urbanization, public and private space, economic transaction, and gender construction. Revealing the ideological codes implicit in the networks and objects of visual... Read more.
The influential but oft-maligned project of pop urbanist Richard Florida first took off in 2002 with the publication of The Rise of the Creative Class, in which he defined a new economic sector composed of creative laborers: a group extending beyond artists to include designers, journalists, and tech people, a “highly educated and well-paid... Read more.
- Buy this book