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#65 May 2015
Editors
Supercommunity
Ahmet Öğüt
Things Based on Real-Life Events
Karl Holmqvist
GORILLAZ GRRLZ
Ala Younis
Men of Bronze, Homes of Concrete
Dr. Beatriz Balanta, Benj Gerdes , Jennifer Hayashida, Christopher Myers , Brian Kuan Wood, and Mary Walling Blackburn
Child as Material
DIS
Styles and Customs in the 2020s
Jean-Luc Nancy
Oh the Animals of Language
Steven Shaviro
Arsenic Dreams
Federico Campagna
After Nihilism, After Technic: Sketches for a New Philosophical Architecture
Jonas Staal
Empire and Its Double: The Many Pavilions of the Islamic State
Oleksiy Radynski
The Arts for the Global Conflict: A 2115 Report
TBH IDK FTW
Hiwa K
A Few Notes from an Extellectual
Ilya Budraitskis
The Extraordinary Adventures of Guy Fawkes
McKenzie Wark
The Vectoralist Class
Antonio Negri
Notes on the Abstract Strike
Julieta Aranda, Brian Kuan Wood, and Anton Vidokle
Closing Editorial
Natasha Ginwala
Corruption
Elizabeth A. Povinelli
Windjarrameru, The Stealing C*nts
Jan Verwoert
Torn Together
Hu Fang
Why We Look at Plants, in a Corrupted World
Sarnath Banerjee
The Idle Monologue of an Unconvinced Surveyor
Yin-Ju Chen and James T. Hong
The Fruitarian Dilemma: A Dialogue about Kissing Ass, Corruption, and Compromise
Franco “Bifo” Berardi
The Message of Francis
Aaron Schuster
You Can’t Ask Everyone to Behave Ethically Just Like That
Charles Stankievech
Supercritical Decay
Naeem Mohaiemen
Traitors, a Mutable Lexicon
Denise Ferreira da Silva
Reading Art as Confrontation
Hassan Khan and Natasha Ginwala
Soaking in the Daily Curses: A Conversation
Wietske Maas
The Corruption of the Eye: On Photogenesis and Self-Growing Images
Boris Groys
Cosmos
Boris Groys
Cosmic Anxiety: The Russian Case
Arseny Zhilyaev
Second Advents: On the Issue of Planning in Contemporary Art
Aleksandr Bogdanov
Immortality Day
Konstantin Tsiolkovsky
Theorems of Life (As an Addendum and Clarification on Monism)
Keti Chukhrov
Why Preserve the Name “Human”?
Nikolai Fedorov
The Museum, Its Meaning and Mission
Anton Vidokle
THE COMMUNIST REVOLUTION WAS CAUSED BY THE SUN: A PARTIAL SCRIPT FOR A SHORT FILM
Aleksandr Svyatogor
Our Affirmations
Editors
Planetary Computing
Ted Chiang and Allora & Calzadilla
The Great Silence
Julieta Aranda and Ana Teixeira Pinto
Turk, Toaster, Task Rabbit
Benjamin H. Bratton
On Deprofessionalizing Surgery
Ernesto Oroza and Gean Moreno
La Ville Souvenir
Adam Kleinman
ARGUS is: An Almost Cock and Bull Story
Tavi Meraud
Field Guide to Skirmology: Handbook for the Skirmonaut
Kader Attia
The Loop
Jussi Parikka
The Alchemic Digital, The Planetary Elemental
Metahaven
Eating Glass: The New Propaganda
Emily Segal
Mercury Retrograde
Pedro Neves Marques
Apocalypsis
Jimmie Durham
Apocalypsis, or The Dragon in Her Cave
Pedro Neves Marques
Look Above, the Sky is Falling: Humanity Before and After the End of the World
Adrian Lahoud
Nomos and Cosmos
Lesley Green
The Changing of the Gods of Reason: Cecil John Rhodes, Karoo Fracking, and the Decolonizing of the Anthropocene
Jon Rich
ISIS and the CIA Vie for the Claim to Divinity
Déborah Danowski and Eduardo Viveiros de Castro
Is There Any World to Come?
Rory Rowan
Extinction as Usual?: Geo-Social Futures and Left Optimism
Ben Woodard
Less World to be Ourselves: A Note on Postapocalyptic Simplification
Marisol de la Cadena
Uncommoning Nature
Tom Holert
Politics of Shine
Douglas Coupland
Shiny
Matteo Pasquinelli
On Solar Databases and the Exogenesis of Light
Anne Anlin Cheng and Tom Holert
Do You See It? Well, It Doesn’t See You!
Carolyn L. Kane
Plastic Shine: From Prosaic Miracle to Retrograde Sublime
Arjuna Neuman
Heart of Brightness
Tom Holert
Blackout City
Giuliana Bruno
Surface Encounters
Editors
The Art of Work
Nina Power
Construction with Steel and Technology
Luis Camnitzer
Thinking About Art Thinking
Working Artists and the Greater Economy (W.A.G.E.)
Online Digital Artwork and the Status of the “Based-In” Artist
Liam Gillick
Weapons Grade Pig Work
Global Ultra Luxury Faction (G.U.L.F.)
On Direct Action: An Address to Cultural Workers
Guy Mannes-Abbott
Laboring One to Seven (Island of Terror)
Editors
“Art”
Martha Rosler
The Art of Cooking: A Dialogue Between Julia Child and Craig Claiborne
Harun Farocki
On the Documentary
Mohammad Salemy
Art After the Machines
Gertrude Stein
The Making of Americans
David Hodge and Hamed Yousefi
Provincialism Perfected: Global Contemporary Art and Uneven Development
Liu Ding and Carol Yinghua Lu
Crimes Without a Scene: Qian Weikang and the New Measurement Group
Emre Hüner and Pelin Tan
The Forms of Non-Belonging
Julieta Aranda and Brian Kuan Wood
Give Back to Your Alma Mater!
Susanne von Falkenhausen
Self-Identity is a Bad Visual System
Maria Lind
Made to Fit, or The Gathering of the Balloons
Raqs Media Collective
The Social Commons
Leela Gandhi and Bhrigupati Singh
Botched Enlightenment: A Conversation
Uzma Z. Rizvi
Theorizing Deposition: Transitional Stratigraphy, Disruptive Layers, and the Future
Showkat Kathjoo
The Memory of a Deluge and the Surface of Water
Rupali Gupte and Prasad Shetty
It Takes so Much for a City to Happen
Sean Dockray and Lawrence Liang
Sharing Instinct: An Annotation of the Social Contract Through Shadow Libraries
Sher Singh and Shveta Sarda
Of Work Riots, Political Prisoners, and Workers Refusing to Leave the Factory—Translated Through the Pages of Faridabad Workers News (2005–2015)
A Knot Untied in Two Parts
Coco Fusco
Cuba
Orlando Luis Pardo Lazo
Castroneirics: A Dreamitaph for Fidel (The Exquisite Cadaver)
Coco Fusco
The Revolution Is Dead—But Long Lives the State!
#65 May 2015
Corruption
Cosmos
Planetary Computing
Apocalypsis
Politics of Shine
The Art of Work
“Art”
The Social Commons
Cuba
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