The Fruitmarket Gallery - Clients - e-flux

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The Fruitmarket Gallery

45 Market Street
Edinburgh EH1 1DF
United Kingdom

March 17, 2017

View of MARK WALLINGER MARK, The Fruitmarket Gallery, 2017. Courtesy the artist and Hauser & Wirth. Photo: Ruth Clark.

The Fruitmarket Gallery

MARK WALLINGER MARK

November 18, 2016

Top: View of William Kentridge, Notes Towards a Model Opera, 2015. Courtesy the artist and Marian Goodman Gallery, New York; Paris; London; Goodman Gallery, Johannesburg, Cape Town; and Galleria Lia Rumma, Naples, Milan. Bottom: Vivienne Koorland, PAYS INCONNU, 2016. Oil and twine on stitched linen and burlap. Courtesy the artist.

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William Kentridge and Vivienne Koorland
Conversations in letters and lines

July 8, 2016

Damián Ortega, Eroded valley (detail), 2016. Courtesy of the artist’s studio. Photo: Gerardo Landa Rojano.

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March 11, 2016

Sara Barker, Sea heaves in a glass, 2015.
The Whitworth, The University of Manchester. Photographer: Max Slaven.

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Sara Barker
CHANGE-THE-SETTING

November 13, 2015

Ann Veronica Janssens, Yellow Rose, 2007. Courtesy Museum Mosbroich, Leverkussen. © Ann Veronica Janssens and DACS, London, 2015. Photo: Philippe De Gobert.

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Another Minimalism

June 26, 2015

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Phyllida Barlow

March 8, 2015

Hélio Oiticica, Relevo Espacial (Vermêlho) (Spatial Relief [red] REL 036), 1959. © Tate, London, 2014.

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Possibilities of the Object: Experiments in Modern and Contemporary Brazilian Art

November 7, 2014

Stan Douglas, Suspect, 1950, 2010. Digital fibre print mounted on Dibond aluminum. Courtesy the artist, David Zwirner,
New York/London and Victoria Miro, London.

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Stan Douglas

June 27, 2014

Jim Lambie, Shaved Ice, 2012/2014. Wooden ladders, mirrors, household fluorescent paint, dimensions variable. Courtesy the artist and The Modern Institute / Toby Webster Ltd.

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Jim Lambie

March 14, 2014

Tania Kovats, Only Blue (Antarctica), 2013. Courtesy the artist.

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Tania Kovats

November 6, 2013

Louise Bourgeois, I Give Everything Away, 2010. Courtesy Hauser & Wirth and Cheim & Read. Photo: Christopher Burke. © The Easton Foundation.

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Louise Bourgeois

August 7, 2013

Gabriel Orozco, The Eye of Go, 2005. Synthetic polymer paint on canvas; 120 x 120 cm. Collection of the artist. Photograph: John Berens.

The Fruitmarket Gallery

April 30, 2013

David Batchelor, Blob 08 (yellow) 28.03.11, 2011. Gloss and matte paint on aluminium. Courtesy the artist, Galeria Leme, São Paulo and Ingleby Gallery, Edinburgh. Photo: Thierry Bal. Private Collection, London.*

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David Batchelor

February 27, 2013

Tania Kovats, Oceans – Salton Sea, 2013.

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Tania Kovats: Oceans

July 20, 2012

Dieter Roth (1930–1998), Notebook, 1967 (detail). Hardcover leatherbound diary with drawings, coloured sketches, collages. 17.5 x 11 x 3 cm ( 6 7/8 x 4 3/8 x 1 1/8 inches). © Dieter Roth Estate.

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Dieter Roth Diaries

April 17, 2012

Tony Swain, “Idle as totems,” 2012.
Acrylic on newspaper.
Courtesy of The Modern Institute/Toby Webster Ltd, Glasgow.

