Video & Film - e-flux

Video & Film

e-flux Video & Film presents special screening series online and streams live and recorded content prepared by e-flux and our collaborators. This platform is also an archival resource gathering conversations, lectures, and symposia recorded at e-flux and elsewhere over the past decade and featuring some of the most interesting artists and thinkers of our times.

Current & Upcoming

Kush Badhwar, Blood Earth (still), 2013.

Artist Cinemas presents

Kush Badhwar, Blood Earth | Take Me Back: Week #6

Saturday, September 26—Friday, October 2, 2020

The Otolith Group, Medium Earth (still), 2013.

e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory

The Otolith Group, Medium Earth | Part Four – Reading the Earth

Sunday, September 27—Saturday, October 10, 2020

Ernst Karel, Toby Lee, and Pawel Wojtasik, Single Stream (still), 2014.

e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory

Ernst Karel, Toby Lee, and Pawel Wojtasik, Single Stream | Part Four – Reading the Earth

Sunday, September 27—Saturday, October 10, 2020

Malena Szlam, Altiplano (still), 2018.

e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory

Malena Szlam, Altiplano | Part Four – Reading the Earth

Sunday, September 27—Saturday, October 10, 2020

Arjuna Neuman and Denise Ferreira da Silva, 4 Waters-Deep Implicancy (still), 2018.

e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory

Arjuna Neuman and Denise Ferreira da Silva, 4 Waters-Deep Implicancy | Part Four – Reading the Earth

Sunday, September 27—Saturday, October 10, 2020

Zlatko Ćosić, Un-Pollute (still), 2017.

e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory

Zlatko Ćosić, Un-Pollute | Part Four – Reading the Earth

Sunday, September 27—Saturday, October 10, 2020

Ernst Karel, Toby Lee, and Pawel Wojtasik, Single Stream (still), 2014.

e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory

Visualizing the Anthropocene: Aesthetics and Politics | Online discussion with T.J. Demos, Toby Lee, Sasha Litvintseva, Susana de Sousa Dias, and Lukas Brasiskis

Thursday, October 1, 2020 at 1pm EST

Claude Faraldo, Themroc (still), 1973.

e-flux and International Short Film Festival Oberhausen present

Claude Faraldo, Themroc | From My Window / From Your Window: Film #6

Friday, July 3, 2020

Coco Fusco, The Woman by the Window (still), 2020.

e-flux and International Short Film Festival Oberhausen present

Coco Fusco, The Woman by the Window | From My Window / From Your Window: Response #4

Friday, June 19, 2020

Herz Frank, Ten Minutes Older (still), 1978.

e-flux and International Short Film Festival Oberhausen present

Herz Frank, Ten Minutes Older | From My Window / From Your Window: Film #5

Friday, June 12, 2020

Chantal Akerman, La chambre (still), 1972.

e-flux and International Short Film Festival Oberhausen present

Chantal Akerman, La chambre | From My Window / From Your Window: Film #4

Friday, May 29, 2020

John Smith, Dirty Pictures (still), 2007.

e-flux and International Short Film Festival Oberhausen present

John Smith, Dirty Pictures | From My Window / From Your Window: Film #3

Friday, May 22, 2020

Nicolas Wackerbarth, Vier Wände (Four Walls) (still), 2020.

e-flux and International Short Film Festival Oberhausen present

Nicolas Wackerbarth, Vier Wände (Four Walls), 2020 | From My Window / From Your Window: Response #3

Friday, May 22, 2020

Joana Hadjithomas and Khalil Joreige, A Letter to Marguerite (still), 2020.

e-flux and International Short Film Festival Oberhausen present

Joana Hadjithomas and Khalil Joreige, A Letter to Marguerite | From My Window / From Your Window: Response #2

Friday, May 15, 2020

Marguerite Duras, Les mains négatives (Negative hands), 1978.

e-flux and International Short Film Festival Oberhausen present

Marguerite Duras, Les mains négatives (Negative Hands) | From My Window / From Your Window: Film #2

Friday, May 8, 2020

Józef Robakowski, Z mojego okna (From My Window), 1978–1999.

e-flux and International Short Film Festival Oberhausen present

Józef Robakowski, Z mojego okna (From My Window) | From My Window / From Your Window: Film #1

Friday, May 1, 2020

Emily Jacir, 24 marzo 2020 (dalla mia finestra) [March 24, 2020 (From My Window)], 2020.

e-flux and International Short Film Festival Oberhausen present

Emily Jacir, 24 marzo 2020 (dalla mia finestra)
March 24, 2020 (From My Window) | From My Window / From Your Window: Response #1

Friday, May 1, 2020

Artist Cinemas

Artist Cinemas is a long-term, online series of film programs focused on exploring the moving image as understood by people who make film.

