Journal - e-flux

#95 WONDERFLUX

Editors WONDERFLUX: a decade of e-flux journal

Coming soon Words by Franco “Bifo” Berardi
Illustrated by Andrew Alexander The End of Prophecy

#94 October 2018

Editorial

Sticky Notes, Part B (4–17)

Propaganda (Art) Struggle

Untaming Restraint and the Deferred Apology

Shattered Matter, Transformed Forms: Notes on Nuclear Aesthetics, Part 1

To Save a World: Geoengineering, Conflictual Futurisms, and the Unthinkable

Incomplete Messengers: Notes on Heavy Equipment

Curating in the Post-Internet Age

#92 June 2018

Editorial

One Eye Closed: An Exercise in Stereoscopy

Action, Activism, and Art and/as Thought: A Dialogue with the Artworking of Sonia Khurana and Sutapa Biswas and the Political Theory of Hannah Arendt

Untitled (Environments)

Sticky Notes, 1-3

Mother Earth: Public Sphere, Biosphere, Colonial Sphere

The Word Made Fresh: Mystical Encounter and the New Weird Divine

E autobiography di un idioma

Maso and Miso in the Land of Men’s Rights

Dragging (My) Shadows on a Circle: On Anger, Vulnerability, and Intimacy

Feminism, Art, Contradictions

But Still, Like Air, I’ll Rise

Feminism Will Not Be Televised

or, on being the other woman

#91 May 2018

Editorial

Now Is Night

Immortality

Emmanuil Levin

Articulations of (Socialist) Realism: Lukács, Platonov, Shklovsky

Redistribution via Appropriation: White(washing) Marbles

A First Step Towards a Regional Risk Assessment

We Are All Aliens

Andrei Platonovich Platonov

#90 April 2018

#89 March 2018

Editorial

Homeland Security Stylesheet: Incest Font

Content Industrial Complex

Three Tendencies of Future Art

Art Populism and the Alter-Institutional Turn

Learning from Machines, Seeing with a Thousand Eyes: On the Relevance of Russian Cosmism

Art as the Overcoming of Death: From Nikolai Fedorov to the Cosmists of the 1920s

Soylent Beige: The Middle Gray of Taste

21 Paragraphs on Badiou

#88 February 2018

#81 April 2017

Editorial

What Art Can Do

On the Unhappy Consciousness of Neoreactionaries

Asian Futurism and the Non-Other

The Fourfold Articulation

Dissenting Voices of the Unwashed, Disobedient, Noncitizens, and Exiles in their Own Homes

Love is the Message, The Plan is Death

Geontologies: The Concept and Its Territories

Anti-Shows

#80 March 2017

Editorial

Black Circuit: Code for the Numbers to Come

Black Mirror Body

Dmitri Prigov: Haunted Spaces

On Being Present Where You Wish to Disappear

Difference and Self-Determination

More Than One Language

The Missing Front Line

Assemblism

#79 February 2017

#77 November 2016

Editorial

Towards the New Realism

Why Are People Being So Nice?

Analytical Conceptualism

Citizen Subject

The Incomputable and Instrumental Possibility

Decolonization as the Horizon of Political Action

Institutional Liberation

Digital Provenance and the Artwork as Derivative

#76 October 2016

#75 September 2016

Editorial

Tentacular Thinking: Anthropocene, Capitalocene, Chthulucene

Abnormal Encephalization in the Age of Machine Learning

Little Daniel Before the Law: Algorithmic Extimacy and the Rise of the Paranoid Apparatus

The Perfect Con

Obscure Sorrows: Thoughts around the 9th Berlin Biennale

Simplicity Craving

On the Social Media Ideology

The Suspicious Archive, Part I: A Prejudiced Interpretation of the Interpretation of Archives

#73 May 2016

Editorial

Toward an Ontology of Style

On the Frontier, Again

Our Common Critical Condition

Queer Universal

The Silence of the Lens

Blu’s Iconoclasm and the End of the Dada Century

Freeportism as Style and Ideology: Post-Internet and Speculative Realism, Part II

Modernity vs. Epistemodiversity

#72 April 2016

Editorial

A Sea of Data: Apophenia and Pattern (Mis-)Recognition

Drone Form: Word and Image at the End of Empire

Method without Methodology: Data and the Digital Humanities

Connoisseurship and Critique

Enantiomorphs in Hyperspace: Living and Dying on the Fourth Dimension

Could Reading Be Looking?

