Journal

#110 June 2020

God-Building as a Work of Art: Cosmist Aesthetics

#106 February 2020

Can We Share a World Beyond Representation?

#99 April 2019

Decolonial Love

#96 January 2019

Shattering and Healing

#92 June 2018

Dragging (My) Shadows on a Circle: On Anger, Vulnerability, and Intimacy

#87 December 2017

Self-Destruction as Insurrection, or, How to Lift the Earth Above All That Has Died?

#82 May 2017

Fog or Smoke? Colonial Blindness and the Closure of Representation

#77 November 2016

Decolonization as the Horizon of Political Action

#71 March 2016

Geopolitics and Contemporary Art, Part II: The Nation-State as the Possible Container for Global Struggles

#69 January 2016

Geopolitics and Contemporary Art, Part I: From Representation’s Ruin to Salvaging the Real

#63 March 2015

Conditions of Visuality Under the Anthropocene and Images of the Anthropocene to Come

#42 February 2013

Art and the Cultural Turn: Farewell to Committed, Autonomous Art?

#35 May 2012

Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967–1974), Part II

#34 April 2012

Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967–1974), Part I

#110 June 2020 #106 February 2020 #99 April 2019 #96 January 2019 #92 June 2018 #87 December 2017 #82 May 2017 #77 November 2016 #71 March 2016 #69 January 2016 #63 March 2015 #42 February 2013 #35 May 2012 #34 April 2012