Ecology After Nature

August 14—November 8, 2020
An online screening series which places reflections on administrative, instrumental, and extractive treatments of nature at its forefront, and exposes various angles of interconnection between the natural and the human-made. Programmed by Lukas Brasiskis, this series presents a selection of twenty-two artists’ films and videos that will be screened on e-flux Video & Film in six parts.

e-flux and International Short Film Festival Oberhausen

e-flux and the International Short Film Festival Oberhausen collaborate on the joint screening series From My Window / From Window, inspired by Józef Robakowski's film Z mojego okna (From My Window).

Archive

Image courtesy of Space Popular.

RIBA presents in virtual reality: Architectural Adventures in Mass Media | Live on Thursday, May 28, 2020 1:30pm EST / 6.30PM BST

With Space Popular and Oliver Wainwright

Karrabing Film Collective, Day in the Life (still), 2020.

Bar Laika presents: Karrabing Film Collective, Day in the Life | Private Screening and Q&A

Thursday, May 7, 2020, 9:30pm EST

ArkDes presents a virtual vernissage
WEIRD SENSATION FEELS GOOD | An exhibition about ASMR

Live on Tuesday, April 7 | 5–6:30pm CEST, 11am–12:30pm EST

Rojava Film Commune, Stories of Destroyed Cities (film still), 2016.

e-flux presents: Art and the Specter of Ideology - Act 1
With Janet Biehl, iLiana Fokianaki, Elif Genc, Matt Peterson, and Laura Raicovich

Digital billboard fire in Times Square, New York, May 18, 2019. Courtesy of Twitter user @Mia_TheBlessed.

KADIST and e-flux present: Ways of Reading Symposium | Session One: James Bridle, Trevor Paglen, Kate Crawford, Gala Porras-Kim

Digital billboard fire in Times Square, New York, May 18, 2019. Courtesy of Twitter user @Mia_TheBlessed.

KADIST and e-flux present: Ways of Reading Symposium | Session Two: Martha Kenney, Kameelah Janan Rasheed, Andros Zins-Browne

Digital billboard fire in Times Square, New York, May 18, 2019. Courtesy of Twitter user @Mia_TheBlessed.

KADIST and e-flux present: Ways of Reading Symposium | Session Three: Anti-Eviction Mapping Project, American Artist, Davide-Christelle Sanvee

Jessie Jeffrey Dunn Rovinelli, So Pretty (film still), 2019. Courtesy of the artist.

More Pretty: Jessie Jeffrey Dunn Rovinelli and McKenzie Wark in conversation

An artificial womb that can grow baby sheep.

e-flux lectures: Sophie Lewis, “Wages for Womb-Work, Polymaternalism, Critical Firestonianism”

An alien universe made using ingredients from our own world. Cover art by Bruce Pennington for Arthur C. Clarke's novel Rendezvous with Rama (1973).

On Generative Aesthetics: J.-P. Caron, Reza Negarestani, and Patricia Reed

Christian Nyampeta, École du soir, at former Nile Polytechnic of Applied Arts, in the context of Another Roadmap School International Meeting, Huye, August 2018

An evening with philosopher Isaïe Nzeyimana, in dialogue with anthropologist Natacha Nsabimana and artist Christian Nyampeta

Handmade earthen tile, Jinwar Free Women's Village, Rojava, 2018, Angela Anderson

Ecologies of Care: Screening and conversation with Silvia Federici and Angela Anderson

Forces from Libya's new regime fight Gaddafi troops in Sirte as Masoud Biswir plays the guitar on 10 October, 2011. Photo: Aris Messinis

e-flux journal presents: Art After Culture? New York | Day two, Session one: Franco “Bifo” Berardi, Irmgard Emmelhainz, Liam Gillick, and Mary Walling Blackburn, introduced by Kaye Cain-Nielsen and Brian Kuan Wood

