e-flux Film Award Ceremony: Inaugural Edition

e-flux Film Award Ceremony: Inaugural Edition

Clockwise from top: Maurício Chades, Green Cemetery (still), 2023; Bo Wang, An Asian Ghost Story (still), 2023; Eri Saito, May All Your Wounds Heal (still), 2021. Graphic design: Mengyi Qian.

e-flux Film Award Ceremony: Inaugural Edition

Admission starts at $5

January 18, 2024, 7pm
172 Classon Avenue
Brooklyn, NY 11205

e-flux Film Award is very pleased to announce the winners of its inaugural edition. The 2023 pre-selection committee members Lukas Brasiskis, Dmitry Frolov, and Steff Hui Ci Ling presented a shortlist of twelve films, picked from over a thousand submissions, for the jury’s consideration. 

Comprised of writer and filmmaker Charles Mudede, artist Anri Sala, and filmmaker Anocha Suwichakornpong, the jury awarded first prize to Maurício Chades for Green Cemetery (2023, 25 minutes), second prize to Eri Saito for May All Your Wounds Heal (2021, 5 minutes), and a special mention to Bo Wang for An Asian Ghost Story (2023, 37 minutes).

Please join us at e-flux Screening Room on Thursday, January 18, 2024 for the award ceremony, in the presence of the awardees as well as jury member Anocha Suwichakornpong and pre-selection committee member Lukas Brasiskis. The ceremony will feature the international premiere of Chades’s Green Cemetery and the US premieres of Saito’s May All Your Wounds Heal and Wang’s An Asian Ghost Story.

Read more on the 2023 edition of e-flux Film Award here.


Maurício Chades, Green Cemetery
2023, 25 minutes
Lavina retires and buys a house in a small city in the middle of a Brazilian savanna. Not even grass would grow on the degraded soil of her backyard. So she starts to plant an agroforestry garden offering each seedling to a loved one who passed away.

Eri Saito, May All Your Wounds Heal
2021, 5 minutes
We cannot feel the pain of others, though if one were to physically connect the nerves in one’s brain to another’s body, one might be able to do so. The artist’s simulated experience of this pain acts as a complex neural transmission that cannot be interpreted.

Bo Wang, An Asian Ghost Story
Hong Kong/The Netherlands
2023, 37 minutes
This film is about haunting memories of Asia’s late twentieth-century modernization. The story departs from a 1965 United States embargo on the hair trade, known as the Communist Hair Ban. Yet, in every wig resides a ghost from the imperial past.

About e-flux Film Award
e-flux Film Award is a prize for artists’ films that push the boundaries of the aesthetic and critical potential of moving images in the age of planetary circulation of information. Selected by a jury of distinguished artists, filmmakers, and film selectors and curators from open submissions, it is awarded annually, with three awards given: a first prize of $3000 USD, a second prize of $2000 USD, and an honorable mention. e-flux Film Award welcomes submissions from both emerging and established artists who subvert and redefine traditional narrative forms and broaden our understanding and perception through the mastery of both film form and content. “How does one see what is hidden behind the images?,” Harun Farocki once asked. In line with e-flux Film’s programming that aims to challenge the expectations established by the commodification of moving-image art and to facilitate the critical discussion of artists’ films, e-flux Film Award is committed to recognizing works that deviate from the dominant and conventional regimes of visibility providing insightful and critical perspectives on today’s world.

For more information, contact program@e-flux.com.

–Two flights of stairs lead up to the building’s front entrance at 172 Classon Avenue.            
–For elevator access, please RSVP to program@e-flux.com. The building has a freight elevator which leads into the e-flux office space. Entrance to the elevator is nearest to 180 Classon Ave (a garage door). We have a ramp for the steps within the space.                     
–e-flux has an ADA-compliant bathroom. There are no steps between the Screening Room and this bathroom.