Occupy and the End of Socially Engaged Art

The Role of Megastructure in the Eschatology of John Frum (On OMA’s Master Plan for the Spratly Islands)

#71 March 2016

Editorial

The Truth of Art

Agitprop!: A Conversation with Martha Rosler, Nancy Buchanan, and Andrea Bowers

Freeportism as Style and Ideology: Post-Internet and Speculative Realism, Part I

Big Business, Selling Shrimps: The Market as Imaginary in Post-Mao China

Geopolitics and Contemporary Art, Part II: The Nation-State as the Possible Container for Global Struggles

The Cracked Ming Cup

Walid Raad’s Spectral Archive, Part II: Testimony of Ghosts

Factories of Resurrection: Interview with Anton Vidokle

#70 February 2016

Editorial

A Tank on a Pedestal: Museums in an Age of Planetary Civil War

A Farewell to Totality

From the Anxiety of Participation to the Process of De-Internationalization

The Eternal Hunt for the Red Man

The Vectoralist Class, Part II

The Equalizer

#69 January 2016

Editorial

The Coming Global Civil War: Is There Any Way Out?

The Anamorphic Politics of Climate Change

Walid Raad’s Spectral Archive, Part I: Historiography as Process

El Proceso (The Process)

What Is Philosophy? Part Two: Programs and Realizabilities

Neither Autocracy nor Automatism: Notes on Autonomy and the Aesthetic

Geopolitics and Contemporary Art, Part I: From Representation’s Ruin to Salvaging the Real

IDEOLOGY = FORM

#67 November 2015

Editorial

Death Wall: Extinction, Entropy, Singularity

Stuffed: How Hoarding and Collecting Is the Stuff of Life and Death

Brother, Can You Spare a Dime?

What Is Philosophy? Part One: Axioms and Programs

NSK: From Hybrid Socialism to Universal State

Was Marx a Dancer?

Neoliberalism and the New Afro-Pessimism: Djibril Diop Mambéty’s Hyènes

Corruption: Three Bodies, and Ungovernable Subjects

#66 October 2015

Editorial—“Architecture as Intangible Infrastructure,” Issue Two

X-Screens: Röntgen Architecture

Humanitarianism’s Housing Question: From Slum Reform to Digital Shelter

Who Builds Your Architecture?: An Advocacy Report

Monumentaries: Toward a Theory of the Apergon

Plan B

The Dispersal of Architecture

Towards a Non-Intentional Space

In Conversation with Hans Hollein

A Polite Fiction

Dated Talks

Nothing Is More Fantastic Ultimately than Precision: John Hejduk’s Berlin Tower

#64 April 2015

Editorial—“Architecture as Intangible Infrastructure,” Issue One

IIRS

Intangible and Concrete: Notes on Architecture and Abstraction

Honeywell, I’m Home! The Internet of Things and the New Domestic Landscape

Post-Postcolonial Sensory Infrastructure

Violence at the Threshold of Detectability

Out of Bologna: Lacaton and Vassal’s Nantes School of Architecture

“Vanguards”

#63 March 2015

Editorial

Conditions of Visuality Under the Anthropocene and Images of the Anthropocene to Come

Molecular Red: Theory for the Anthropocene (On Alexander Bogdanov and Kim Stanley Robinson)

Duty-Free Art

To Make a World, Part III: Stateless Democracy

All That is Certain Vanishes Into Air: Tracing the Anabasis of the Japanese Red Army

Circulation and Withdrawal, Part II: Withdrawal

Joséphin Péladan: A Proto-Curator?

#62 February 2015

Editorial

The Detweeting of Academia

Circulation and Withdrawal, Part I: Circulation

CCC: Currency of Collective Consciousness

Déjà Vu and the End of History

Media Archaeology Out of Nature: An Interview with Jussi Parikka

Too Real an Unreality: Financial Markets as Occult

The Communal Rift: The State Must be Defended

The Common in the Time of Creative Reproductions: On Gerald Raunig’s Factories of Knowledge, Industries of Creativity

#61 January 2015

Editorial—“Politics of Shine”

The Sunshine State

Disco Parallax

Iridescence, Intimacies

The New “Depthiness”

Yes, That’s What I Think …

Shine and Schein

Is it Heavy or Is it Light?

