Igor Bragado and Miles Gertler founded Common Accounts at Princeton University in 2015. Equipped with excellent data plans, the office operates over satellite, server, and fiber cable between Seoul, Toronto, and New York.

Lucia Allais is an architectural historian and theorist who teaches at Princeton University, a member of Aggregate, and an editor of Grey Room.

Shumon Basar is a writer, editor, and thought councellor.

Ruha Benjamin is assistant professor of African American Studies at Princeton University and author of People's Science: Bodies and Rights on the Stem Cell Frontier (Stanford University Press, 2013).

Franco Berardi, aka “Bifo,” founder of the famous Radio Alice in Bologna and an important figure in the Italian Autonomia movement, is a writer, media theorist, and media activist. His most recent book is And: Phenomenology of the End (Semiotext(e), 2015).

Daniel Birnbaum is Director of Moderna Museet in Stockholm.

Ina Blom is the author of The Autobiography of Video. The Life and Times of a Memory Technology (Sternberg Press, 2016).

Benjamin H. Bratton is author of The Stack: On Software and Sovereignty (MIT Press, 2016) and Education Program Director of Strelka Institute. He is also Professor of Visual Arts and Director of the Center for Design and Geopolitics at the University of California, San Diego, a Professor of Digital Design at The European Graduate School and Visiting Faculty at SCI_Arc.

Giuliana Bruno is Emmet Blakeney Gleason Professor of Visual and Environmental Studies at Harvard University. She recently published Surface: Matters of Aesthetics, Materiality, and Media (University of Chicago Press, 2014).

Zeynep Çelik Alexander is an architectural historian who teaches at the University of Toronto.

Simon Denny (b. 1982, Auckland, New Zealand) is an artist based in Berlin. His recent exhibitions explore the implications of Blockchain technology on sovereignty.

Keller Easterling is an architect and writer from New York City and a professor at Yale University. Her most recent book, Extrastatecraft: The Power of Infrastructure Space (Verso, 2014) examines global infrastructure networks as a medium of polity.

Arisa Ema is Assistant Professor at the University of Tokyo and Visiting Researcher at RIKEN Center for Advanced Intelligence Project in Japan.

Hu Fang is a story teller whose most recent book of stories is Dear Navigator (Sternberg Press and The Pavilion, 2014).

Rubén Gallo teaches at Princeton University and is author of Freud's Mexico (MIT Press, 2010) and Proust's Latin Americans (Johns Hopkins University Press, 2014).

Liam Gillick is an artist. He is the author of Industry and Intelligence: Contemporary Art Since 1820 (Columbia University Press, 2016).

Boris Groys is an art critic, media theorist, and philosopher. He is currently Senior Research Fellow at the Karlsruhe University of Arts and Design in Karlsruhe, Germany.

Andrew Herscher is a fellow at the Stanford Arts Institute, Associate Professor at the University of Michigan, and author of Violence Taking Place: The Architecture of the Kosovo Conflict (Stanford University Press, 2010), The Unreal Estate Guide to Detroit (University of Michigan Press, 2012), and Displacements: Architecture and Refugee (Sternberg Press, forthcoming).

Tom Holert is an art historian and cultural critic based in Berlin who works on learning curves and knowledge vessels at the crossroads of politics, economy, contemporary art, design and architecture.

Brooke Holmes is Robert F. Goheen Professor in the Humanities at Princeton University.

Sungook Hong teaches at the Program in History and Philosophy of Science, Seoul National University.

Francesca Hughes is an architectural theorist and educator who teaches at the AA, London. Author of The Architecture of Error: Matter, Measure and the Misadventures of Precision, she is currently working on a pre-history of the Universal Discrete Machine

Yuk Hui is currently researcher of the project Techno-ecologies of participation at the Leuphana University Lüneburg, where he also teaches at the Institute for Philosophy. He is visiting professor at the China Academy of Art and member of the International Center of Simondon Studies (MSH, Paris Nord).

Andrés Jaque is the founder of the Office for Political Innovation, a Madrid/New York based practice that brings inclusivity into daily life through architecture.

Chin Jungkwon is professor in the Faculty of Liberal Arts at Dongyang University and director of the Institute of Technology and Aesthetics, where he leads multidisciplinary studies connecting liberal arts, games, design, and engineering.

Lydia Kallipoliti is an architect, engineer and scholar, currently an Assistant Professor at Rensselaer Polytechnic Institute. She is the author of the forthcoming book Closed Worlds, Or, What is the Power of Shit?

Jaehee Kim is Visiting Professor at Sungkyunkwan University. She has written on and translated the work of Gilbert Simondon, Henri Bergson, Jacques Derrida, and Bernard Stiegler.

Sylvia Lavin is a professor of architecture at UCLA.