Forces from Libya's new regime fight Gaddafi troops in Sirte as Masoud Biswir plays the guitar on 10 October, 2011. Photo: Aris Messinis

e-flux journal presents: Art After Culture? New York | Day two, Session two: The Otolith Group, Charles Mudede, and Reza Negarestani, introduced and moderated by Brian Kuan Wood

Forces from Libya's new regime fight Gaddafi troops in Sirte as Masoud Biswir plays the guitar on 10 October, 2011. Photo: Aris Messinis

e-flux journal presents: Art After Culture? New York | Day two, Session three: Ruanne Abu Rahme and Basel Abbas, Keller Easterling, and The New Red Order, introduced and moderated by Kaye Cain-Nielsen

Forces from Libya's new regime fight Gaddafi troops in Sirte as Masoud Biswir plays the guitar on 10 October, 2011. Photo: Aris Messinis

e-flux journal presents: Art After Culture? New York | Day One: Boris Groys, and Hito Steyerl, introduced by Anton Vidokle

United Art Contractors, Grand Lawyering, published in Artforum, November 1989.

e-flux lectures: Joan Kee, “When Art Lays Down the Law”

Walid Raad, Scratching on Things I Could Disavow: Walkthrough, Institute of Contemporary Art, Boston, 2016. Photo: John Kennard

e-flux lectures: Tom Holert, “Contemporary Art’s Epistemic Politics”

Harun Farocki, Parallel IV (still), 2014. © Harun Farocki GbR, Berlin

e-flux journal and Harun Farocki Institut present: “Art After Culture: Navigation Beyond Vision” at Haus der Kulturen der Welt
Panel One: Sensory Counter-Mappings, with Anselm Franke, Jennifer Gabrys, Laura Lo Presti, Mariana Silva (Inhabitants), Nikolay Smirnov, moderated by Tom Holert

Harun Farocki, Parallel IV (still), 2014. © Harun Farocki GbR, Berlin

e-flux journal and Harun Farocki Institut present: “Art After Culture: Navigation Beyond Vision” at Haus der Kulturen der Welt
Panel Two: The Tasks of Abstract Space with Ramon Amaro, Matteo Pasquinelli, Patricia Reed, moderated by Brian Kuan Wood

Harun Farocki, Parallel IV (still), 2014. © Harun Farocki GbR, Berlin

e-flux journal and Harun Farocki Institut present: “Art After Culture: Navigation Beyond Vision” at Haus der Kulturen der Welt
Panel Three: Extra-Image Violence with Maîté Chénière, Charles Heller, Oraib Toukan, moderated by Doreen Mende; and closing response by Kodwo Eshun”

Harun Farocki, Parallel IV (still), 2014. © Harun Farocki GbR, Berlin

e-flux journal and Harun Farocki Institut present: “Art After Culture: Navigation Beyond Vision” at Haus der Kulturen der Welt
Keynote with James Bridle and Hito Steyerl, moderated by Brian Kuan Wood

David Claerbout, the “confetti” piece (production screenshot), 2018. Courtesy the artist.

David Claerbout, “Dark Optics”

Offsetted: On the Rights of Trees,” Daniel Fernández Pascual & Alon Schwabe (Cooking Sections), Mari Margil, and Elizabeth Yeampierre; moderated by Felicity D. Scott

Charles Mudede, Thin Skin (still), 2018.

Charles Mudede, “Black Green Gothic: Visualizing the Afro Pacific Northwest”

Comradeship: Curating, Art, and Politics in Post-socialist Europe,
Zdenka Badovinac in conversation with Ana Janevski

Tiona Nekkia McClodden, an offering | six years | a conjecture, 2018. Courtesy the artist.

Journeys with the initiated Panel Conversation with Diedrich Diederichsen, Anselm Franke, Renée Green, and Grada Kilomba; moderated by Yesomi Umolu

Tiona Nekkia McClodden, an offering | six years | a conjecture, 2018. Courtesy the artist.