#60 December 2014

#59 November 2014

Editorial—Harun Farocki

A Question They Never Stop Asking

Also of Things: Notes for a Film Remembering Harun Farocki

An Archeologist of the Present

FAROCKI

A Critique of Animation

Letters to Harun

The Many Haruns: A Timeline Through Books and Hand Gestures from 18,000 BC–2061

How to Wear a Scissor-Wielding Trifecta on a T-Shirt

Farocki: A Frame for the No Longer Visible: Thomas Elsaesser in Conversation with Alexander Alberro

Joint Leopard Dot

Farocki’s Cinematic Historiography: Reconstructing the Visible

Harun’s Highway

Attachment:

Operational Images

Watch and Learn

In His Reading Chair

Beginnings

#58 October 2014

Editorial—“Quasi-Events”

Holding Up the World, Part I

Holding Up the World, Part II: Time/Bank, Effort/Embankments

Holding Up the World, Part III: In the Event of Precarity … A Conversation

Holding Up the World, Part IV: After a Screening of When the Dogs Talked at Columbia University

The Negative Floats: Questions of Earth Inheritance

Designs for a New World

SO NOW!: On Normcore

“From Little Things, Big Things Grow”: The Unfurling of Wild Policy

“Un solo palo no hace monte”: Notes on the Otherwise’s Inevitable Infecundity

Cosmos as Commons: An Activation of Cosmic Diplomacy

After the Fictions: Notes Towards a Phenomenology of the Multitude

#57 September 2014

Editorial—“The End of the End of History?” Issue Two

The Places of History

To Make a World, Part I: Ultranationalism and the Art of the Stateless State

“A Monster Was Born”: Notes on the Rebirth of the “Corrupt Intellectual”

Why Neue Slowenische Kunst in German?

Democrisis: Notes on the Capitalist Imaginary of Europe

Red Berets and Economic Accomplices

The Dead Afghani before the Camera and before Death

Ágalma: The ‟Objet Petit a,” Alexander the Great, and Other Excesses of Skopje 2014

On the False Democracy of Contemporary Art

Nationalism: Persistence and Political Upkeep

Vigorous Flagging in the Heart of Europe: The Hungarian Homeland under the Right-Wing Regime

Hope in a Hopeless Situation

#56 June 2014

Editorial—“The End of the End of History?” Issue One

Rainy Fascism Island

Running Along the Disaster: A Conversation with Franco “Bifo” Berardi

Mutation of the Triad: Totalitarianism, Fascism, and Nationalism in Japan

Maidan and Beyond, Part II: The Cacophony of Donbas

The End of the World: From Apocalypse to the End of History and Back

Appendix XVIII: Plates 22-257

On Art Activism

Ultranationalism: A Proposal for a Quiet Withdrawal

Is the World Sleeping, Sleepless, or Awake or Dreaming?

The Nationalist Thing Which Thinks: Notes on a Genealogy of Ultranationalism

The Rise of a Fallen Feather: The Symbolism of the Turul Bird in Contemporary Hungary

From the Issue of Art to the Issue of Position: The Echoes of Socialist Realism, Part II

Obituary for Sturtevant

A Text That Should Never Have Been Written?

#55 May 2014

Editorial

Maidan and Beyond, Part I

The Octopus in Love

Back in the USSR?

From the Issue of Art to the Issue of Position: The Echoes of Socialist Realism, Part I

A Hitherto Unrecognized Apocalyptic Photographer: The Universe

An Artist, a Leader, and a Dean Were on a Boat…

Response to E.C. Feiss

#54 April 2014

Editorial

Sexuality in a Non-Libidinal Economy

Poetics of Entropy: The Post-Suprematist Art of Mladen Stilinović

Gentleman Next Door: Antonio G. Lauer, a.k.a. Tomislav Gotovac, and the Man Undressed in Times of Socialism

Hermes on the Hudson: Notes on Media Theory after Snowden

Repetition-Compulsion: World-Historical Rhythms in Architecture

Index XXVI: Red

Genres of Capitalism, Part II

Response to Grant Kester’s “The Device Laid Bare”

#53 March 2014

Editorial

Reflections on the “Manifesto for an Accelerationist Politics”

The Black Stack

How to Become a Non-Artist

Shapes of Freedom: A Conversation with Elizabeth A. Povinelli

The Labor of the Inhuman, Part II: The Inhuman

Sister Apple, Sister Pig: Speculative Annotations

Is it Love?