Experimental Film, Video Art, Awards

Maurício Chades is an artist and filmmaker from Brazil. He holds a BA in Cinema Studies and an MA in Art and Technology from the University of Brasilia, and an MFA from the School of the Art Institute of Chicago. He has participated in collectives such as Espaço AVI, Kinofogo Cineclube, and NINHO – Collective for Research in Art, Interactivity, and Agroecology. His works, in film, installation, sculpture, and performance have speculated about symbiotic, queer, and anticolonial futures. Through fiction, he strives to blur the separations between city, countryside, and forest. Envisioning syntropic environments and multispecies alliances, his art practice combines storytelling with restorative agriculture, composting, and fungiculture. His works have been shown worldwide, including at Queer Lisbon, Curitiba International Film Festival, and FILE – Electronic Language International Festival. In 2019, he presented his first solo show, Pyramid, Urubu, at The Brasilia Digital TV Tower, receiving the Frankenthaler Climate Art Awards in 2022. Chades was featured at the Biennial Videobrasil, and is currently a visiting artist at The Metabolic Studio in Los Angeles.

Eri Saito is a Japanese visual artist living and working in Tokyo. Born 1991 in Fukushima. She graduated from the Wako University Department of Arts, Faculty of Representational Studies, in 2015. Focusing on video, Saito creates works themed on such invisible and uncertain dynamics as memory and cognition. Her recent exhibitions include WVlog: Personal (Art Center Ongoing, Tokyo, 2022), Until It Gets Dark (Tokyo Metropolitan Art Museum, 2021), Glory of 2020 (Yumi Adachi Contemporary / Awoba Soh, Tokyo, 2020), and 1GB (Spiral Hall, Tokyo, 2020). Her video works have been shown at the 40th edition of the International Festival of Films on Art – Le FIFA (Montreal, Canada, 2022), Yebisu International Festival for Art & Alternative Visions (Tokyo Photographic Art Museum, Tokyo, 2022), Image Forum Festival (Theatre Image Forum, Tokyo, 2020), and The Movie Theater Floating on the Sea (Kanagawa, 2019), among other places.

Bo Wang is an artist, filmmaker, and researcher based in Amsterdam. He holds a BS in Physics and Mathematics and an MS in Physics from Tsinghua University, Beijing, and an MFA in Photography, Video, and Related Media from the School of Visual Arts, New York. Currently, he is a PhD candidate at the Amsterdam School for Cultural Analysis, Universiteit van Amsterdam. Wang’s works have been exhibited internationally, including at the Guggenheim Museum and Museum of Modern Art (New York), Garage Museum (Moscow), International Film Festival Rotterdam, CPH:DOX (Copenhagen), Image Forum Festival (Tokyo), Visions du Réel (Nyon, Switzerland), LUX & Open City Documentary Festival (London), DMZ Docs (South Korea), and Para Site (Hong Kong), among many other places. His film An Asian Ghost Story won the New:Vision Award at CPH:DOX 2023. He received a fellowship from the Robert Flaherty Film Seminar in 2013, and was an artist-in-residence at ACC-Rijksakademie from 2017 to 2018, as well as at NTU CCA in 2016.

Anocha Suwichakornpong is a filmmaker whose work is informed by the socio-political history of Thailand. Her films have been the subject of special focus screenings at the Museum of the Moving Image, New York; TIFF Cinematheque, Toronto; and Harvard Film Archive. She is a co-founder of the Bangkok-based production company Electric Eel Films. In 2017, together with Visra Vichit-Vadakan and Aditya Assarat, she founded Purin Pictures, an initiative to support Southeast Asian cinema. She teaches film at Columbia University.

Lukas Brasiskis is a Curator of Film and Video at e-flux. He is also a cocurator of the 14th Shanghai Biennale (2023–24). He received his PhD degree in Cinema Studies from New York University in 2022. His writings on moving image are widely published, and most recently he was the coeditor of Cinema and the Environment in Eastern Europe (Berghahn Press, 2024) and Jonas Mekas: The Camera Was Always Running (Yale University Press, 2022).

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