We are all rightly suspicious of the categorical impulse that seeks to sort things out—once and for all. Yet, as we each entropically accumulate objects (in our homes and on our hard drives), it gets hard to manage without some kind of taxonomy. This ambivalence is well captured by an artist such as Bas Jan Ader, whose film Primary time (1974) consists of a cropped figure neurotically arranging and rearranging a bouquet of "ower stems according to the primary cadmiums we might associate with a classic Piet Mondrian (first red, then yellow, then white).
This fifth issue of the e-flux Index, containing the whole breadth of pieces published by e-flux.com in August and September 2024, comprises nine new categories of its own. These are titled: Is That All There Is?; What a Body Can Do; The Physicists’ Laugh; Dens, clubs, hives, and cells; The Tourist; Flickers; Promethean Shame; Proxies; and Inextinguishable Fires. In the exploratory spirit of Jan Ader, more than that of Carl Linnaeus, each of these categories represents an attempt at daisy cutting samples from the dynamic, complex meadow of discourse across the arts, architecture, education, theory, and politics. This deviant taxonomy is not designed to reduce or abstract away from the complexity of critical discourse and artistic activity in the present moment, but rather to do justice to this very heterogeneity.









