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              John Miller’s "New Realities”
              Andrew Berardini
              Middlebrow. Middle America. Middle manager. Middle-of-the-road. Middle-age. Middle-age spread. Middle of the day. The middle is disappearing, or as one prophetic poet put it, the center cannot hold. But it does, sort of. John Miller has placed his finger on it, holding it down like a loose sheet of paper that might blow away. The middle, for Miller, is most clearly captured in a relatively deadpan photographic project that involves snapping places in the middle of the day. The middle is that soft vague part of anything, the flabby beer belly, the gooey center. Generally the middle is the most reviled. Hated by both the bottom and the top. When Virginia Woolf wrote about high, middle, and lowbrows in a letter published in The Death of the Moth (1942), the highbrows had a fierce commitment to beauty, value, integrity, and the lowbrows committed to the intrinsic pleasure of the physical; both were worthy of praise, but not the middles, who in their pursuit of social rise were only appreciating that which others told them to appreciate, their real pleasures the guilty kind, schlock really. One of the regular gripes heard around America these days is about the erosion of the middle class …
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