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Diego Perrone: Pendio piovoso frusta la lingua
SOLO/MULTI
readymades belong to everyone®: Philippe Thomas declines his identity
With works by Claire Fontaine, Christopher D’Arcangelo and The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters
POLYPHONY
Hanuman Books 1986–1993
With contributions by Francesco Clemente and Raymond Foye
BIBLIOGRAPHIC OFFICE
Fatima Al Qadiri: Isekai
CHAMBER MUSIC
Åbäke: Deep Publishing
IN-DESIGN
Robert Smithson: Rome is still falling
REHEARSAL
Giulia Cenci, Jim C. Nedd
RETROFUTURE
Ciao!
My autumn programme inaugurates on September 29 with Pendio piovoso frusta la lingua by Diego Perrone.
Laid out as a vertiginous landscape in my SOLO/MULTI section, Perrone’s solo show brings together over 20 years of the Italian artist’s multimedia output as well as new works, in the form of a distortion of the space, a video, a photographic series and two work/displays. One of these, Snorkeller Tube, was realized thanks to the support of the public notice PAC2020—Piano per l’Arte Contemporanea promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture. Formally slippery and at times hypnotic, the artist’s work amplifies and exasperates images and gestures to explore the extremes of “moments” in time and of the nature of the materials he chooses to employ. In this way there is an attempt to create images out of absences, working with archetypes and with the stuff of dreams (September 29, 2022–February 19, 2023).
The programme continues on October 28.
The POLYPHONY section inaugurates with Philippe Thomas declines his identity, an exhibition dedicated to the fictitious agency readymades belong to everyone®, with works by Claire Fontaine, Christopher D’Arcangelo and The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters (October 28, 2022–March 12, 2023).
BIBLIOGRAPHIC OFFICE presents the complete catalogue of Hanuman Books, the rare book publishing house founded by Francesco Clemente and Raymond Foye in New York in 1986 (October 28, 2022–March 12, 2023).
CHAMBER MUSIC features the work of artist and composer Fatima Al Qadiri, with an exhibition entitled Isekai (October 28, 2022–March 19, 2023).
The IN-DESIGN section hosts Deep Publishing, a materialization of the method and practice of transdisciplinary design collective Åbäke (October 28, 2022–March 12, 2023).
On November 24 the programme continues further.
REHEARSAL presents Rome is still falling, an exhibition dedicated to the largely unknown series of drawings made by Robert Smithson in the early 1960s, inspired by a sojourn in Rome (November 24, 2022–April 2, 2023).
Giulia Cenci and Jim C. Nedd join RETROFUTURE, a growing exhibition aimed at creating a collection on a new generation of Italian artists.
Please visit my website for updates and extra content, and to explore all my current and archive of past exhibitions.
See you soon!
