Joar Nango: Girjegumpi

For over fifteen years, architect and artist Joar Nango has been assembling an archive of books about issues relevant to Indigenous architecture. In 2018, Girjegumpi first opened to a public. In 2023, this structure, social space, and source of knowledge around Sámi architecture will travel to the Nordic Countries Pavilion in Venice.

Girjegumpi: The Sámi Architecture Library is a spatialisation of conversations and research initiated by Joar Nango over two decades of practice at the intersection of architecture and art. As an itinerant, collective library, the project has evolved and expanded as it has travelled. This journey involves multiple collaborations, including artists and craftspeople such as Katarina Spik Skum, Anders Sunna, and Ken Are Bongo.

Central to Girjegumpi is the archive that it contains and shares—from rare titles to contemporary books, the collection of more than 500 editions embraces topics such as Sámi architecture and design, traditional and ancestral building knowledge, activism, and decoloniality. As a gathering space, it hosts large groups of people. As a reading room, it offers an environment for solitary study and reflection. As a critical project, it builds spaces for Indigenous imagination.

Nomadic by design, Girjegumpi is a living project addressing the relevance of Indigenous culture in architectural discourse and construction today: the importance of collaborative work, building techniques and use of resources in rapidly changing climate conditions, the use of locally grounded material flow and sensitive approaches to landscapes and nature. It highlights the architect’s position towards a more polyphonic understanding of the world.

In 2023, Girjegumpi travels to the Nordic Countries Pavilion at the 18th International Venice Architecture Biennale. The pavilion, designed by Sverre Fehn in 1962, was conceived to represent forms of cooperation across the Nordic countries. In this context, Girjegumpi opens to an international audience to continue building bodies of knowledge, collaboration and solidarity that transcend national boundaries.

Girjegumpi collaborators include, among others
Katarina Spik Skum, Anders Sunna, Petter Tjikkom, Håvard Arnhoff, Mathias Danbolt, Tobias Aputsiaq Prytz, Astrid Fadnes, Eirin Hammari, Anne Henriette Nilut, Ken Are Bongo, Ole-Henrik Einejord, Anders Rimpi, Grete Johanna Minde, Magnus Antaris Tuolja, Ole Thomas Nilut, Četil Somby, SDG, FINN, Ájtte, Arne Terje Saether, Eystein Talleraas, Tone Huse, Anna Stina Svakko, Anne Kare Kemi, Petri Henriksson, Katrine Rugeldal, Robert Julian Hvistendahl

Joar Nango
Joar Nango (b.1979, Áltá) is an architect and artist based in Romsa/Tromsø, Norway. His work is rooted in Sápmi—the traditional Sámi territory covering the northern regions of Norway, Sweden, Finland and the Kola Peninsula in Russia. Through building, site-specific interventions, design collaborations, photography, publications and video, Nango’s work explores the role of Sámi and Indigenous architecture and craft in contemporary thought.

Nango’s work, including the long-term project Girjegumpi, is nurtured by parallel collaborations with other artists, architects, and craftspeople. Among many other initiatives across two decades of practice, he is a founding member of the architecture collective FFB (2010). Currently, he is collaborating with choreographer and director Elle Sofe Sara on a dance performance with Carte Blanche, premiering at the Norwegian National Opera and Ballet. Following a winning proposal in 2021, Nango alongside Snøhetta, Econor, and 70°N arkitektur are designing the new Sámi National Theatre and Sámi High School and Reindeer Husbandry School in Guovdageaidnu/Kautokeino, currently under construction.

Trained at the Norwegian University of Science and Technology (NTNU) in Trondheim, Nango graduated in Architecture in 2008. Since then, his work has been presented at documenta 14, Bergen Kunsthall, National Museum Oslo—Architecture, Canadian Centre for Architecture, Sámi Dáiddaguovddáš (Sámi Centre for Contemporary Art), and Kiasma.