Journeys with the initiated, performance Erlkönig by Malik Gaines with Nick Mauss, Pati Hertling, Ulrike Müller, and Ethan Philbrick

Cosmin Costinaș, Ana Janevski (eds.), Is the Living Body the Last Thing Left Alive?, Sternberg Press and Para Site, 2018. Book design by Wkshps.

Is the Living Body the Last Thing Left Alive?
Book launch with Claire Bishop, Cosmin Costinaș, Adrienne Edwards, Inti Guerrero, Ana Janevski, and André Lepecki

Antonius Block challenges Death to a chess match. Ingmar Bergman, The Seventh Seal (still), 1957.

e-flux lectures: Yuk Hui, “What Begins After the End of Enlightenment?”

Developing eggs deposited by a tardigrade mother in her shed skin during molting phase. Photo: Don Loarie/CC BY-NC-SA 2.0.

e-flux journal on feminism(s): Double issue launch with Martha Rosler, Xin Wang, McKenzie Wark, and Elvia Wilk

Peggy Ahwesh, Alluvium, 2015. Video, 25 min.

Film screening: Peggy Ahwesh in conversation with Michele Pierson

Allan Sekula, Fish Story
Symposium with Eduardo Cadava, Nadja Millner-Larsen, and Benjamin Young; introduced by Sally Stein

Graph illustrating the sine wave function. Image: Wikimedia Commons

Mirene Arsanios, “Motherless Tongues”

Graph illustrating the sine wave function. Image: Wikimedia Commons

Simone White, “on being the other woman”

Mary Walling Blackburn, Proto-Minox, 2018.

Dave McKenzie and Mary Walling Blackburn, “Hostile Witness”
A screening, reading, and conversation

The Otolith Group, The Third Part of the Third Measure (film still), 2017.

The Otolith Group, part one of The Third Part of the Third Measure

The Otolith Group, The Third Part of the Third Measure (film still), 2017.

The Otolith Group, part two of The Third Part of the Third Measure

“The entire purpose of training, educating, and teaching the youth of today should be to imbue them with communist ethics.” Soviet mural quoting Vladimir Lenin on the façade of the former publishing house Detskaya Kniga (Children’s Book), Moscow.

e-flux lectures: Keti Chukhrov, “What Makes Communism Unbearable, or a Few Notes on the Political Economy of the Common Good”

Emanuel Almborg, Talking Hands (film still), 48 minutes, 2016.

“Thinking Matter, Thinking Body, Talking Hands”
Film screening and talks with Emanuel Almborg, Maria Chehonadskih, and Alexei Penzin

Lale Willan, propaganda machine 4, 2017.

e-flux lectures: Luce deLire, “Post-#metoo: My, Your, Our Pink Totalitarianism”

Ala Younis, Nuha Al-Radi's Nightmares in Baghdad Diaries, detail from Plan (fem.) for Greater Baghdad, 2018. Courtesy of the artist.

e-flux lectures: Ala Younis, “The Works Were Limited: Baghdad and Her Architects"

Still from the Youtube video UFO Azores (published September 1, 2011).

e-flux lectures: Rory Rowan, “Beyond Colonial Futurism: Portugal’s Atlantic Spaceport and the Neoliberalization of Outer Space”

Book launch: Cooking Sections, The Empire Remains Shop
With Cooking Sections, Coco Fusco, and Natasha Ginwala

Tweeted just after midnight on May 31, 2017, US president Donald Trump’s cryptic typo “covfefe” had generated a delirium of jokes and speculations on Twitter before it was deleted in the morning.

e-flux lectures: Robin van den Akker and Timotheus Vermeulen, “Eight Theses on Covfefe”

Book design: The MIT Press. Image: Gustav Klucis, Illustration for A.Kruchenykh’s Four Phonetic Novels, 1927, lithograph. Courtesy Greek State Museum of Contemporary Art—Costakis Collection, Thessaloniki.