How to Begin Living in the Trees?

#52 February 2014

Editorial

The Labor of the Inhuman, Part I: Human

The Rich Should Be Richer

National Heterologies: On the Materiality and Mediality of Flags—Mali 2013

Charter Citizen

Art. Democratism. Propaganda.

The Elegantly Strong Triad: Defamiliarizing the Family in Works by LaToya Ruby Frazier and Henrik Olesen

Genres of Capitalism, Part I

The New Way of the World, Part II: The Performance/Pleasure Apparatus

#51 January 2014

Editorial

Section 139: The Atlas Group (1989–2004)

Framing Artwork

New Ancestors: A Conversation with McKenzie Wark

The New Way of the World, Part I: Manufacturing the Neoliberal Subject

Return of the Gothic: Digital Anxiety in the Domestic Sphere

#50 December 2013

Editorial

From the Blue Planet to Google Earth

Entering the Flow: Museum between Archive and Gesamtkunstwerk

Towards the Possible Film (A Script with Some Notable Interruptions)

If You Prick Us, Do We Not Bleed? No

Captives of the Cloud, Part III: All Tomorrow’s Clouds

The Device Laid Bare: On Some Limitations in Current Art Criticism

#49 November 2013

Editorial—“Pieces of the Planet” Issue Two

World History and Earth Art

Too Much World: Is the Internet Dead?

Dear Navigator, Part II

Freezone: Dubai

Walkthrough, Part II

On the Format of the Divine

The Insurgents, Part II: Fighting the Left by Being the Left

#48 October 2013

Editorial—“Pieces of the Planet” Issue One

Middle Eastern Films Before Thy Gaze Returns to Thee—in Less than 1/24 of a Second

Energy of Kosmos is Indestructible!!!

Communism with a Nonhuman Face

Dear Navigator, Part I

Walkthrough, Part I

The Making of Americans

A Reply to Nato Thompson’s “The Insurgents, Part I”

Chapter Zero

#47 September 2013

Editorial

Becoming Revolutionary: On Kazimir Malevich

The Insurgents, Part I: Community-Based Practice as Military Methodology

Visions of Eternity: Plastic and the Ontology of Oil

The Bachelor Century: Single Sinners Seeking God’s Job

We Are All Clitoridian Women: Notes on Carla Lonzi’s Legacy

The Society Without Qualities

#46 June 2013

Editorial—“Accelerationist Aesthetics”

Escape Velocities

Accelerationist Aesthetics: Necessary Inefficiency in Times of Real Subsumption

Some Trace Effects of the Post-Anthropocene: On Accelerationist Geopolitical Aesthetics

Gre(Y)en (a history of local operative criticism)

Accelerationism Questioned from the Point of View of the Body

“A social and psychic revolution of almost inconceivable magnitude”: Popular Culture’s Interrupted Accelerationist Dreams

Maximum Jailbreak

Cosmic Exo-Surprise, or, When the Sky is (Really) Falling, What’s the Media to Do?

Cosmogenic Acceleration: Futurity and Ethics

Abysmal Plan: Waiting Until We Die and Radically Accelerated Repetitionism

#45 May 2013

Editorial—‟Language and Internet”

International Disco Latin

English and All That

After the Social Media Hype: Dealing with Information Overload

The Whole Earth: In Conversation with Diedrich Diederichsen and Anselm Franke

Towards a Post-Secular Aesthetics: Provocations for Possible Media in Afterlife Art

Sensing Grounds: Mangroves, Unauthentic Belonging, Extra-Territoriality

We Are the Weather

Art Workers: Between Utopia and the Archive

#44 April 2013

Editorial—“(Im)practical (Im)possibilities”

