Decision Moment. IV: Persistent Erasure

Decision Moment. IV: Persistent Erasure

Iva Radivojević, When the Phone Rang (still), 2024.
Decision Moment. IV: Persistent Erasure

Admission:
General $10
Student $7

Date
July 29, 2025, 8:30pm
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172 Classon Avenue
Brooklyn 11205
USA

Join us at the e-flux Screening Room rooftop for Persistent Erasure, the fourth and final part of the series Decision Moment, presenting artists' films and cinema features that reflect on historical moments of action and inaction and examine cinematic ways of approaching them.

At the core of each screening lies a past event shaped—knowingly or not—by a decision pursued, postponed, or left unmade, whose consequences continue to linger. Rather than reconstructing the past events as heroic acts, the films presented in this program embrace the limits of linear narration as ethical commitment to the complexities of historical decisions, and encourage viewers to reflect on their own actions and decisions in the present.

Screenings take place on Tuesdays from July 8–29, 2025, and begin after sunset.

IV: Persistent Erasure
Tuesday, July 29, 2025, 8:30pm

Approaching traumatic experiences as refrains that persistently shape personal identities, these films by Yamashiro Chikako and Iva Radivojević explore ways of grappling with historical events that have stripped away individual agency. Both works employ cinematic form as a means to contend with memory’s inherent elusiveness, incompleteness, and resistance to being fully transmitted or resolved across generations. 

Yamashiro Chikako, Your Voice Came Out Through My Throat (2009, Japan, 7 minutes)
Yamashiro Chikako presents the stories of survivors of the Battle of Okinawa through lip-syncing and superimposition. With her body as an archive, she stages the link between the donors and inheritors of trauma and, ultimately, attempts the impossible—transferring memory across generations.

Iva Radivojević, When the Phone Rang (Serbia/USA, 2024, 73 minutes)
Structured through an intimate reconstruction of an important phone call, Radivojević’s film excavates the residue of childhood memories shaped by the moment of the dissolution of Yugoslavia and its psychological aftermath. In the protagonist's eleven-year-old mind the phone call erases her entire country, history, and identity. Through a mix of scripted performative recreations When the Phone Rang does not return to the past, instead confronting the impossibility of ever having left it.

For more information, contact program@e-flux.com.

Category
Film
Subject
Experimental Film, History, Politics, Historicity & Historiography, Memory
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Decision Moment

Iva Radivojević was born in Belgrade and spent her early years in Yugoslavia, Cyprus and New York City. She is an artist and filmmaker who currently divides her time between Athens and Lesbos. Her work presents itself as a collection of fragments {observations, poetry, images, sounds, melodies, languages} which collage together to connect into a ruminating whole. The work circles around dislocation, migration and belonging, seeking to connect to the metaphysical or the magical. Iva's films have screened at the New York Film Festival, Locarno, New Directors/New Films, Rotterdam IFF, Jeonju iFF, CPH:DOX, Berwick Film & Media Arts Festival, DocLisboa, Museum of Modern Art (NYC), and were commissioned by
ARTE La Lucarne and Field of Vision. She is the recipient of the Sundance Art of Non-Fiction Fellowship, Guggenheim Fellowship, NYFA Fellowship, Jerome Foundation Fellowship, Princess Grace Special Project Award and Film Fellowship. She is a PhD candidate at Villa Arson in Nice, France. Her new film When The Phone Rang received the Special Mention Award at the 77th Locarno Film Festival and continues to win awards worldwide. A book of the original story by the same name was published by red herring press in the UK.

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