Book launch: Russian Cosmism, editor Boris Groys in conversation with Claire Bishop and Anton Vidokle

Archizoom Associati, Center for Eclectic Conspiracy, 1968.

e-flux lectures: Jacopo Galimberti, "The Worker, the Militant, and the Monster: Visualizing Revolutionary Subjectivities in 1960s and 1970s Italy"

Dimensions of Citizenship, roundtable presented by the US Pavilion at the Venice Architecture Biennale 2018
and e-flux Architecture

Musatepe waterdam, Turkey, 2016. Photo: Zeynep S. Akıncı

e-flux lectures: “The Infrastructure as Symptom,” Keller Easterling and Pelin Tan

Zach Blas, Jubilee 2033 (film still), 2018. Commissioned by Gasworks, London; Art in General, New York; and MU, Eindhoven.

Lecture-performance: Zach Blas, Metric Mysticism

Double U.S. Book Launch: Duty Free Art and Supercommunity at the Guggenheim

Left: Molly Nesbit, Midnight: The Tempest Essays (Inventory Press, 2017); book design by Project Projects. Right: Rirkrit Tiravanija, Announcement for Untitled (Tomorrow Can Shut Up and Go Away), 1999.

"After Midnight: Fast Forward Art History," a panel with Molly Nesbit, Hilton Als, Yasmin Ramirez, and Ann Reynolds

Cosmic Shift with Alex Anikina, Boris Groys, Anton Vidokle, and Elena Zaytseva

Museu Maguta, Brazil's first indigenous musuem, created in 1990.

e-flux lectures: María Iñigo Clavo, "Is it possible to decolonize? On Brazilian Museums, Coloniality, and Methodologies"

Alicia Hall Moran and Jason Moran, Work Songs, 2015.

e-flux lectures: Malik Gaines, "A History of Impossible Progress"

Susan Schuppli, Entering Evidence: Cross Examining the Court Records of the ICTY (International Tribunal for the Former Yugoslavia), assemblage, 2014.

e-flux lectures: Doreen Mende, “The Navigation Principle: Slow Image”

Anton Vidokle, The Communist Revolution Was Caused By The Sun (still), 2015. Film, sound, 33:36 minutes. Courtesy of the artist and Remai Modern.

post presents “Russian Cosmism: A Work of Art in the Age of Technological Immortality” at the Museum of Modern Art

Gustav Gull, reconstruction of the ETH main building hall, 1915, originally designed by Gottfried Semper, 1864. Image courtesy of the gta archives / ETH Zürich, Gottfried Semper holdings.

e-flux Architecture: History/Theory

A utopia of rules: Assemble's former workspace in Stratford, East London. Photo by Philipp Ebeling

"You’re Not the Boss of Me Now," Assemble members Amica Dall and Joseph Halligan in conversation with Esther Choi

Bonita Ely, The Locust People, 1974. Pencil on paper.

TOXIC ASSETS: Frontier Imaginaries Ed.No3, Day 3: Toxic Sovereignty

Bonita Ely, The Locust People, 1974. Pencil on paper.

TOXIC ASSETS: Frontier Imaginaries Ed.No3, Day 2 Part 1: Frontier Properties

Bonita Ely, The Locust People, 1974. Pencil on paper.

TOXIC ASSETS: Frontier Imaginaries Ed.No3, Day 2 Part 2: Volatile Properties

Bonita Ely, The Locust People, 1974. Pencil on paper.

TOXIC ASSETS: Frontier Imaginaries Ed.No3, Day 2 Part 3: Vital Properties

Book launch: Socialist Architecture: The Reappearing Act, Srdjan Jovanovic Weiss in discussion with Nina Rappaport

Bonita Ely, The Locust People, 1974. Pencil on paper.

TOXIC ASSETS: Frontier Imaginaries Ed.No3, Day 2 Part 4: Rebellious Properties

Bonita Ely, The Locust People, 1974. Pencil on paper.

TOXIC ASSETS: Frontier Imaginaries Ed.No3, Day 1: Toxic Languages

Nanni Balestrini, Potere Operaio, collage, 1972.

e-flux lectures: Marco Baravalle, "Art, Populism, and the Alterinstitutional Turn"

Jack Self, Common Stock: Sharing as Luxury, 2016.

e-flux lectures: Jack Self, "The Agony of Power"

Counter-investigating the testimony of Andreas Temme in relation to the murder of Halit Yozgat in Kassel, April 6, 2006. Fornensic Architecture, 77sqm_9:26min, 2017. Image: Forensic Architecture

Investigative Aesthetics in Architecture and Journalism: Eyal Weizman in conversation with Malachy Browne

What’s Love (or Care, Intimacy, Warmth, Affection) Got to Do with It? (e-flux and Sternberg Press, 2017).
Series cover design: Liam Gillick. Design: Jeff Ramsey. Graphic: Rivers Plasketes.