Testo Junkie: Sex, Drugs, and Biopolitics

Charming for the Revolution: A Gaga Manifesto

Queer Corpses: Grupo Chaclacayo and the Image of Death

What is Love?: Queer Subcultures and the Political Present

Living on the Edge: Recent Queer Film and Video in the San Francisco Bay Area

The Defiant Prose of Sarah Schulman

A Defense of Marriage Act: Notes on the Social Performance of Queer Ambivalence

Becoming-Undetectable

Toxic Assemblages, Queer Socialities: A Dialogue of Mutual Poisoning

Anhedonia

#43 March 2013

Editorial

On the Lebanese Rocket Society

Pasolini in Tottenham

From Guilt to Sickness, Part II: The Bite of a Dog into a Stone

“Mimesis of the Hardened and Alienated”: Social Practice as Business Model

Art without Market, Art without Education: Political Economy of Art

A Refugee Protest Camp in Vienna And the European Union’s Processes of Racialization, Seclusion, and Discrimination

#42 February 2013

Editorial

The Business: On the Unbearable Lightness of Art

How Music Takes Place: Excerpts From “The Post-digital Manifesto”

In Conversation with Nawal El Saadawi

On Sophia Al-Maria’s The Girl Who Fell to Earth

From Guilt to Sickness, Part I: Looking for Plague in All the Right Places

Art and the Cultural Turn: Farewell to Committed, Autonomous Art?

#41 January 2013

Editorial

The End of Neonationalism: On The Comparative Certainty of Extraterrestrial Life and its Significance for Humankind (Earth and the Solar System Sectio

Epistemological Gaps between the Former Soviet East and the “Democratic” West

Freedom from Everything: Freelancers and Mercenaries

Allegories of Art, Politics, and Poetry

Conceptual Art and Eastern Europe: Part II

In Memory of Aaron Swartz

#40 December 2012

Editorial

What Is the Social in Social Media?

Conceptual Art and Eastern Europe: Part I

In Conversation with Ilya and Emilia Kabakov

The Door to Slow Sunset

Nightmares and Screens: Notes on Two Movies

#39 November 2012

Editorial

Emancipation of the Sign: Poetry and Finance During the Twentieth Century

Democracy: A Knot of Hope and Despair

The Resurrected Brother of Mary and Martha: A Human Who Resurrected God!

Let All Mortal Flesh Keep Silence: The Voice in Mike Kelley’s Music

Michael Asher (1943–2012): Parting Words and Unfinished Work

Friction in Benin

#38 October 2012

Editorial—“Structural Violence”

Inside Abstraction

Facebook: A Court of Ignorant, Cruel Judges

In Praise of Books: When Authorities Close a Prison, They Foil a Revolution!

Missing People: Entanglement, Superposition, and Exhumation as Sites of Indeterminacy

665: The Least of All Possible Evils

Breaking the Social Contract

Captives of the Cloud: Part II

A History of Infinity and Some Fresh Catastrophes: On Raqs Media Collective’s The Capital of Accumulation

#37 September 2012

Editorial

Shadow Libraries

Captives of the Cloud: Part I

There’s Nothing to See Here: Erasing the Monochrome

The Last Pictures: Interview with Trevor Paglen

Carnival to Commons: Pussy Riot, Punk Protest, and the Exercise of Democratic Culture

Breaking the Contract

#36 July 2012

Introduction—“Animism”

Reclaiming Animism

On Animism, Modernity/Colonialism, and the African Order of Knowledge: Provisional Reflections

Darwin’s Dog and the Parasol: Cultural Reactions to Animism

Animation, De-reification, and the New Charm of the Inanimate

The Stories Things Tell And Why They Tell Them

Animism: Notes on an Exhibition

Assemblages: Félix Guattari and Machinic Animism

Laughing at the Spirits in North Siberia: Is Animism Being Taken too Seriously?

Severo’s Severity and Antolín’s Paradox

Animism in the Sciences Then and Now

“A live monster that is fruitful and multiplies”: Capitalism as Poisoned Rat?

