In many languages and traditions, “repair” means to find a remedy for what is torn or broken. Yet to speak of repair in the context of Palestine today—after more than two years of genocidal devastation unleashed by Israel in Gaza, and in the shadow of a neocolonial scramble for reconstruction—is to stand before its threshold: to confront its limits, its (im)possibility, suspended between grief and endurance, between what can be restored and what must remain a scar. To ask what is reparable, and what is not, is to ask how to mend destruction and pursue justice; how to reckon with incommensurable loss. It is to ask how life itself might begin again amid the ruins.

Palestinian Repairs is a collaboration between e-flux Architecture and Emilio Distretti supported by RIWAQ – Centre for Architectural Conservation, Birzeit University Museum, and the School of Architecture at the Royal College of Art, London.

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10 essays
Shatha Safi and Hiba Omari
With the genocidal campaign in Gaza, and the parallel developmentalist plans being drawn up by foreign countries, what does it mean—and what does it take—to do the work of heritage preservation in Palestine today?
“Everything in the amputated town reminded me of failed pictures painted in grey by a sick man,” wrote Ghassan Kanafani describing Gaza almost seven decades ago in a fictional letter to his friend in the diaspora.
Areej Ashhab and Raghad Saqfalhait
Although geographically small, Palestine has a diverse range of soil types due to variations in origin (parent material), climatic, and topographic features.
Yara Sharif, Nasser Golzari, Marion Roberts, Cezary M. Bednarski, and Lailac Al-Taie
At a time when global powers openly call for turning Gaza into a blank canvas and redrawing it again, and the spaciocide and systematic erasure of Gaza’s coastal city unfolds, architecture has the potential to challenge the colonial narrative and hierarchy of knowledge production.
Samir Harb and Emilio Distretti
What constitutes the metric of exhaustion? Where might we locate its ground zero?
In a recent interview, Nadera Shalhoub-Kevorkian shared a haunting account of a young girl in Gaza who, after witnessing the aftermath of bombardment, begged her cat not to eat her body if she died.
How can a city be rebuilt without erasing its memory? How can the material and immaterial be preserved in a postwar landscape?
The sun hangs overhead; we mark the days by her presence and the nights by her absence. She is the maker of myths, but what has the sun become in the age of apocalypse?
Colonization reshapes both physical and psychic space. In situations of power asymmetry and profound helplessness, even the smallest acts become significant in restoring meaning to a shattered world.
Emilio Distretti and e-flux Architecture
Palestinian Repairs is a collaboration between e-flux Architecture and Emilio Distretti supported by RIWAQ – Centre for Architectural Conservation, Birzeit University Museum, and the School of Architecture at the Royal College of Art, London.
Category
Colonialism & Imperialism, Land & territory, War & Conflict
Subject
Palestine, Ruins, Refugees, Architecture

Palestinian Repairs is a collaboration between e-flux Architecture and Emilio Distretti supported by RIWAQ – Centre for Architectural Conservation, Birzeit University Museum, and the School of Architecture at the Royal College of Art, London.

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