Exercising the Eye: The Gertrude Kasle Collection

Exercising the Eye: The Gertrude Kasle Collection

University of Michigan Museum of Art

William Tarr, study for Gates of the Six Million, ca. 1980. Bronze. University of Michigan Museum of Art, Bequest of Gertrude Kasle, 2016/2.113.

August 17, 2018
Exercising the Eye: The Gertrude Kasle Collection
Abstract expressionism in Detroit
March 10–July 22, 2018
University of Michigan Museum of Art
525 South State St.
Ann Arbor, MI 48109
United States
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The University of Michigan Museum of Art (UMMA) presents Exercising the Eye: The Gertrude Kasle Collection, an exhibition highlighting the influential role Gertrude Kasle, founder of the Gertrude Kasle Gallery, played in Detroit’s contemporary art scene in the 1960s and ‘70s.

Kasle’s guiding philosophy as a gallerist was to expose Detroit audiences to the kind of avant-garde art she experienced growing up in New York City.

“Kasle helped bring this new idea—Abstract Expressionism—and make the case for it in Detroit,” says UMMA Director Christina Olsen. “New ideas need an ecosystem to thrive in, and she helped develop that ecosystem in Detroit and the midwest.”

Artists represented in the show include Jasper Johns, Robert Rauschenberg, Jane Hammond, Grace Hartigan, Michele Oka Doner, Morris Brose, and Philip Guston. 

Many of the works in the exhibition were gifted to UMMA as part of Kasle’s bequest, which also includes several loans from Kasle’s children.  

Kasle was born in New York City in 1917. After settling in Detroit in 1948, she focused on promoting contemporary art at the Detroit Institute of Art as a member and eventual vice president of its Friends of Modern Art group.

In 1962, Kasle partnered with Detroit businessman Frank Siden to establish a contemporary art gallery, but she soon sought a space of her own in which to assert an independent voice. In 1965, she opened the Gertrude Kasle Gallery in Detroit’s Fisher Building, operating the business for 11 years.

“Kasle brought prominent artists to Detroit, many of whom were at the peak of their popularity,” says Jennifer M. Friess, Assistant Curator of Photography. “She was part of a moment that was open to these new artistic ideas, and she found an audience that sought out these artists.”

Women artists feature prominently as a testament to Kasle’s role as a female gallerist committed to advocating for art that broke with tradition. 

After her husband Leonard Kasle retired, she moved to Sarasota, Florida, in 1992. Kasle passed away in June 2016.

Exercising the Eye reflects the University of Michigan’s strategic commitment to supporting Detroit and exploring its remarkable history and impact,” says Olsen.

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University of Michigan Museum of Art
August 17, 2018

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