#35 May 2012

Editorial

After the Last Man: Images and Ethics of Becoming Otherwise

Dubai: A City Manufactured by Curiosity

Under the Gaze of Theory

Eikonomia: Notes on Economy and the Labor of Art

Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967–1974), Part II

Politics of Hate in the USA, Part III: Posse Comitatus, Grassroots Rebellion, and Secret Societies

#34 April 2012

Editorial

Escaping From Exile by Belonging to an Exiled Land

The Nigerian Connection: On NSK Passports as Escape and Entry Vehicles

No Good Time for an Exhibition: Reflections on the Picasso in Palestine Project, Part II

Politics of Hate in the USA, Part II: Right-Wing Mysticism and Beliefs

Hegel and Freud

Hegel on Marriage

Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967–1974), Part I

#33 March 2012

Editorial

No Good Time for an Exhibition: Reflections on the Picasso in Palestine Project, Part I

Politics of Hate in the USA, Part I: Repressive Tolerance

Not-Mother: On Freud’s Verneinung

One Divides into Two

In Conversation with Adam Curtis, Part II

The Artistic Mode of Revolution: From Gentrification to Occupation

#32 February 2012

Editorial

In Conversation with Adam Curtis, Part I

Sexual Difference and Ontology

Hegel versus Heidegger

The Spam of the Earth: Withdrawal from Representation

Notes on the Inorganic, Part II: Terminal Velocity

#31 January 2012

Editorial

An Internet of Things

Notes on the Inorganic, Part I: Accelerations

After OWS: Social Practice Art, Abstraction, and the Limits of the Social

General Performance

The Sound of Breaking Glass, Part II: Agonism and the Taming of Dissent

#30 December 2011

Editorial

The Future After the End of the Economy

Art as Occupation: Claims for an Autonomy of Life

Occupy Wall Street: Carnival Against Capital? Carnivalesque as Protest Sensibility

The Sound of Breaking Glass, Part I: Spontaneity and Consciousness in Revolutionary Theory

A Lawless Proposition

The Resurrected Brother of Mary and Martha: A Human Who Lived then Died!

The Time That Remains, Part II: How to Repeat the Avant-Garde

#29 November 2011

Preface

Introduction—Global Conceptualism Revisited

Performing Objects, Narrating Installations: Moscow Conceptualism and the Rediscovery of the Art Object

One and Three Ideas: Conceptualism Before, During, and After Conceptual Art

Soviet Material Culture and Socialist Ethics in Moscow Conceptualism

Art without Work?

Moscow Romantic Exceptionalism: The Suspension of Disbelief

Zones of Indistinguishability: Collective Actions Group and Participatory Art

Moscow, Romantic, Conceptualism, and After

#28 October 2011

Editorial

The Time That Remains, Part I: On Contemporary Nihilism

The Contemporary Is Still Forthcoming

World as Medium: On the Work of Stano Filko

Queer Temporalities and the Chronopolitics of Transtemporal Drag

Neo-Materialism, Part Three: The Language of Commodities

Eupalinos and the Duck: Conceptualism in Recent Architecture

Letters to the Editors: Responses to Jon Rich’s “The Blood of the Victim”

#27 September 2011

Editorial—“Alternative Economies”

Is it a Bird? A Plane? No, It’s a Magic Chair

Planktons in the Sea: A Few Questions Regarding the Qualities of Time

Routes/Worlds

Time, Acceleration, and Violence

Anti-Monopoly Money

#26 June 2011

Editorial—“Artistic Thinking”

