Beyond The Amateur
A collector’s perspective on the history of photography
14 March – 30 May 2010
Capucijnenstraat 98
NL-6211 RT Maastricht
The exhibition begins with work by 18th-century scientist Adriaan Paauw, who De Nooy classes as “the inventor of photography.” Around 1790, this obscure assistant of botanist Sebald Brugmans developed a photographic procedure in which he was able to “copy” objects in the form of photograms. Next in the exhibit is Théophile de Bock, the well-known painter of the Hague School. But De Bock was also one of the few Dutch 19th-century landscape photographers, in that he took photographs of landscapes and trees in particular to aid him in his paintings. The exhibit presents a series of these photographs recently discovered in the archives of “de Haagse Kunstkring”. Last in the exhibit are photographs by Eline Portman, one of a select group of early 20th-century female photographers. The exhibit presents some of the many portraits of passers-by she took in the city of Valkenburg. Her work shows similarities with that of German photographer August Sander.
De Nooy offers an extensive account of all three photographers in his recently published report of his research, De facto – Een geschiedenis van de Nederlandse fotografie (“De facto – A history of Dutch photography”). Marres presents these works for the first time, including Paauw’s sensational prints.
Curator: Yvon Schoenmakers
Researcher and Collector: Arjan de Nooy
Exhibition Design: EventArchitectuur
Concept Design: Maureen Mooren with Sandra Kassenaar, with a photographical contribution by Johannes Schwartz
Photography: Adriaan Paauw, Théophile de Bock, Eline Portman
