Marres, House for Contemporary Culture - Clients

Info

Marres, House for Contemporary Culture

Capucijnenstraat 98
6211 RT Maastricht
The Netherlands

Hours:
Tuesday–Sunday 12–5pm

T +31 43 327 0207
info@marres.org

September 13, 2019

Marres, House for Contemporary Culture

Katja Heitmann
Museum Motus Mori

March 14, 2019

Marres, House for Contemporary Culture

Sander Breure & Witte van Hulzen
The Floor is Lava

December 14, 2018

[1] Sjoerd Houben, Face, from the series "No Pleasure Cruise," 2018. [2] Nimrod Karmi, Untilted, 2018. [3] Alexey Shlyk, The Weight Lifter, 2016 from the series "The Appleseed Necklace," 2016-2018.

Marres, House for Contemporary Culture

Currents #6: Good Intentions

September 24, 2018

[1] Uri Geller bending a spoon, 1973. Photographer unknown. [2] Santiago Borja, Free-Floating Attention Piece, Freud Museum, 2010. [3] Lilibeth Cuenca Rasmussen, Afghan Hound, 2011. Photo: Anders Sune Berg.

Marres, House for Contemporary Culture

Superstition

June 28, 2018

Marijn van Kreij, from the series "Untitled (Picasso, Le Carnet de La Californie, 1955)," 2018. Drawing. Courtesy andriesse eyck galerie, Amsterdam.

Marres, House for Contemporary Culture

Marijn van Kreij
Nude in the Studio

March 9, 2018

[1] Luiz Zerbini, Eu Paisagem, 1998. [2] Luiz Zerbini, Monotypes, 2017. [3] Daniel Steegmann Mangrané, Point Print, 2017.

Marres, House for Contemporary Culture

Luiz Zerbini, Daniel Steegmann Mangrané, Dominique Gonzalez-Foerster
Dreaming Awake

August 28, 2017

(1) Giuseppe Licari, The Promised Land, 2016. (2) Lonnie van Brummelen and Siebren de Haan, Route Sedentaire, 2001. Courtesy of Van Brummelen & De Haan and EYE Filmmuseum Amsterdam. (3) Lida Abdul, What We Saw Upon Awakening, 2006. Courtesy of Giorgio Persano Gallery.

Marres, House for Contemporary Culture

The Materiality of the Invisible

March 10, 2017

Marres, House for Contemporary Culture

The Painted Bird

December 12, 2016

Left: Thomas Wachholz, Untitled Billboard Düsseldorf, 2016. Photo: Alexander Romey, Courtesy Mier Gallery, Los Angeles and RaebervonStenglin, Zürich. Right top: Camille Picquot, Hollow Hours (Le Temps cogne), 2016. Right bottom: Puck Vonk, The Neologism of the Female Voice, 2016.

Marres, House for Contemporary Culture

Marres Currents #4: Running Time

September 24, 2016

Mounira Al Solh, I strongly believe in our right to be frivolous, 2013–ongoing.

Marres, House for Contemporary Culture

The Measure of our Traveling Feet

February 25, 2016

Marres, House for Contemporary Culture

Ferran Adrià: Notes on Creativity

October 3, 2015

Marres, House for Contemporary Culture

Levi van Veluw

May 31, 2015

Petra Stavast, Ramya, December 2001. Courtesy of the artist.

Marres, House for Contemporary Culture

Intimacy and Chambres d’Amis

March 8, 2015

István Csákány, Sudden Gust of Motivation, 2012. Courtesy Andrea Dénes and Árpád Balázs.

Marres, House for Contemporary Culture

Adam, Eve & the Devil

December 5, 2014

Carolin Eidner, Untitled (Party Delay 2), 2013–14. Courtesy of the artist.

Marres, House for Contemporary Culture

Marres Currents #2: Rumour Has It

August 29, 2014

Adela Babanova, Return to Adriaport, 2013. Courtesy of the artist.

Marres, House for Contemporary Culture

The Unwritten

June 20, 2014

Caves of St. Pietersberg Maastricht. Photo: Johannes Timmermans. Courtesy of VVV Maastricht.

Marres, House for Contemporary Culture

Undertones

January 11, 2014

Lisa Pacini and Christine Istad, Sun, 2012. Installation.

Marres, House for Contemporary Culture

Winter Anti Depression Show

October 18, 2013

Marres, House for Contemporary Culture

Katja Mater

June 11, 2013

Marres, House for Contemporary Culture

The mask needs to have danced

March 11, 2013

Two pieces of green velvet (fragments), Italy, 17th century. 74 x 100 cm, silk. Courtesy Center for Social Research on Old Textiles.

Marres, House for Contemporary Culture

Tradition

December 13, 2012

Marres, House for Contemporary Culture

Deep Cuts

September 17, 2011

Jens Haaning, “Middelburg Summer 1996,” 1996.
De Vleeshal Middelburg, the Netherlands.

Marres, House for Contemporary Culture

The Avant-garde: Specters of the Nineties

March 11, 2011

Bonnie Camplin, “A Mermaid,” 2006.
Pencil on paper, frame size: 102 x 69 cm.*

Marres, House for Contemporary Culture

Madame Realism

October 17, 2010

‘Glass Man’ with his preparator Tschackert, 1935.
Photo by Max Ehlert.
Copyright Stiftung Deutsches Hygiene-Museum Dresden and Ullsteinn Bild.

Marres, House for Contemporary Culture

Hygiene, the story of a museum at Marres

March 11, 2010

Photo Eline Portman (Arjan de Nooy collection)

Marres, House for Contemporary Culture

Beyond The Amateur – A collector’s perspective on the history of photography

December 20, 2009

Marres, House for Contemporary Culture

Ettore Sottsass: We Were Exuberant and Still Had Hope

February 28, 2009

Marres, House for Contemporary Culture

The Russian Schizorevolution

March 24, 2007

Uwe Henneken, Herbstgedanken, 2006, Bronze 120 x 110 x 80 cm, Photo copyright Berhard Schaub, Cologne, Courtesy Gisela Capitain, Cologne

Marres, House for Contemporary Culture

“RAW, Among the Ruins”

Info September 13, 2019 March 14, 2019 December 14, 2018 September 24, 2018 June 28, 2018 March 9, 2018 August 28, 2017 March 10, 2017 December 12, 2016 September 24, 2016 February 25, 2016 October 3, 2015 May 31, 2015 March 8, 2015 December 5, 2014 August 29, 2014 June 20, 2014 January 11, 2014 October 18, 2013 June 11, 2013 March 11, 2013 December 13, 2012 September 17, 2011 March 11, 2011 October 17, 2010 March 11, 2010 December 20, 2009 February 28, 2009 March 24, 2007