Presents Ai Weiwei: Monumental Junkyard

Presents Ai Weiwei: Monumental Junkyard

The Glucksman

 Ai Weiwei: <i>Monumental Junkyard</i>, installation view,<br>
 Lewis Glucksman Gallery.

June 23, 2007

Ai Weiwei
Monumental Junkyard

until 7 October 2007

Lewis Glucksman Gallery
University College Cork
Cork, Republic of Ireland
T: +353 21 490 1844
F: +353 21 490 1823
info@glucksman.org
www.glucksman.org

Monumental Junkyard

The Lewis Glucksman Gallery in Cork, Ireland, presents a new outdoor installation by the artist Ai Weiwei. The installation Monumental Junkyard has been commissioned and produced in collaboration with Swiss collector Dr. Uli Sigg on the occasion of the exhibition The Year of the Golden Pig: Contemporary Chinese Art from the Sigg Collection.

The installation has been designed to resemble a junkyard of building material that is typically evident in the suburbs of Chinese megacities, dumped outside the Lewis Glucksman Gallery. The piled materials are in fact 56 domestic doors reproduced in Chinese marble — a material that is resonant with the lofty projections of Renaissance sculpture, as well as with kitsch interior décor. The reproduction of wasted domestic doors in marble responds to issues of regeneration and historical-preservation, material and symbolic value, and the ambiguity of contexts as part of affluent consumerist society.
Ai Weiwei

Ai Weiwei (born 1957, lives and works in Beijing) is one of the China’s most influential contemporary artists. He also works as a curator, publisher, architect, and commentator on contemporary art and culture. In the late 1970s, he was a member of ‘The Stars’, a group of largely self-taught artists in Beijing who challenged the official communist mandate and helped set a new horizon of possibilities for contemporary art in China.

After moving to the USA in 1981, Ai Weiwei returned to China in 1993, where he started on a series of ambitious and provocative works: photographs, installations and sculptures using found objects and ancient relics. Influenced by the approaches of Dada, Duchamp, and Warhol, Ai Weiwei has created works which both incorporate and de-stabilise traditional aspects of Chinese culture.

Ai Weiwei’s works respond to China’s rich artistic heritage by reconfiguring objects such as Ming and Qing dynasty furniture and porcelain, Han dynasty urns and Neolithic vases.

He is one of the most eminent artists of his generation and his work has been shown extensively in the United States, Belgium, Germany, France, Korea and Japan. His work was included in the First Guangzhou Triennial 2002, China, the 48th Venice Biennale 1999, Italy, and the 2006 Biennale of Sydney. At documenta 12, he currently presents Fairytale, a work in which he brought over 1001 Chinese people to the small city of Kassel. As well as his artistic projects, Ai Weiwei has also recently worked as a consultant to architects Herzog and de Meuron in their design of the new Beijing Olympic Stadium for the 2008 Olympic Games.
Exhibition The Year of the Golden Pig

The exhibition The Year of the Golden Pig presented a selection from the most important collection of contemporary Chinese art in the world. The exhibition was curated from the collection of Dr. Uli Sigg. The entire collection consists of more than 1,500 artworks across all artistic media. A former Swiss ambassador to China, Dr. Sigg has taken a leading interest in China and its culture since the late 1970s. Together with his wife Rita, he has been building a collection devoted exclusively to Chinese art since the mid-1990s, and can justly be regarded as the pioneer in this field.

A limited edition catalogue is available that documents the Glucksman exhibition, also featuring a conversation between Dr Uli Sigg and Glucksman Director Fiona Kearney.

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The Glucksman
June 23, 2007

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