June 9, 2016 - GAK Gesellschaft für Aktuelle Kunst - Max Schaffer: Power of Style
June 9, 2016

GAK Gesellschaft für Aktuelle Kunst

View of Max Schaffer, Power of Style, GAK Gesellschaft für Aktuelle Kunst, 2016. Photo: Tobias Hübel.

Max Schaffer
Power of Style
May 21–July 31, 2016

GAK Gesellschaft für Aktuelle Kunst
Teerhof 21
D-28199 Bremen
Germany
Hours: Tuesday–Sunday 11am–6pm,
Thursday 11am–8pm

T +49 421 500897
office@gak-bremen.de

www.gak-bremen.de
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What do you do when you can no longer reinvent the world, but there is still so much to say and so many questions to ask? Max Schaffer (*1985, lives in Berlin) solves this problem by reinterpreting what already exists. He does this by displacing, dislocating and translating, and not least by continually undermining expectations that he himself has created.

The central focus of Schaffer’s work lies in recording the details and textures of public and institutional space and the conventions governing their presentation, production and reception. His oeuvre is multifaceted, transcending formal categorisation. His project Power of Style, specially created for the GAK Gesellschaft für Aktuelle Kunst, is no exception. Here, he presents an eclectic overall picture made up of multiple strands, comparing and contrasting approaches and focusing on the relationships between work, institution, urban and internal space, reception and interpretation.

Power of Style’s various set pieces centre on responses to art and its institutional contexts. They blur categories, and ask questions: what is the exhibition, and what its institutional underpinning? What is original drawing, its interpretation or academic analysis? What is a work of art, and what is merchandising? How do we distinguish between audio art and tourist guide? Where does one end and another begin? And who makes the decisions—artist, institution or visitor?

In Power of Style, Schaffer’s consistently varied transpositions and reinterpretations question our expectations, perceptual patterns, and the visitor’s position in the process of approaching art. It defies aesthetic categorisation, and at a time when art is supposed to be “low-threshold” and to start from where the people are, Schaffer to some extent passes autonomy back to the visitors by withdrawing familiar points of reference and referring to themselves. Power of Style is ultimately about the big questions of self-awareness: how do we view the world, and what conclusions can we draw from this?

Closing remark: it is no coincidence that Power of Style opens on the birthday of the French novelist Honoré de Balzac, whose style Marcel Proust described as “non-style.”

Following the exhibition a catalogue will be published.

Curator: Janneke de Vries

 

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