In Conversation with Julian Assange, Part II

Museums and Universities

Inside the Box: Notes From Within the European Artistic Research Debate

Giraffe and Anti-Giraffe: Charles Fourier’s Artistic Thinking

XOXO Insanity, Institution

The Blood of the Victim: Revolution in Syria and the Birth of the Image-Event

Post–Sharjah Biennial 10: Institutional Grease and Institutional Critique

#25 May 2011

Editorial

Radicalism as Ego Ideal: Oedipus and Narcissus

In Conversation with Julian Assange, Part I

Avoiding False Problems: Politics of the Fluid, Hybrid, and Flexible

Culture Class: Art, Creativity, Urbanism, Part III

#24 April 2011

Editorial

I Want to Think: POST-U

Art and Money

Wittgenstein House

Fragments Toward an Understanding of a Week that Changed Everything…

On Leaving the Building: Thoughts of the Outside

Positively Representation of Banking Revisited

In Free Fall: A Thought Experiment on Vertical Perspective

#23 March 2011

Editorial

The Impossible Museum

Some Experiments in Art and Politics

Wolf and Vampire: The Border Between Technology and Culture

Back to the Future: Report from Hungary

Camels vs. Google: Revolutions Recreate the Center of the World

Deleuze, Schizoanalyst

Culture Class: Art, Creativity, Urbanism, Part II

Neo-Materialism, Part II: The Unreadymade

#22 January 2011

Idiot Wind: An Introduction

Con-Demmed to the Bleakest of Futures: Report from the UK

Being Boiled

Visits from the Future

Snapshot, Austria: Class Struggle from Above Right

Birth of the Rebel Citizen in Germany

Right in Our Face

Reflections: Seven Years Plus

Total Corruption: Report from the USA

Eclipse

Progress as Regression

A Heteronomous Hobby: Report from the Netherlands

Forged Alternative

On the Turn Towards Liberal State Racism in Denmark

The State of Spain: Nationalism, Critical Regionalism, and Biennialization

Enclosement

#21 December 2010

Editorial

Exhaustion and Senile Utopia of the Coming European Insurrection

A Letter from Donetsk: Art Amidst the Roses

Contemporary art does not account for that which is taking place

In Conversation with Hakim Bey

Culture Class: Art, Creativity, Urbanism, Part I

Politics of Art: Contemporary Art and the Transition to Post-Democracy

#20 November 2010

Editorial

Cognitarian Subjectivation

Towards the Space of the General: On Labor beyond Materiality and Immateriality

Neo-Materialism, Part I: The Commodity and the Exhibition

Positively Protest Aesthetics Revisited

Contractions of Time: On Social Practice from a Temporal Perspective

#19 October 2010

Editorial

The Off-Modern Mirror

People of Intensity, People of Power: The Nietzsche Economy

Marx After Duchamp, or The Artist’s Two Bodies

On Sindoan: Some Scattered Views on Tradition and “The Sublime”

What is the Sum of Recurrently?

#18 September 2010

Editorial

History in the Making

Concepts Are Mental Images: The Work as Ruin

In Defense of the Corrupt Intellectual

Generic Objects

In Conversation with Antonio Negri

Letters to the Editors: Eleven Responses to Anton Vidokle’s “Art Without Artists?”

#17 June-August 2010

Editorial—“In Search of the Postcapitalist Self”

On the Commons: A Public Interview with Massimo De Angelis and Stavros Stavrides

Hidden Labor and the Delight of Otherness: Design and Post-Capitalist Politics

What’s the Time, Mahagonny?

Design for a Post-Neoliberal City

A Brief History of “Poor Man’s Expression”

Recuperating the Sideshows of Capitalism: The Autonomy of Migration Today

Becoming Common: Precarization as Political Constituting

Contrat entre les hommes et l’ordinateur

What Shall We Do…?

Down and Out in All the Wrong Places (Berlin 2010)

Desire for/within Economic Transformation

#16 May 2010

#15 April 2010

Editorial

The Weak Universalism

Zombies of Immaterial Labor: The Modern Monster and the Death of Death

Art and Thingness, Part Two: Thingification

Farewell to Function: Tactical Interiors

A Thing Like You and Me

#13 February 2010

Editorial

Criticism and Experience

Tempus Edax Rerum?

The Death of the Audience: A Conversation with Pierre Bal-Blanc

Art and Thingness, Part I: Breton’s Ball and Duchamp’s Carrot

Innovative Forms of Archives, Part One: Exhibitions, Events, Books, Museums, and Lia Perjovschi’s Contemporary Art Archive

Negation Notes (while working on an exhibition with Allan Sekula featuring This Ain’t China: A Photonovel)

#12 January 2010

What is Contemporary Art? Issue Two

Contemporary Extracts

Contemp(t)orary: Eleven Theses

Manifestos for the Future

Now and Elsewhere

Take the Money and Run? Can Political and Socio-critical Art “Survive”?

