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November 12, 2021 – Review
59th New York Film Festival, “Currents”
Herb Shellenberger
After the virtual screenings and drive-ins of its 2020 edition, this year’s New York Film Festival (NYFF) once again rolled through Lincoln Center: a program of screenings, talks, parties, and red carpets that—with the exception of vaccine checks and masks—would not have felt out of place pre-pandemic. Situated as a festival-within-a-festival, NYFF’s “Currents” strand was billed as an eclectic showcase of innovative cinema, comprising 15 features and 36 short films that ranged from experimental and essay film to low-budget arthouse. In the context of a reduction in support for experimental film across festival lineups internationally, “Currents” was this year marked by a sense of plentitude that felt both generative and somewhat overwhelming. The general level of quality was high, but several works stood out.
A Night of Knowing Nothing (all films mentioned 2021), Payal Kapadia’s feature debut, is a bold work of documentary that balances the poetic and political in depicting protest movements at the Film and Television Institute of India (FTII). (Kapadia joined the institute as a student in 2012, producing several phenomenal short films through to the end of the decade.) It opens with an off-kilter shot, camera low to the ground like Ozu’s, showing a group …