Konstantin von Eggert, “Carnival spirit is not enough to change Russia,” Financial Times, March 1, 2012. See →.
Alissa de Carbonnel, “Carnival is over,” Reuters, March 9, 2012. See →.
Irina Sandomirskaja, “Khutin Pui, or What’s in Moscow? Election Campaign, a View from Below,” Baltic Worlds, March 1, 2012. See →.
Clayton, Douglas, J. Pierrot in Petrograd: The Commedia dell’Arte/Balagan in 20th century Russian Theatre and Drama (Montreal: McGill-Queen’s University Press, 1993), 10.
Mansur Mirovalev, “Pussy Riot: Guide to all six of their songs and how they reflect Russia’s anti-Putin uprising,” The Province, August 18, 2012. See →.
Charles Clover, “Pussy Riot dig claws into Putin,”Financial Times, March 16, 2012, See →.
See Angela MacRobbie, The Aftermath of Feminism: Gender, Culture and Social Change (London: SAGE Publications, Ltd., 2009).
Miriam Elder, “We are representative of our generation,”The Guardian, August 17, 2012. See →.
See →.
Mikhail Bakhtin, Problems of Dostoevsky’s Poetics, ed. and trans. Caryl Emerson and Wayne C. Booth (Minneapolis: University of Minnesota Press, 1984). In this translation, the word carnivalistic is used. I have chosen to use instead the more common and accepted word carnivalesque.
Ibid., 124.
Sandomirskaja, op. cit.
Ken Hirschkop, Mikhail Bakhtin: An Aesthetic for Democracy (New York: Oxford University Press, 1999), 279.
Bakhtin, 123.
Bakthin, 160.
Michael Hardt and Antonio Negri, Declaration (Argo Navis Author Services, 2012), 18.
Ibid., 42–3.
Ibid., 7. Also see Chapter 1: Subjective Figures of the Crisis, 9–30.
Ibid., 60 and Next: Event of the Commoner, 101–8.
Hirschkop, 293–4.
Hardt and Negri, 79.
