Born in 1964, Yerbosyn Meldibekov is part of a generation of groundbreaking Kazakhstan artists who, since the collapse of the USSR, have challenged Russian imperialism. Working in a wide variety of media—photography, painting, sculpture, 3D-modeling, readymade, performance—Meldibekov disassembles the Eurocentric model of Empire, adopted by Russia as well, with its monuments to political and military leaders, neurotic craving for geographical expansion, and degrading stereotypes of conquered peoples. At the start of the nineteenth century, Russian authorities began to restrict Kazakh nomadism and traditional horse-breeding practices. Their aim was to coerce the populace into accepting agricultural and industrial jobs that integrated neatly into Russia’s imperial framework of resource extraction. Backlashes against this system have been constant over the decades since. But only since Kazakhstan declared its independence, in 1991, has the country begun openly to discuss its cultural autonomy. Meldibekov is prominent among the first generation of Kazakhstan artists clearly to denounce ideological frameworks of statehood based on colonial bureaucracy. Their alternative is the vast Kazakh steppe, where ideologies are accidental and infirm. The centerpiece of Meldibekov’s show at Almaty’s Dom Na Baribayeva 36, The Fall of the Author (2021), is a self-portrait as a destroyed monument. On a white neoclassical …