Jean-Marie Straub and Danièle Huillet: The Bridegroom, the Actress, and the Pimp

Jean-Marie Straub and Danièle Huillet: The Bridegroom, the Actress, and the Pimp

Jean-Marie Straub and Danièle Huillet: The Bridegroom, the Actress, and the Pimp
Screening
Date
June 22, 2022, 9pm–12am
Bar Laika by e-flux
224 Greene Avenue
Brooklyn NY 11238
USA

Bar Laika is very pleased to present Jean-Marie Straub and Danièle Huillet's The Bridegroom, the Actress, and the Pimp (1968, 23 minutes), taking place on Wednesday, June 22, 9pm as part of its weekly film screenings. 

Love is a tawdry transaction, and a coercive weapon of the ruling class in this exhilarating, controversial product of the Munich Action-Theater—an immediate forerunner to Rainer Werner Fassbinder’s Anti-Theater productions of the late 1960s. Invoking the writings of Chairman Mao and the events of Paris 1968, Straub and Huillet cast Irm Hermann, Hanna Schygulla, and Peer Raben (who would soon become regulars of the Fassbinder acting ensemble) along with Fassbinder himself in this radical condensation of Ferdinand Bruckner’s 1926 play Pains of Youth, a single 11-minute shot that is subsumed within an intricately structured, 12-shot constellation of other quotations, including poetry by Saint John of the Cross and musical passages from Bach’s Ascension Oratorio. New Digital Restoration.

For more information contact laika@e-flux.com.

www.laika.bar

Category
Film, Theater
Subject
Experimental Film, Class, Love

Danièle Huillet and Jean-Marie Straub directed twenty-eight feature films in their fifty-two years of shared life and work, creating an oeuvre that is one of the most unique and uncompromising in modern cinema. Their vast filmography is as diverse as the material that served as the bases of many of their narratives, including writings by Brecht, Hölderlin, Duras, Kafka, Pavese, and Vittorini, as well as music by Bach and Schoenberg. Straub and Huillet often reinterpreted forgotten or overlooked classical works, investing them with a renewed polemical relevance. Their films bring stories of class struggle and resistance to the surface, examining post-war power relations and offering a critique of capitalism throughout history and across linguistic and territorial borders. Created with intense rigor, beauty, and political commitment, each of their deeply inventive films demands our full attention at every moment, presenting cinema as something both surprising and necessary.

Jean-Marie Straub (1933–2022) was a French-born filmmaker. Along with Danièle Huillet (1936–2006), he made two dozen films known for their rigorous style and radical politics.

Danièle Huillet (1936–2006) was a French-born filmmaker. Along with Jean-Marie Straub (1933–2022), she made two dozen films known for their rigorous style and radical politics.

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