Uriel Orlow’s practice is research-driven, process-oriented, and often in dialogue with other disciplines and people. His projects engage with residues of colonialism, spatial manifestations of memory, social and ecological justice, blind spots of representation, and plants as political actors. His multimedia installations focus on specific locations, micro-histories, and forms of haunting. Working across installation, photography, film, drawing, sound, and gardens his works bring different image-regimes and narrative modes into correspondence.