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Tony Swain’s Drowned Dust, Sudden Word

October 27, 2011

Bill Bollinger Cyclone Fence, 1968 at Nine at Leo Castelli (Giovanni Anselmo, Bill Bollinger, Eva Hesse, Stephen Kaltenbach, Bruce Nauman, Alan Saret, Richard Serra, Keith Sonnier, Gilberto Zorio. Organised by Robert Morris), Castelli Warehouse, New York, 1968.*

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July 28, 2011

Ingrid Calame, “From #258 Drawing” (Tracings from the Indianapolis Motor Speedway and the L.A. River) (detail), 2007.
Enamel paint on aluminium, Indianapolis Museum of Art, Carmen and Mark Holeman Contemporary Fund, 2008.3.

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Ingrid Calame at The Fruitmarket Gallery

July 2, 2011

The Fruitmarket Gallery

The Fruitmarket Gallery presents Martin Creed at Edinburgh’s Scotsman Steps

April 21, 2011

Salvador Dalí, “Metamorphosis of Narcissus,” 1937.
Oil on canvas; 82 x 109.2 x 8.5 cm.*

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Narcissus Reflected 

January 30, 2011

Jean-Marc Bustamante, “Stationnaire II,” 1991.
C-print, resin, epoxy 12 boxes, 66 x 56 x 8 cm (each).*

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Jean-Marc Bustamante

November 12, 2010

Jeff Koons, “Bear and Policeman,” 1988.*

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Childish Things

July 29, 2010

Martin Creed, Work No. 585, 2006
© Martin Creed
Courtesy the artist and Hauser & Wirth

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Martin Creed: Down Over Up

May 25, 2010

Johan Grimonprez
Still from DOUBLE TAKE, 2009
80 minutes
Courtesy: Universal and Zapomatik

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Johan Grimonprez

January 21, 2010

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Toby Paterson: a selection of work made over the last ten years

November 13, 2009

Monika Grzymala, Solex, 2009. Installation view, The Drawing Room, London. Courtesy the artist.

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The End of the Line: Attitudes in Drawing

August 4, 2009

Eva Hesse
Studiowork, 1968
Courtesy of University of California, Berkeley Art Museum & Pacific Film Archive, gift of Helen Hesse Charash, 1979
Photograph by Abby Robinson, New York

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Eva Hesse

April 28, 2009

Willie Doherty
Buried (film still), 2009
Courtesy the artist
Commissioned by The Fruitmarket Gallery, Edinburgh with support from the Esmée Fairbairn Foundation

The Fruitmarket Gallery

February 6, 2009

Claire Barclay
Shifting Ground (detail)
2008
Courtesy the artist, doggerfisher, Edinburgh and Stephen Friedman Gallery, London

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Claire Barclay | Openwide

October 24, 2008

Stan Brakhage
Mothlight, 1963 16mm film, silent, colour, 4 minutes
Courtesy of the Estate of Stan Brakhage and LUX, London

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Close-Up

July 31, 2008

Janet Cardiff and George Bures Miller, Dark Pool, 1995
Courtesy Barbara Weiss, Luhring Augustine Gallery and the artists

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Janet Cardiff and George Bures Miller

May 16, 2008

Lucy Skaer, Cell #1 (with rules and exceptions), 2005
Watercolour on paper, 150 x 140cm
Courtesy the artist and collection of UBS, UK

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Lucy Skaer

February 29, 2008

Douglas Gordon
Five Year Drive-By (The Searchers), 1998
Video projection
Copyright: Douglas Gordon.
Courtesy Gagosian Gallery from The Searchers,
1956, dir. John Ford, Warner Bros. Studios
Copyright: Warner Home Video

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Print the Legend

November 2, 2007

Roman Signer
Office Chair (Bürostuhl) 2006
DVD, 1’03″
Camera: Tomasz Rogowiec
Editing: Aleksandra Signer
Courtesy the artist

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Roman Signer

July 25, 2007

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Alex Hartley

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