The Glucksman - Clients - e-flux

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The Glucksman

University College Cork
Cork
Ireland

Hours:
Tuesday–Saturday 10am–5pm

T +353 21 490 1844
info@glucksman.org

April 3, 2019

Miriam O'Connor, Untitled from the series "Tomorrow is Sunday," 2014-18. Archival photographic print. Courtesy of the artist.

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Close Encounter
Beckett and the Wake
The Parted Veil

November 30, 2018

Diana Copperwhite, Alpha, 2016. Oil on canvas. Courtesy of the artist and Kevin Kavanagh Gallery, Dublin.

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PRISM

September 1, 2018

Josef Albers, Studies for Homage to the Square, 1962–67. Oil on masonite. Photo: Jed Niezgoda. Courtesy of the Josef and Anni Albers Foundation, Bethany, Connecticut.

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Josef and Anni Albers
Voyage inside a blind experience

April 22, 2018

Sonia Shiel, Blinds Fall, 2015. Oil on canvas, University College Cork Art Collection.

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Double Take

January 15, 2018

Foreground: Katharina Cibulka, ist heute morgen, 2015. Wooden shingles and steel. Background: Dragana Jurisic, YU: The Lost Country, 2011-13. C-prints. Installation at The Glucksman, UCC. Photo: Jed Niezgoda.

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Outposts

November 25, 2017

The Glucksman, University College Cork, Ireland. Photo: Tomas Tyner.

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Nicholas Fox Weber Curatorial Residencies

July 24, 2017

Andreas Kindler von Knobloch, Ultima Thule, 2012. C-print. Courtesy of the artist. Photo: Dorje de Burgh.

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Now Wakes the Sea

April 7, 2017

Aoibheann Greenan, The Perfect Wagner Rite; Part One (detail), 2016. Mixed media. Courtesy of the artist.

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Set In Time: Drawings from the Serge Lifar Collection
Enter Stage Left: The craft of theatre in art

November 24, 2016

Siobhan McGibbon, The Cell That Consumed Me, 2014. Ink on paper. Courtesy of the artist.

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Gut Instinct

October 16, 2016

Brendan Earley, For a New Compass, 2016. Linen, jersey material, gesso. Brendan Earley, The Searchers (part two), 2016. Aluminium, blank bound books, mahogony, steel. Courtesy of the artist and mother's tankstation, Dublin. Photo: Tomas Tyner / UCC.

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I Went to the Woods: The artist as wanderer

May 8, 2016

Amanda Coogan, I Could Drink a Case of You, 2015. Triptych of glycee prints on dibond under acrylic. Courtesy of the artist and Kevin Kavanagh Gallery, Dublin.

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2116

January 5, 2016

Kathi Hofer, Gifts, 2014. Gift wrapping, boxes. Courtesy of the artist and Gabriele Senn Galerie, Vienna. Photo: Tomas Tyner / UCC.

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Everything Must Go

September 28, 2015

Aisling O’Beirn, Boolean Logic, 2015. Installation view, Lewis Glucksman Gallery. Courtesy of the artist.

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Boolean Expressions: Contemporary art and mathematical data

April 6, 2015

Slavs and Tatars, Love Letters no. 1, 2013. Woolen yarn, 247 x 247 cm. Courtesy of Kraupa-Tuskany Zeidler, Berlin.

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Stitch in Time: The Fabric of Contemporary Life

January 27, 2015

Lucy McKenzie, Quodlibet XX (Fascism), 2012. Oil on canvas, 150 x 120 cm. Courtesy of the artist and Galerie Micheline Szwajcer, Brussels.

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Selective Memory: Artists in the archive

August 21, 2014

Fieldworks, 2014. Exhibition view, Lewis Glucksman Gallery, 2014. Left: Wesley Meuris, Cage for Saimeri boliviensis, 2006. Wood, metal and lighting. Courtesy of the artist and Annie Gentils Gallery, Antwerp. Right: Ho Rui An, Incursion, 2013. HD video. Courtesy of the artist.

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Fieldworks

February 8, 2014

Laura Gannon, Film Script, 2011. Black ink on watercolour paper, 25 x 35 cm. Courtesy of the artist.

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FOLLY: Art after Architecture

April 12, 2013

Lewis Glucksman Gallery, exterior view. © Lewis Glucksman Gallery.

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Lost Boys and The Artist’s Eye

January 29, 2013

Installation view, Living / Loss, Lewis Glucksman Gallery. Photo © Lewis Glucksman Gallery.

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Living / Loss

August 25, 2012

Pierre Bismuth, Following the right hand of Greta Garbo in ‘Flesh and the Devil’, 2008. Permanent marker on anti-UV plexiglass and lambda print on forex. 114 x 153cm. Courtesy of Bugada & Cargnel, Paris.

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June 30, 2012

Installation view.*

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Josef Albers as a Catholic Artist

February 5, 2012

Cao Fei, “Live in RMB City,” 2009, video.
Courtesy of Vitamin Creative Space, Beijing.

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Game On / Re-Newing Media Art: A touring initiative

October 16, 2011

Installation view, left to right: Niamh McCann, “Snippet II,” 2011, Joseph Noonan-Ganlety, “ADHERING / AMID,” 2011. Image courtesy of the Lewis Glucksman Gallery.

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January 21, 2011

Raimond Wouda, “Hervion College II, Den Bosch,” 2005.
C-print.

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School Days: the look of learning

June 23, 2007

Ai Weiwei: <i>Monumental Junkyard</i>, installation view,<br>
Lewis Glucksman Gallery.

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Presents Ai Weiwei: Monumental Junkyard

Info April 3, 2019 November 30, 2018 September 1, 2018 April 22, 2018 January 15, 2018 November 25, 2017 July 24, 2017 April 7, 2017 November 24, 2016 October 16, 2016 May 8, 2016 January 5, 2016 September 28, 2015 April 6, 2015 January 27, 2015 August 21, 2014 February 8, 2014 April 12, 2013 January 29, 2013 August 25, 2012 June 30, 2012 February 5, 2012 October 16, 2011 January 21, 2011 June 23, 2007