This month, we are very glad to have our first guest-edited issue of e-flux journal care of Irit Rogoff, whose activities we have followed with great interest over the years, drawn to her insights into the potentialities of education unbounded . Already a number of contributions to the journal in its first year (those of Tom Holert, Luis Camnitzer, and Dieter Lesage, in addition to Rogoff’s own immensely influential text, “Turning”) have surveyed current conditions and possible...

In the inaugural issue of e-flux journal , Irit Rogoff, under the deliberately ironic title “Turning,” calls attention to the recent “educational turn in curating,” thereby marking important shifts in the understanding of both practices: curating is no longer understood as the mere mounting of exhibitions; education is no longer understood as the transmission of existing values and acquirements. 1 Thus we are dealing with a turn in two arenas, the curatorial and the educational. By...

Debt and Credit They say we have too much debt. We need better credit, more credit, less spending. They offer us credit repair, credit counseling, microcredit, personal financial planning. They promise to match credit and debt again, debt and credit. But our debts stay bad. We keep buying another song, another round. It is not credit that we seek, nor even debt, but bad debt—which is to say real debt, the debt that cannot be repaid, the debt at a distance, the debt without creditor, the...

A Joyless Anniversary The venerable old Italian university town of Bologna seems in danger of losing its long-established good name. The risk to the city’s reputation, ironically enough, is due to developments in higher education, the very field in which its fame was established. In 1088, the first European university to be broadly independent of Church control was founded in Bologna, setting new standards in jurisprudential scholarship and, through its example, leading to the...

Theorem 1 (Nicolas) The most basic distinction between state-run art institutions and so-called “self-organized” structures in the cultural field concerns the distinction between ways of working within them; between pre-existing positions to be filled, and unstructured, continuously reinvented positions. Beyond having a strong division of labor—a characteristic of “real” state-run and more corporate private institutions—it is this distinction that shapes all the others, producing...

—Who wants to know? —I want to know. —What do you want to know? —I don’t know! At some point last year I proposed within my institution, Goldsmiths, University of London, that we develop a free academy adjacent to our institution and call it “Goldsmiths Free.” The reactions to this proposal, when not amused smirks at the apparently adolescent nature of the proposal, were largely either puzzled—“What would we get out of it? Why would we want to do it?”—or horrified—“How would...

What is a Political Education? “Radical moments” such as the ones found here, fraught with social and historical contradictions stemming from opposing deeply held beliefs, reveal common conceptual bases previously invisible within the staging of their enmity or opposition. It is in this space that whole generations can rediscover the possibilities of Utopia and radical critique. What follows is an exploration of how different radical moments speak to one another across time,...

This is a segment of conversation between the philosopher Bernard Stiegler and cultural theorist Irit Rogoff that took place on the occasion of Stiegler’s lecture series, “Pharmaconomics” at Goldsmiths in February, March 2010, as part of his current professorial fellowship. In this segment, we touch on a couple of Stiegler’s key terms in the development of his thought, such as “transindividuation,” “transmission,” and “long circuits.” In his three-volume work Technics and Time , Stiegler...

Isabelle Bruno is a French political scientist who has written on the range of mechanisms used by the European Union to regulate and redefine the public sector. 1 Christopher Newfield is an American cultural studies scholar who has written about innovation and the fate of public higher education, including the “budget wars” over the arts and humanities. 2 They met as co-panelists at a conference in Toulouse in the fall of 2008. Organized by the association Sauvons la Recherche, the...