New York book launch: What's Love (or Care, Intimacy, Warmth, Affection) Got to Do with It?

Collage with drawings by Amílcar Cabral, for a study on sugar production from 1959.

e-flux lectures: Filipa César, "Humble Derives From Humus”

Helen Levitt, New York City, 1971-1994, color photograph.

e-flux lectures: Ariel Goldberg, "Photographing the News”

What new forms of entangled, collaborative action might we wrestle from the collapsed vocabularies of political liberalism? Anna Atkins. "Cystoseira fibrosa." In Photographs of British Algae: Cyanotype Impressions. 1842.

e-flux lectures: Nathan K. Hensley, "A Poetics of Action: Althusser, Brontë, Rossetti"

Photo: Lee Towndrow

e-flux lectures: Masha Gessen, "How We Survive an Autocracy"

The Social Security records office in Baltimore, Ohio. Harris & Ewing, Inc. (c.1937), Library of Congress, Washington, D.C.

e-flux lectures: Lee Mackinnon, "Automatic Love: Prototypes of Automation"

Omer Fast, Still from 5,000 Feet Is the Best, 2011.

Launch of Displacements: Architecture and Refugee by Andrew Herscher

e-flux lectures: Jodi Dean, "From Allies to Comrades"

Allan McCollum, six samples from his system to create over 31 billion shapes, The Shapes Project (2005-ongoing)

e-flux lectures: Gean Moreno, "A Fascinating Prospect"

Design: Ziga Testen

e-flux lectures: Vivian Ziherl in discussion with Elizabeth A. Povinelli, "Articulation Value"

Florian Auer, Demolition Dada, 2017.

e-flux lectures: Ana Ofak, "Demolition Dada”

Introduction to Culture as Weapon by Nato Thompson, followed by a discussion with Trevor Paglen

The Illuminator, Sitting Ducks, United Nations, New York, NY. 2015

e-flux lectures: Nora Sternfeld, "Why Exhibit At All? An Answer From the Year 2030"

e-flux lectures: Charles Mudede, "Not Even A Satellite: Notes on a Cosmic Motion Picture"

Aleksandr Deyneka, September 6, 1942, Nikitskaya Street, Moscow, 1942.

e-flux lectures: Gleb Napreenko, "Modernism as the Unheimlich of Stalinism: The Socialist Realist Regime of the Imaginary Body and its Disruptions in Soviet Art during WWII"

Still from Jean-Marie Straub and Danièle Huillet, Moses und Aron, 107 minutes, 1975.

e-flux lectures: Ute Holl, "Aesthetics and the Alien: Straub/Huillet in Moses und Aron"

Sven Lütticken and Tony Wood, launch of Cultural Revolution: Aesthetic Practice after Autonomy and discussion

e-flux lectures: Franco "Bifo" Berardi, "IS THERE A WAY OUT?"

Portrait by Bernd Krauss

e-flux lectures: Maria Lind, "Situating the Curatorial"

Sleeper tweet: After two years and only 19 shares, this random snapshot tweeted by Thomas Regembal in Paris in 2014 suddenly became a meme sensation following the inauguration of the 45th President of the United States.

e-flux lectures: Adam Kleinman, "Trump-l'oeil"

Dheisheh Refugee Camp. Photo: Luca Capuano with Carlo Favero

"The Architecture of Exile: Refugee Heritage," with Suad Amiry, Nikolaus Hirsch, Thomas Keenan, Jorge Otero-Pailos, Alessandro Petti and Sandi Hilal

Oil from the explosion of the Deepwater Horizon oil rig floats in the Gulf of Mexico near Orange Beach, Alabama, June 18, 2010. Photo: Kari Goodnough—Bloomberg/Getty Images

e-flux lectures: Oxana Timofeeva, "Materialist Dialectics of Oil"

Photo by Sahir Ugur Eren.

