10 documents
Xenia Benivolski Read Bio Collapse
Xenia Benivolski Read Bio Collapse
Xenia Benivolski curates, writes, and lectures about sound, music, and visual art. She edits the digital project yctm.e-flux.com.
e-flux Announcement
Posted: January 24, 2023
Category
Music
Subjects
Sound Art, Futures, Climate change
Institution
e-flux Criticism
Posted: December 6, 2022
Category
War & Conflict
Subjects
Eastern Europe, Nuclear War
e-flux Announcement
Posted: October 26, 2022
Category
Music, Data & Information
Subjects
Community, Sound Art
Institution
e-flux
Chimera’s Still Warm Body
e-flux Announcement
Posted: September 29, 2022
Category
Music, Feminism
Subjects
Opera
Institution
e-flux Announcement
Posted: July 28, 2022
Category
Music, War & Conflict, Psychology & Psychoanalysis
Subjects
Outer Space
Institution
e-flux Announcement
Posted: July 4, 2022
Category
Music
Subjects
Artistic Research , Outer Space, Nuclear War
Institution
e-flux Project
Category
Music
Subjects
Sound Art
e-flux Criticism
Posted: October 22, 2021
Category
Nature & Ecology, Indigenous Issues & Indigeneity, Photography
Subjects
Biennials, Virtual & Augmented Reality
e-flux Criticism
Posted: July 26, 2021
Subjects
Eastern Europe, Historicity & Historiography, Exhibition Histories, Libraries & Archives
# 115
You Can’t Trust Music
Xenia Benivolski
Music reflects changes in the world: its mechanism relies on making noise palatable by means of subjectively defined order. The dialectic between order and violence mirrors another dialectic between music and pure noise: each reveals hidden physical and social architectures. By examining degrees of deviation from order, one can decipher the social code of a society at a particular time.
e-flux Journal
Posted: February 4, 2021
Category
Music, Installation, Philosophy
Subjects
Science Fiction