Index #8

Some of the earliest illuminated manuscripts featured “maniculues” in their margins—cute emoji-like hands with extended index fingers to mark significant passages in a text for subsequent readers. The first book I ever read also pointed outwards. Its title—Look!—was also its dominant word, appended caption-like to illustrations of a young girl pointing her finger at a variety of domestic scenes and objects. Though the lexical monotony of Look! was before long eclipsed by more exhilarating fare, its lesson was instructive for a young person embarking on a reading career: keep your eyes open, stay attentive, look!

This eighth issue of the e-flux Index explores the fragmentary complexity of the current moment through pointing out eleven emergent themes drawn from texts commissioned by e-flux throughout the spring of 2025. These indications for reading refuse the xenophobic illogic of the us/them, friend/enemy strategies of categorizing, and instead seek to index multiple temporalities and positions simultaneously—in a non-linear way. They bring together exhibition and film reviews, in-depth theoretical and historical essays on contemporary art, architecture, and design, interviews with artists, theorists, and filmmakers, journeys into the archive of film history, and shorter missives on sociopolitics and contemporary culture. They are titled: Dont’s, Othercare, Chance Operations, The World of Interiors, Bone Alphabets, The One Who Waits, The Day Is the Barricade, Sentimental Educations, Marking Territory, [gesticulating], and Sedimentology.