SUPERHUMANITY TALKS at the 3rd Istanbul Design Biennial

Olaf Stapledon, Last and First Men: A Story of the Near and Far Future. New York: Magnum, [1930] 1978.

Ergonomic Futures, performance by Tyler Coburn

“And: Phenomenology of the End,” lecture by Franco “Bifo” Berardi

Gregor Mobius, DNA Semantics, currently on view at Beyond the Globe: 8th Triennial of Contemporary Art – U3, Moderna Galerija, Ljubljana, 2016.

“DNA Semantics,” lecture and book launch by Gregor Mobius

Dual book launch with Benjamin H. Bratton at the Center for Transformative Media

This image from Edward Snowden's files was captioned: “A single frame of scrambled video imagery.”

Secret

Dziga Vertov kneels to shoot a train in Man with a Movie Camera (1929).

“The Truth of Art,” talk by Boris Groys

Blue and white cup with cobalt underglaze, from the Wanli period (1573–1620) of the Ming Dynasty.

Launch of e-flux journal no. 71 with Luis Camnitzer, Liam Gillick, and K8 Hardy

Members of the Donbass People's Militia hotwire a WWII IS-3 Soviet tank-monument named after Joseph Stalin to reactivate it for battle. Konstantinovka, Eastern Ukraine, 2014.

Launch of e-flux journal No. 70 with a talk by Hito Steyerl and screening of Harun Farocki’s Parallel I-IV

Connie Zhou, The Dalles, from the Google series, 2012. Google data center in Oregon. © Google, 2012.

SUPERCONVERSATIONS: MACHINES THAT MATTER, New Art Panel

Connie Zhou, The Dalles, from the Google series, 2012. Google data center in Oregon. © Google, 2012.

SUPERCONVERSATIONS: MACHINES THAT MATTER, Science Fiction Panel

Connie Zhou, The Dalles, from the Google series, 2012. Google data center in Oregon. © Google, 2012.

SUPERCONVERSATIONS: MACHINES THAT MATTER, Computation Panel

Book Launch: The Roundabout Revolutions and The Conflict Shoreline by Eyal Weizman

Photograph of cinematographer Silvino Santos, in Albert W. Stevens "Exploring the Valley of the Amazon in a Hydroplane: Twelve Thousand Miles of Flying Over the World's Greatest River and Greatest Forest to Chart the Unknown Parima River from the Sky." National Geographic Magazine Apr. 1926.

How Many Natures Can Nature Nurture?

Photograph of cinematographer Silvino Santos, in Albert W. Stevens "Exploring the Valley of the Amazon in a Hydroplane: Twelve Thousand Miles of Flying Over the World's Greatest River and Greatest Forest to Chart the Unknown Parima River from the Sky." National Geographic Magazine Apr. 1926.

How Many Natures Can Nature Nurture?

Photograph of cinematographer Silvino Santos, in Albert W. Stevens "Exploring the Valley of the Amazon in a Hydroplane: Twelve Thousand Miles of Flying Over the World's Greatest River and Greatest Forest to Chart the Unknown Parima River from the Sky." National Geographic Magazine Apr. 1926.

How Many Natures Can Nature Nurture?

Cecilia Vicuña, What Is Poetry To You?, 1980. Video, 23:20 minutes.

What, How & for Whom and Brian Kuan Wood in conversation with Sanja Iveković, OKO, and Cecilia Vicuña

Time to Talk about Art: Maria Lind in conversation with Doug Ashford, Mary Walling Blackburn, Naeem Mohaiemen, and Emily Segal (K-HOLE)

Front cover template by Liam Gillick, design by Jeff Ramsey

Book launch: The Internet Does Not Exist

Stephen Van Trees and Boris Groys on Nikolai Fedorov and Russian Cosmism

Oleksiy Radynski, Integration, 2014

Oleksiy Radynski: “The Molotov-Eisenstein Cocktail”

The Unmaking of Art, an exhibition based on a lecture by Walter Benjamin, 2014. Exhibition view, e-flux, New York, 2014. © e-flux

Lectures by Alfred Barr and Gertrude Stein: The Unmaking of Art

The Unmaking of Art, an exhibition based on a lecture by Walter Benjamin, 2014. Exhibition view, e-flux, New York, 2014. © e-flux

Lectures by Alfred Barr and Gertrude Stein: The Unmaking of Art

Museum of Antiquity, Belvedere Romanum. Installation view: Van Abbemuseum, Eindhoven, 2009.