Standing on the Gates of Hell, My Services Are Found Wanting

#11 December 2009

What is Contemporary Art? Issue One

Contemporaneity as Points of Connection

Comrades of Time

Torture and Remedy: The End of -isms and the Beginning Hegemony of the Impure

New Species of Spaces

Back to Contemporary: One Contemporary Ambition, Many Worlds

What is Not Contemporary Art?: The View from Jena

#10 November 2009

Editorial

The Psychogeography of Loose Associations

ALPHABETIZATION, Part II: Hegemonic Language and Arbitrary Order

What Art Is and Where it Belongs

Life Always Escapes

Secret Modernity

Ever Spero

In Defense of the Poor Image

#9 October 2009

Editorial

Subjects of the American Moon: From Studio as Reality to Reality as Studio

ALPHABETIZATION, Part I: Protocol and Proficiency

Becoming Tarden — Prologue

(Under)Privileged Spaces: On Martha Rosler’s “If You Lived Here…”

Positively Trojan Horses Revisited

#8 September 2009

Editorial

Across the Rationalist Veil

For They Know What They Do Know

Modernity’s Obsession with Systems of Preservation

Viewing Copies: On the Mobility of Moving Images

Irene ist Viele! Or What We Call “Productive” Forces

#7 June-August 2009

Editorial

Concerning Matters to be Left for a Later Date, Part 4 of 4 (Guest-Starring Annika Eriksson)

Self-Design and Aesthetic Responsibility

Earthworms Dancing: Notes for a Biennial in Slow Motion

Artistic Sovereignty in the Shadow of Post-Socialism: Egypt’s 20th Annual Youth Salon

Is a Museum a Factory?

Art of Conversation, Part II

A Universalism for Everyone

A Game Played Without Rules Has No Losers

#6 May 2009

Editorial

What Will the Next Revolution Be Like?

Concerning Matters to be Left for a Later Date, Part 3 of 4 (Guest-Starring Alexandra Croitoru and Stefan Tiron)

Learning from Little Haiti

In Conversation with Raoul Vaneigem

Architecture Without Architects—Another Anarchist Approach

After the Historiographic Turn: Current Findings

The Escape Route’s Design: Assessment of the Impact of Current Aesthetics on History and a Comparative Reading Based on an Example Close to the City o

#5 April 2009

Editorial

Concerning Matters to be Left for a Later Date, Part 2 of 4 (Guest-Starring Pia Rönicke)

Sleepwalking in a Dialectical Picture Puzzle, Part 2: A Conversation with Thomas Keenan

Don’t Stop: Doing Art Potluck Style

Europe Sans: History, Politics, and Protocol in the EU Image

Positively Counter-Publics Revisited

Disobedience in Byelorussia: Self-Interrogation on “Research-Based Art”

#4 March 2009

Editorial

Concerning Matters to be Left for a Later Date, Part 1 of 4

A Museum That is Not

Religion in the Age of Digital Reproduction

Two in One

The Academy is Back: On Education, the Bologna Process, and the Doctorate in the Arts

The Way of the Shovel: On the Archeological Imaginary in Art

#3 February 2009

Editorial

Art and Literacy

Maybe it would be better if we worked in groups of three? Part 2 of 2: The Experimental Factory

Sleepwalking in a Dialectical Picture Puzzle, Part 1: A Conversation with Avery Gordon

Art in the Knowledge-based Polis

Gaza–Beirut–Tel Aviv: In Praise of Selfishness and Opportunism

Positively White Cube Revisited

Art of Conversation, Part I

#2 January 2009

Editorial

An Interview with Jacques Derrida on the Limits of Digestion

Maybe it would be better if we worked in groups of three? Part 1 of 2: The Discursive

Politics of Installation

Drawing a Border (Reartikulacija, Part 3 of 3)

RANT

“When Even Good News Worsens a Panic”

#1 December 2008

Editorial

Between Resistance and Commodity (Reartikulacija, Part 2 of 3)

The Next Documenta Shouldn’t Be in Kassel

Accidental Conceptualism

Brand States: Postmodern Power, Democratic Pluralism, and Design

Blame It on Gorbachev: The Sources of Inspiration and Crucial Turning Points of Inke Arns

Positively East Village Revisited: The Problem with Puerilism

The Boss: On the Unresolved Question of Authority in Joseph Beuys’ Oeuvre and Public Image

Beneath Our Skin

Editorial

Take a Deep Breath

The Obligation to Self-Design

Los Angeles: The Invention of Public Weather

Conditioned Contemporaneity (Reartikulacija, Part 1 of 3)

New Territories in Acre and Why They Matter

Stammer, Mumble, Sweat, Scrawl, and Tic

Turning

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