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12 ChaptersJanuary 2026
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Don'ts
With: Evan Calder Williams, Fred Scharmen, Chris Murtha, Filipa Ramos, Rory Rowan, Ben Eastham, Daniel Muzyczuk and Tabitha Steinberg
Read the fine print. It contains Evan Calder Williams on the “Deodand,” a baroque instrument of fifteenth-century property law, in the final installment of his essay on paralysis; Stanley Wolukau-Wanambwa on Cameron Rowland’s exploration of the contract as an artistic medium; and Tabitha Steinberg on the prohibition of Spanish at a Texan school. Prohibitions, regulations, and arcane forms of jurisprudence elsewhere abound—in Fred Scharmen&rsq...
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Othercare
With: iLiana Fokianaki, George MacBeth, Rizvana Bradley, Deborah-Joyce Holman, Samuel Hellmann, Michael Kurtz, Sarah Maldoror, Chong Gu, Audrey Tseng de Melo Fischer and Isadora Neves Marques
Who cares? And how? iLiana Fokianaki argues that we should rethink the relationship between the politics of care and received ideas of motherhood and feminized labor. Samuel Hellmann meanwhile finds an interrogation of the unwaged labor of social reproduction within Chinese postwar architectural discourses of socialist renewal and reconstruction. A more complex picture of caring and parenthood emerges from the pressure-cooker of Mary Bronstein’s recent filmmaking, Ed Atkins’s CGI wor...
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Chance Operations
With: Rodrigo Nunes, Rodrigo Nunes, Nicholas Risteen, Nicholas Gamso, Melissa Bremmer, Emiel Heijnen, Folkert Haanstra, Sarah Hennies, Ericka Beckman, Sandra Skurvida and Andreas Petrossiants
A throw of the dice may never abolish chance, yet the aleatory, the improvisatory, and the spontaneous continue to allure. Rodrigo Nunes’s two-part essay on the physician and philosopher Aleksander Bogdanov’s new science of tektology explores Bogdanov’s ideas on humanity as a “disorganizing force” at both local and global scales. The spontaneous and deliberate disorganization of improvisation erupts in Sandra Skurvida’s piece on the works that bookend John Cag...
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The World of Interiors
With: George MacBeth, Evald Ilyenkov, Trevor Wilson, Isa Jacobs, Clair Ryu, Lauren O’Neill-Butler, John Douglas Millar, Bethany Rigby, Tom Denman and Dominique Routhier
Oscar Wilde famously pronounced that only the shallow didn’t judge by appearances. This dandyist credo—betokening a fascination with the complexity of ornamentation, surfaces, and decorative practices—shaped the elliptical sensibility of Marc Camille Chaimowicz’s work, as it did Sadao Hasegawa’s efforts to incarnate a non-Occidental “universe of beauty,” and the lessons Claire Ryu draws in her essay on the lavishly decorated hybr...
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Bone Alphabets
With: Isabelle Bucklow, Chris McCormack, Greg Stuart, Marianna Ritchey, Lionel Devlieger, Michaël Ghyoot, Adam Przywara, Karen Steukers, Arne Vande Capelle, Louise Vanhee, Pietro Bianchi, Pietro Bianchi, Sigourney Schultz, Maria Fedorchenko , Yeliz Abdurahman, Patrick Langley and Jean Cocteau
Crooked signs (mis)direct us through this section on symbolic languages, asemic scribbles, and discourse without words. Setting off from Isabelle Bucklow's review of a book on the arrow as the "generator of architecture," it also includes two essay-diagrams from an ongoing e-flux Architecture project titled Chronograms of Architecture, departing from Charles Jencks's speculative diagrammatic practice. Signs are taken for wonders in Chris McCormack's review of a show responding to the urban rune-...
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The One Who Waits
With: Thotti, Jamieson Webster, Liam Gillick, Ben Eastham, Jonathan T. D. Neil, David Grubbs, Lara Fresko Madra, Juan José Santos, Sven Lütticken and Laura McLean-Ferris
Your call is very important to us. While you wait, read Thotti's journey to limbo, Sven Lütticken on the integrality of day-today "habit" for the philosophical discourse of forms of life (Lebensform), David Grubbs on negotiating when to rest while performing Pauline Oliveros's work Primordial/Lift, and Liam Gillick's Godot-like "layered musical" Ibuka! in which a London dinner party awaits its delayed host, Erasmus. Please continue to hold. Zeyno Pekünlü's Perfect Loop dramatizes ...
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The Day Is the Barricade
With: Vaiva Grainytė, Ana María Gómez López, Max Crosbie-Jones, Dylan Huw, Nate Wooley, Andreas Petrossiants, Olexii Kuchanskyi, Jasper Bernes and Charles Tonderai Mudede
Exploitation is ordinary. What Marx termed capital's "sucking of living labor" extends from the 16-plus-hour days the astronauts in Ana María Gómez López's essay clock up in orbit, down to the repetitive emotional labor of the checkout cashiers in the opera Have a Good Day! by Vaiva Grainytė and co. The dream of ending such ubiquitous exploitation animated actually existing socialism, from the Soviet experiment (whose developmentalist relations with its "peripherie...
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Sentimental Educations
With: Anton Vidokle, Anton Vidokle, Hiwa K, Pietro Bianchi, Hallie Ayres, Gabriela Jauregui, Kenny Fries, Rob Goyanes, Nagisa Oshima and Satyajit Ray
How to get started? Sometimes it can take the mentorship of a friend for new ideas to blossom—as appears in Anton Vidokle's portrait here of Boris Groys and in his discussion with artist Hiwa K, as well as in Pietro Bianchi's portrait of Antonio Negri. Or, an artistic career can begin with a series of false starts, moments of defeat, and frustration—as in the case of two candid biographical texts from the filmmakers Nagisa Ôshima and Satyajit Ray. For many others, the process o...
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Marking Territory
With: Jamieson Webster, John Tresch, Jan Zalasiewicz, Mark Williams, Natasha Marie Llorens, Emerson Goo, Ou Ning, Sadia Shirazi, Megan Eardley, Gaby Cepeda and Thandi Loewenson
How to go on living in hostile environments? Contributions by Jamieson Webster, Jan Zalasiewicz and Mark Williams, and Emerson Goo survey the torrid landscapes of environmental degradation, ecocide, and "toxicity" that differentially characterize the dead zones and red tides of the Anthropocene, moving from recent wildfires in Hawai'i to the psychic structure of everyday climate denialism. Megan Eardley and Thandi Loewensen illuminate the extension of the colonial-frontierist necropolitics of en...
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[gesticulating]
With: Laura Tripaldi, Daisy Hildyard, Fanny Singer, Helena Wittmann, Yuk Hui, Adeena Mey, Xenia Benivolski, Brian Droitcour, Sezgin Boynik and Dara Birnbaum
For the anthropologist André Leroi-Gourhan, gestures were the site at which human technics came into being. In a digital environment of ubiquitous haptic interfaces—swiping to enlarge images, tapping to enter our account details—our relationship to technology is becoming ever softer and more tactile, occasioning new theorizations of a "soft future" of wetware, as explored by Laura Capaldi, and in Yuk Hui's Tractatus Politico Technologicus. In their reviews of recent moving ima...
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Sedimentology
With: Kateryna Iakovlenko, Leo Goldsmith, Mary Walling Blackburn, Oliver Basciano, Eloise Fornieles, Kim Córdova, Pramodha Weerasekera, Keely Shinners, Xuanlin Tham, Novuyo Moyo, Bilal Khbeiz and Michaela Büsse
Sedimentology is the science of accretion, weathering, and erosion of the soils, the sands, the earth. This issue of e-flux Index ends with pictures that fade, monuments that rust, the violent images we encounter one day that are overwritten the next, as infrastructural technologies of erasure efface Indigenous histories, and forgetting takes its course. Countering such processes, Mary Walling Blackburn writes here on the counter-memorial genre of “trench art,” Eloise Fornieles visit...
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End Matter
With: Piper Marshall, The Editors, The Editors, The Editors, John Palmesino, Ann-Sofi Rönnskog, e-flux Architecture, Marija Marić, e-flux Architecture, Ruo Jia and e-flux Architecture
Obituaries, editorials, open letters