It can be said that “Asian,” or “Feminist,” or “Architectural” are all non-existent signifiers of “initial problems,” but ones that are very present and possible. For example, “Asian” can be a geographical designation that has varied according to history; a specific race, a category constructed with violence and fluidity; or an aspired episteme that is even harder to pinpoint. Yet together, as three moving anchors in relation to each other, “Asian-Feminist-Architectural” forms a relatively coherent and stable triangulation where concrete material experiences can be gathered by certain specific moving identities.

Asian Feminist Architectural Possibilities is a collaboration between e-flux Architecture and Ruo Jia, supported by Pratt Institute.

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6 essays
Hasegawa’s architectural narrative can be understood as a form of meander, a narrative form that, according to author and critic Jane Alison, “hint[s] at structures inside them rather than an arc, structures that create an inner sensation of traveling toward something and leave a sense of shape behind.”
Shayari de Silva
The practice of architecture—a field that intersects spheres of capital and social politics—inevitably creates interactions that are defined by gender, class, and in twentieth century Sri Lanka, caste.
In 1952, Chinese architects Lin Huiyin and Liang Sicheng published a translation of Soviet architect Nikolai Voronin’s Rebuilding the Liberated Areas of the Soviet Union. In their foreword, Lin and Liang identified reconstruction (chongjian, 重建) and redesign (chongxin sheji, 重新设计) as the operable problematics for socialism both in China and beyond.
Dining at Empire Garden in Boston’s Chinatown is a big affair. From the moment you turn the corner onto Washington Street, you are drawn toward the larger-than-life marquee shouting “EMPIRE GARDEN,” “DIM SUM,” and “EXOTIC COCKTAILS” in bold yellow letters against a striking red background.
Chong Gu and Audrey Tseng de Melo Fischer
For many migrant Asian femme bodies working in the massage and sex work industry across Queens, New York, home is transient—a yearning that keeps their tired hands busy and a dream that draws them to lay in a foreign bed at night.
Ruo Jia and e-flux Architecture
Identity has a paradoxical existence. It is deployed in the narrative of seeking “one’s own,” yet it also implies some identicalness that is explicitly not; an identity that is shared and collective, that is a priori and allows one to belong, to grow “one’s own.”
Category
Feminism, Asia
Subject
Architecture, Community, Subjectivity, Diaspora

Asian Feminist Architectural Possibilities is a collaboration between e-flux Architecture and Ruo Jia, supported by Pratt Institute.

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