Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialLawrence Liang
Shadow LibrariesMetahaven
Captives of the Cloud: Part IAmelia Groom
There’s Nothing to See Here: Erasing the MonochromeNato Thompson
The Last Pictures: Interview with Trevor PaglenClaire Tancons
Carnival to Commons: Pussy Riot Punk Protest and the Exercise of Democratic CultureAnton Vidokle and Brian Kuan Wood
Breaking the Contract
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialMichael Baers
Concerning Matters to be Left for a Later Date, Part 2 of 4 (Guest-Starring Pia Rönicke)Natascha Sadr Haghighian
Sleepwalking in a Dialectical Picture Puzzle, Part 2: A Conversation with Thomas KeenanCarol Yinghua Lu
Don’t Stop: Doing Art Potluck StyleMetahaven
Europe Sans: History, Politics, and Protocol in the EU ImageSimon Sheikh
Positively Counter-Publics RevisitedSean Snyder
Disobedience in Byelorussia: Self-Interrogation on “Research-Based Art”
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
Editorial—“Structural Violence”Sven Lütticken
Inside AbstractionJon Rich
Facebook: A Court of Ignorant, Cruel JudgesBilal Khbeiz
In Praise of Books: When Authorities Close a Prison, They Foil a Revolution!Hito Steyerl
Missing People: Entanglement, Superposition, and Exhumation as Sites of IndeterminacyEyal Weizman
665: The Least of All Possible EvilsPelin Tan
Breaking the Social ContractMetahaven
Captives of the Cloud: Part IICuauhtémoc Medina
A History of Infinity and Some Fresh Catastrophes: On Raqs Media Collective’s The Capital of Accumulation
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialStaš Kleindienst
Between Resistance and Commodity (Reartikulacija, Part 2 of 3)Dieter Lesage
The Next Documenta Shouldn’t Be in KasselCarol Yinghua Lu
Accidental ConceptualismMetahaven
Brand States: Postmodern Power, Democratic Pluralism, and DesignNataša Petrešin-Bachelez
Blame It on Gorbachev: The Sources of Inspiration and Crucial Turning Points of Inke ArnsSimon Sheikh
Positively East Village Revisited: The Problem with PuerilismJan Verwoert
The Boss: On the Unresolved Question of Authority in Joseph Beuys’ Oeuvre and Public ImagePelin Tan
Beneath Our Skin