Yongwoo Lee is a media historian and cultural studies scholar based in New York and Seoul. He teaches media and cultural studies of modern Korea, film theory and popular culture in East Asia, intellectual history of wartime Japan and postwar Korea, Korean contemporary art and post/colonial historiography in the Department of East Asian Studies at New York University.

Lesley Lokko teaches architecture and writes novels. She is Associate Professor of Architecture and the Director of Graduate Programme at the University of Johannesburg.

Catherine Malabou is a French philosopher. She is professor in the Philosophy Department at the Centre for Research in Modern European Philosophy (CRMEP) at Kingston University.

Chus Martinez is Professor and Head of the Art Institute at the FHNW Academy in Basel.

Ingo Niermann is a writer and just published the novel Solution 257: Complete Love (Sternberg Press, 2016).

Ahmet Öğüt is an artist who often collaborates with individuals whose expertise lies outside the field of art to construct situations that bring about shifts in perspective.

Trevor Paglen is an artist whose work spans image-making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines.

Spyros Papapetros is Associate Professor of History and Theory in the School of Architecture and the Program in Media and Modernity at Princeton University. He is author of On the Animation of the Inorganic: Art, Architecture, and the Extension of Life (Chicago University Press, 2012).

Hannah Proctor is a postdoctoral research fellow at the Institute of Cultural Inquiry (ICI) Berlin where she is currently working on a project exploring the temporal paradoxes of “radical psychiatry” (broadly conceived) with an emphasis on forms of care developed in the aftermath of political struggles.

Raqs Media Collective (Monica Narula, Jeebesh Bagchi, Shuddhabrata Sengupta) have been variously described as artists, curators, editors, and catalysts of cultural processes. They live and work in Delhi.

Juliane Rebentisch is Professor of Philosophy and Aesthetics at the University of Arts and Design in Offenbach/Main, Germany.

Erik Rietveld is a senior researcher at the University of Amsterdam. Ronald Rietveld is a Prix de Rome Architecture laureate. Together they founded RAAAF [Rietveld Architecture-Art-Affordances], a design and research studio operating at the crossroads of architecture, science, and art.

Sophia Roosth is the Frederick S. Danziger Associate Professor in the Department of the History of Science at Harvard University. Her first book, Synthetic: How Life Got Made, will be released by the University of Chicago Press in March 2017.

Felicity D. Scott is Associate Professor of Architecture, Director of the Ph.D. program in Architecture (History and Theory), and Co-director of the Critical, Curatorial and Conceptual Practices in Architecture (CCCP) program at Columbia GSAPP. Her most recent book is Outlaw Territories: Environments of Insecurity/Architectures of Counter-insurgency (Zone Books, 2016).

Jack Self is Director of the REAL foundation and curator of the 2016 British Pavilion at the Venice Biennale of Architecture.

Rupali Gupte and Prasad Shetty are urbanists and cofounders of the School of Environment and Architecture in Mumbai.

Hito Steyerl is a filmmaker and writer who lives in Berlin.

Kali Stull is an activist and a recent graduate from the Master of Public Health program at the University of Pittsburgh, where her research focused on nonhuman agencies which affect human health.

Pelin Tan is Associate Professor at the Architecture Faculty, Mardin Artuklu University, Turkey

Alexander Tarakhovsky is a scientist, writer, and artist.

Paulo Tavares is currently a researcher at FAU-USP, Brasil, and a long-term collaborator of Forensic Architecture.

Stephan Trüby is Professor of Architecture and Cultural Theory at the TU München and associate of the magazine ARCH+. He was head of research and development for the 2014 Venice Architecture Biennale, directed by Rem Koolhaas.

Etienne Turpin is a philosopher, Research Scientist at the Massachusetts Institute of Technology, and Founding Director of anexact office in Jakarta, Indonesia.

Anton Vidokle is an editor of e-flux journal.

Sven-Olov Wallenstein is Professor of Philosophy at Södertörn Högskola in Stockholm.

Mark Wasiuta is a curator, architect, and writer who co-directs Critical, Curatorial and Conceptual Practices in Architecture at Columbia University GSAPP.

Eyal Weizman is an architect, Professor of Spatial and Visual Cultures at Goldsmiths, University of London, and director of Forensic Architecture.

Mabel O. Wilson is a Professor at Columbia GSAPP where she teaches architectural design, history and theory. She recently published Begin with the Past: Building the National Museum of African American History and Culture (Smithsonian Books, 2016).

Brian Kuan Wood is a writer and an editor of e-flux journal.

Liam Young is a speculative architect who operates across design, fiction and futures.

Arseny Zhilyaev is an artist based in Moscow and Venice. His projects examine the legacy of Soviet museology and the museum within the philosophy of Russian Cosmism.