July reviews: Christoph Buchel, Anri Sala, Willem de Rooij, Bjorn Dahlem and more…
July’s Art Agenda reviews saw coverage of select gallery summer group shows—Aoife Rosenmeyer on “Sculpture Now” at Galerie Eva Presenhuber; Media Farzin on “The Unfinished Film” at Gladstone Gallery, New York; Ana Teixeira Pinto on “The Art of Narration Changes with Time” at Sprüth Magers, Berlin; and Joanna Fidducia on “The Lifestyle Press” at Cherry and Martin, LA—with reports on solo shows of artists in their early, mid and established stages of their careers—Antek Walzak on Willem de Rooij’s “Crazy Repelled Firelight” at Friedrich Petzel Gallery, New York; Tyler Coburn on Björn Dahlem’s “The Unknown” at Galerie Fons Welters, Amsterdam; Vivian Sky Rehberg on Anri Sala at Galerie Chantal Crousel, Paris; Karen Archey on Christoph Büchel’s “Piccadilly Community Centre” at Hauser & Wirth, London; and Merve Unsal on Vahap Avsar’s “NONEISAFE” at Charles Bank Gallery, New York.Art Agenda reviews will take a short break from publishing in August, returning in September.
Recent reviews:
Antek Walzak on Willem de Rooij’s “Crazy Repelled Firelight” at Friedrich Petzel Gallery, New York
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Tyler Coburn on Björn Dahlem’s “The Unknown” at Galerie Fons Welters, Amsterdam
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Vivian Rehberg on Anri Sala at Galerie Chantal Crousel, Paris
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Aoife Rosenmeyer on “Sculpture Now” at Galerie Eva Presenhuber, Zürich
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Media Farzin on “The Unfinished Film” at Gladstone Gallery, New York
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Karen Archey on Christoph Büchel’s “Piccadilly Community Centre” at Hauser & Wirth, London
read
Merve Unsal on Vahap Avşar’s “NONEISAFE” at Charles Bank Gallery, New York
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Ana Teixeira Pinto on “The Art of Narration Changes with Time” at Sprüth Magers, Berlin
read
Joanna Fidducia on “The Lifestyle Press” at Cherry and Martin, LA
read
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