Pablo Alonso at Wendt+Friedmann, Berlin

Pablo Alonso at Wendt+Friedmann, Berlin

Wendt+Friedmann

Pablo Alonso, icoNo, 2008.
Manipulated black&white reproduction of Zurbarán´s painting Veil of Veronica.
(National Museum Stockholm).
Inkjet print on paper, 50 x 40 cm.
February 24, 2012

Solutions

3 March–21 April 2012

Opening:
Friday, 2 March 2012

Heidestr. 54
10557 Berlin, Germany
Hours:
Wed–Fri 12–6pm
Sat 12–5 pm and by appointment
www.wendt-friedmann.com

Pablo Alonso is disclosing a new body of work that moves away from endgame narratives to new paradigms between painting and sculpture with the deconstruction as a starting point that questions the paintings’ authoritative status as well as the structure and the historical/cultural projection of the image. Some preliminary works realized in public spaces and based on uncontrolled pictorial experiments through anonymous and collective acts on the streets, reveal a satirically mistrusting point of view of an aesthetic attitude for a sociological understanding of art giving shape to this exhibition. In the studio, folding, sanding, polishing, stapling, rolling, spraying, flaming, rubbing are some of the actions that have influenced the paintings increasing corporeal and architectural qualities and generating tensions between autonomous Modernist abstraction and traditional representation in order to subsume both categories in a simultaneous vision of art historical epochs and genres.

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February 24, 2012

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