The Unmaking of Art

A child reads Lise Deharme's Le Coeur de Pic (1937), a Surrealist book illustrated with photographs (like the above) by Claude Cahun.

Child as Material with Mary Walling Blackburn

Elizabeth A. Povinelli, Petroleum Dreaming (still), 2014. Film, 4:22 minutes.

Quasi-Events: Building and Crumbling Worlds

Photo: Rachel Ichniowski.

e-flux journal at the New York Art Book Fair, MoMA PS1

Federico Peralta Ramos, Nosotros afuera, 1965. Installation view of the work at the Instituto Torcuato Di Tella, Argentina. Courtesy Peralta Ramos family.

We, The Outsiders

Sebastian Tedesco, Enigma, 2014. Unrealized project submitted to the Agency of Unrealized Projects' website.

Summer Mondays at e-flux, Fail, Fail Better!

Sebastian Tedesco, Enigma, 2014. Unrealized project submitted to the Agency of Unrealized Projects' website.

Summer Mondays at e-flux, This Literally Happened: A Night of Storytelling

Sebastian Tedesco, Enigma, 2014. Unrealized project submitted to the Agency of Unrealized Projects' website.

Summer Mondays at e-flux, Shapes and Skins: Unrealized Avatars and Alter Egos

Sebastian Tedesco, Enigma, 2014. Unrealized project submitted to the Agency of Unrealized Projects' website.

Summer Mondays at e-flux, App Laws

Sebastian Tedesco, Enigma, 2014. Unrealized project submitted to the Agency of Unrealized Projects' website.

Summer Mondays at e-flux, No Such Archive Exists

Artwork: Metahaven. Design: Zak Group.

Keller Easterling: Subtraction Critical Spatial Practice 4

Charles Sanders Peirce, Labyrinth. From Charles Sanders Peirce papers, MS Am 1632 (1537). Houghton Library, Harvard University, Cambridge, Mass.

Reza Negarestani and Guerino Mazzola, presented by Glass Bead

From left to right: Tehching Hsieh, Tehching Hsieh 1978–1999. Frog King Kwok , Reconstruction and adaptation of Mid-Nite Bags Party at Bamboo Corner Restaurant, New York,  1980s. Photo: e-flux.

Taiping Tianguo curators Doryun Chong and Cosmin Costinas in conversation

IRWIN, NSK Electronic Consulate e-flux NY, 2013. Plaque.

NSK Electronic Consulate | IRWIN in collaboration with e-flux | New York City

Escape Velocities: Symposium at e-flux

Escape Velocities: Symposium at e-flux

Escape Velocities: Symposium at e-flux

Escape Velocities: Symposium at e-flux

Escape Velocities: Symposium at e-flux

Escape Velocities: Symposium at e-flux

"LtG", graphic materials for exhibition events, Pedro Neves Marques and Mariana Silva, 2013.

Philip Mirowski, Timothy Mitchell, and Alberto Toscano at e-flux, "The Biopolitics of the Biosphere Crisis"

"LtG", graphic materials for exhibition events, Pedro Neves Marques and Mariana Silva, 2013.

Philip Mirowski, Timothy Mitchell, and Alberto Toscano at e-flux, "Can we have a Carbon Democracy?" and "Politics of Circulation"

Design by Zak Group / Cover illustration: Jonas Voegeli

Solution 247–261: Love

Image courtesy of Adam Curtis.

Adam Curtis: The Desperate Edge of Now

Collective Actions, The Third Variant, Gorky village, May 28, 1978.

Out of Town: Andrei Monastyrski & Collective Actions

"Time/Food" restaurant facade, Abrons Arts Center, New York, 2011. Photo courtesy of e-flux.

Time/Food restaurant at Abrons Arts Center

November 2010, English 
10.8 x 17.8 cm, 168 pages, 9 b/w ill., softcover 
ISBN 978-1-934105-30-6 
Design by Jeff Ramsey, cover design by Liam Gillick

Book launch and Conversation  with Saul Anton and Boris Groys  

Video & Film Current & Upcoming Special Series Archive