Two Thousand Seasons: A Look Into 2026 and Beyond

Two Thousand Seasons: A Look Into 2026 and Beyond

Rahima Gambo, Tatsuniya (Still), 2017–ongoing.

Two Thousand Seasons: A Look Into 2026 and Beyond

Admission:
General $10
Student $7

Date
January 15, 2026, 7pm
172 Classon Avenue
Brooklyn NY 11205
USA

The African Film Institute is pleased to invite you to e-flux Screening Room on Thursday, January 15, 2026 at 7pm for Two Thousand Seasons: A Look Into 2026 and Beyond, opening the Institute’s 2026 program with an evening that introduces the themes and working methods of the years ahead. The screening will be followed by a conversation between KJ Abudu and Kaneza Schaal.

Taking its title from Two Thousand Seasons (1973) by Ghanaian writer and thinker Ayi Kwei Armah, the program draws on the novel’s long historical horizon and its insistence on a way of living together not defined by kingdoms, nations, empires, or “great men,” but by a communitarian, mutual, life-affirming path that refuses predatory and destructive forces that continue to shape the present.

Conceived as a playlist, the screening proposes a method of collective study and collaborative action. It will bring together clips, trailers, and fragments alongside complete works that point to alternative sites where memory is held and where learning is made. Moving between the film image and practices beyond the screen, the evening samples transitional ways of recording histories and practicing commemoration, foregrounding inspiration as a lesson and a tool for loosening the grip of manipulation characteristic of the world today.

A recurring thread in the playlist takes its cue from Tatsuniya, an ongoing project by artist Rahima Gambo. The Hausa word “tatsuniya” can be translated as story, tale, or riddle, and Gambo’s project unfolds as a collaboration with a group of young women in Maiduguri, Nigeria, in the wake of the Boko Haram conflict and the targeting of schools and universities. Structured as a gathering space for support, resources, and sustained exchange over time, the project also becomes a way to negotiate the terms of long-term collaboration, agency, representation, and authorship.

For inquiries addressed to the African Film Institute, please write to africanfilminstitute@e-flux.com.

For general and press inquiries, contact program@e-flux.com.

Accessibility
– Two flights of stairs lead up to the building’s front entrance at 172 Classon Avenue.
– For elevator access, please RSVP to program@e-flux.com. The building has a freight elevator which leads into the e-flux office space. Entrance to the elevator is nearest to 180 Classon Ave (a garage door). We have a ramp for the steps within the space.
– e-flux has an ADA-compliant bathroom. There are no steps between the Screening Room and this bathroom.

Category
Film, Education
Subject
Film, Experimental Film, Africa, History, Memory

Rahima Gambo is a Nigerian multimedia artist and photographer who came to artistic practice by working independently on long-form trans-media documentary projects. Gambo currently explores an expanded moving photography through the narrative and experimental capabilities of “walking” as it intersects with the documentary form, psycho-spiritual-geography, sociopolitics, urban environment, and autobiography.

Kaneza Schaal is a Rwandan-American artist and arts education advocate who works in theater, film, and opera. She believes that theater is a model for a participatory society and fundamental to a functioning democracy. Her work has been presented at numerous institutions, including The Kennedy Center, Brooklyn Academy of Music, Los Angeles Opera, Detroit Opera, LA Philharmonic, The Shed, Walker Arts Center, Museum of Contemporary Art Chicago, REDCAT, The New Victory Theater and New Orleans Center for Contemporary Art. Kaneza Schaal is a Guggenheim Fellow and recipient of the Herb Alpert Award in Theatre, United States Artists Fellowship, Soros Arts Migration and Public Space Fellowship, and Ford Foundation Art for Justice Bearing Witness Award. She also directed the 2023 Pulitzer Prize-winning opera Omar. She taught an Atelier course at Princeton University with Elevator Repair Service and has lectured at Yale University, CT; Wesleyan University, CT; New York University, NY; University of the Arts, PA; and Xavier University, LA. In Spring 2020, she taught a course at Harvard University on theater and social practice, and she served as the Denzel Washington Endowed Chair in Theatre at Fordham University in Fall 2021.

KJ Abudu is a curator, writer, and scholar-critic based between New York, London, and Lagos. Informed by anti/post/de-colonial critique, African philosophy, and black radical thought, his writings and exhibitions focus on critical art and discursive practices that respond to the world-historical conditions produced by racial/colonial capitalist modernity.

Hamedine Kane, a Senegalese-Mauritanian artist and director born in 1983, lives between Brussels, Paris and Dakar. Trained as a librarian, he studied the book trade in Paris before moving to Brussels in 2004. His artistic practice explores themes of migration and borders through film, photography, performance and installation. In his work, Kane sees borders not as symbols, limits or factors of impossibility, but as places of passage and transformation. Co-founder of "L'École des Mutants," he focuses on the transmission of post-colonial knowledge. He is represented by Selebe Yoon.

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