Video & Film - e-flux

Video & Film

e-flux video & film is a platform dedicated to the moving image, gathering conversations, lectures, and symposia recorded at e-flux since 2010 and featuring some of the most interesting artists and thinkers of our times. Beyond providing an archival resource, the platform will present new works as well as stream events in real time.

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LIVE NEXT
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Friday, February 21, 7pm EST
“Art and the Specter of Ideology” - act one
With Janet Biehl, iLiana Fokianaki, Elif Genc, Matt Peterson, and Laura Raicovic

November 2019

Jessie Jeffrey Dunn Rovinelli, So Pretty (film still), 2019. Courtesy of the artist.

More Pretty: Jessie Jeffrey Dunn Rovinelli and McKenzie Wark in conversation | November 25, 2019

3 months ago

An artificial womb that can grow baby sheep.

e-flux lectures: Sophie Lewis, “Wages for Womb-Work, Polymaternalism, Critical Firestonianism” | November 6, 2019

3 months ago

October 2019

An alien universe made using ingredients from our own world. Cover art by Bruce Pennington for Arthur C. Clarke's novel Rendezvous with Rama (1973).

On Generative Aesthetics: J.-P. Caron, Reza Negarestani, and Patricia Reed | October 30, 2019

3 months ago

Christian Nyampeta, École du soir, at former Nile Polytechnic of Applied Arts, in the context of Another Roadmap School International Meeting, Huye, August 2018

An evening with philosopher Isaïe Nzeyimana, in dialogue with anthropologist Natacha Nsabimana and artist Christian Nyampeta | October 23, 2019

4 months ago

September 2019

Handmade earthen tile, Jinwar Free Women's Village, Rojava, 2018, Angela Anderson

Ecologies of Care: Screening and conversation with Silvia Federici and Angela Anderson | September 11, 2019

5 months ago

June 2019

Forces from Libya's new regime fight Gaddafi troops in Sirte as Masoud Biswir plays the guitar on 10 October, 2011. Photo: Aris Messinis

e-flux journal presents: Art After Culture? New York | Day two, Session one: Franco “Bifo” Berardi, Irmgard Emmelhainz, Liam Gillick, and Mary Walling Blackburn, introduced by Kaye Cain-Nielsen and Brian Kuan Wood | June 15, 2019

8 months ago

Forces from Libya's new regime fight Gaddafi troops in Sirte as Masoud Biswir plays the guitar on 10 October, 2011. Photo: Aris Messinis

e-flux journal presents: Art After Culture? New York | Day two, Session two: The Otolith Group, Charles Mudede, and Reza Negarestani, introduced and moderated by Brian Kuan Wood | June 15, 2019

8 months ago

Forces from Libya's new regime fight Gaddafi troops in Sirte as Masoud Biswir plays the guitar on 10 October, 2011. Photo: Aris Messinis

e-flux journal presents: Art After Culture? New York | Day two, Session three: Ruanne Abu Rahme and Basel Abbas, Keller Easterling, and The New Red Order, introduced and moderated by Kaye Cain-Nielsen | June 15, 2019

8 months ago

Forces from Libya's new regime fight Gaddafi troops in Sirte as Masoud Biswir plays the guitar on 10 October, 2011. Photo: Aris Messinis

e-flux journal presents: Art After Culture? New York | Day One: Boris Groys, and Hito Steyerl, introduced by Anton Vidokle | June 14, 2019

8 months ago

May 2019

United Art Contractors, Grand Lawyering, published in Artforum, November 1989.

e-flux lectures: Joan Kee, “When Art Lays Down the Law” | May 22, 2019

9 months ago

Walid Raad, Scratching on Things I Could Disavow: Walkthrough, Institute of Contemporary Art, Boston, 2016. Photo: John Kennard

e-flux lectures: Tom Holert, “Contemporary Art’s Epistemic Politics” | May 3, 2019

9 months ago

April 2019

Harun Farocki, Parallel IV (still), 2014. © Harun Farocki GbR, Berlin

e-flux journal and Harun Farocki Institut present: “Art After Culture: Navigation Beyond Vision” at Haus der Kulturen der Welt Panel One: Sensory Counter-Mappings, with Anselm Franke, Jennifer Gabrys, Laura Lo Presti, Mariana Silva (Inhabitants), Nikolay Smirnov, moderated by Tom Holert | April 6, 2019

10 months ago

Harun Farocki, Parallel IV (still), 2014. © Harun Farocki GbR, Berlin

e-flux journal and Harun Farocki Institut present: “Art After Culture: Navigation Beyond Vision” at Haus der Kulturen der Welt Panel Two: The Tasks of Abstract Space with Ramon Amaro, Matteo Pasquinelli, Patricia Reed, moderated by Brian Kuan Wood | April 6, 2019

10 months ago

Harun Farocki, Parallel IV (still), 2014. © Harun Farocki GbR, Berlin

e-flux journal and Harun Farocki Institut present: “Art After Culture: Navigation Beyond Vision” at Haus der Kulturen der Welt Panel Three: Extra-Image Violence with Maîté Chénière, Charles Heller, Oraib Toukan, moderated by Doreen Mende; and closing response by Kodwo Eshun” | April 6, 2019

10 months ago

Harun Farocki, Parallel IV (still), 2014. © Harun Farocki GbR, Berlin

e-flux journal and Harun Farocki Institut present: “Art After Culture: Navigation Beyond Vision” at Haus der Kulturen der Welt Keynote with James Bridle and Hito Steyerl, moderated by Brian Kuan Wood | April 5, 2019

10 months ago

March 2019

David Claerbout, the “confetti” piece (production screenshot), 2018. Courtesy the artist.

David Claerbout, “Dark Optics” | March 11, 2019

11 months ago

February 2019

Offsetted: On the Rights of Trees,” Daniel Fernández Pascual & Alon Schwabe (Cooking Sections), Mari Margil, and Elizabeth Yeampierre; moderated by Felicity D. Scott | February 22, 2019

1 year ago

Charles Mudede, Thin Skin (still), 2018.

Charles Mudede, “Black Green Gothic: Visualizing the Afro Pacific Northwest” | February 20, 2019

1 year ago

Comradeship: Curating, Art, and Politics in Post-socialist Europe, Zdenka Badovinac in conversation with Ana Janevski | February 15, 2019

1 year ago

Video & Film November 2019 October 2019 September 2019 June 2019 May 2019 April 2019 March 2019 February 2019