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172 Classon Avenue
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e - flux

Announcements

e - flux Video & Film October 7, 2022

Batalha Centro de Cinema

Opening programme

e - flux Announcement October 7, 2022

Neue Nationalgalerie

Allora & Calzadilla
Stop, Repair, Prepare: Variations on “Ode to Joy” for a Prepared Piano

e - flux Announcement October 7, 2022

Museum Angewandte Kunst

CONTACT ZONES—Murat Adash, Céline Berger, Syowia Kyambi

e - flux Announcement October 7, 2022

Kunsthalle Zürich

Julia Scher
Maximum Security Society
DYOR

e - flux Announcement October 7, 2022

KODE Bergen Art Museum

Annette Kierulf and Caroline Kierulf
To Make a World

e - flux Announcement October 7, 2022

Museum Ludwig, Cologne

HERE AND NOW at Museum Ludwig
Anti-colonial Interventions

e - flux Announcement October 7, 2022

Kunsthaus Hamburg

Leyla Yenirce
SO MUCH ENERGY

e - flux Announcement October 6, 2022

Mousse Magazine

Mousse #81—Fall 2022

e - flux Announcement October 6, 2022

Fondation Louis Vuitton

Lydia Ourahmane
Tassili

e - flux Announcement October 6, 2022

Independent Curators International (ICI)

States of Becoming

Journal

Issue #130

Viral Theory

October 2022

Editorial: Welcome to the Virosphere Eben Kirksey

Kinship Is Anarchy Caitlin Berrigan

Viral Things: Twelve Keywords Stephan Guttinger

Contingent Contagion Sria Chatterjee

Death to Death / Life by Cuts Mel Y. Chen

The Viral Real Celia Lowe

Viral Junk Rachel Vaughn

Barebacking in Restaurants and Other Fantasies of the Virosphere Tim Dean

Viruses Are More Like Cone Snails Than Hijackers Hannah Landecker

Getting Lucky in Thailand: Or How to Coexist with Coronaviruses in Multispecies Contact Zones Eben Kirksey, Areeya Tivasuradej, Blake Palmer, Myint Than, Anne Atchara Changwong, Pietro Lo Casto, and Maya Kóvskaya

Issue #129

September 2022

Editorial

Portrait of a Poet as a Young Man: Jonas Mekas in War and Exile Saulius Sužiedėlis

The Wasted Earth: Excess, Superabundance, and Sludge Elizabeth A. Povinelli

Bell’s Theorem (Reductio ad Infinitum): Contemporary Art—It’s a White Thing! Richard Bell

The Resurrection of Nashism: Report on the Emergent Forms of Spectacular Fascism in Scandinavia Organ of the Autonomous Sciences

Emotional Patterns in Art in Post-1949 China, Part I: Community of Feeling Su Wei

Where Will Our Food Come From? Genaro Amaro Altamirano

La Siembra – The Sowing Carolina Caycedo

Issue #128

Food and Agriculture

June 2022

Editorial

Planting and Becoming Autonomous farming collectives

Porcupette Mary Walling Blackburn

Forest Foodways in West Papua Sophie Chao

Grain, Ink, and Stones: The Story of Ukrainian Hunger Lia Dostlieva

We Will Lack Bread No Longer Alix Guibert

Passing Blood, Consuming Memories: Making Fish Cutlets with Amma Mythri Jegathesan

The Agrarian Mind Ou Ning

A Turntable Enrique Del Risco

What Sort of an Art Is Cookery? Are the Great Chefs All Dead? Martha Rosler

Hanan and the People of the Soil Vivien Sansour

A Meditation on Food Waste, Imperfection, and Accumulation Rachel Vaughn

Architecture

e - flux Architecture October 7, 2022

Norman Foster Foundation

Sustainability Workshop

e - flux Architecture October 7, 2022

Architectural Association School of Architecture

Autumn 2022 public programme

e - flux Architecture October 7, 2022

International Center of Urbanism at KU Leuven

Call for applications academic year 2023–24

e - flux Architecture October 6, 2022

Mies van der Rohe Pavilion

Institute for Advanced Architecture of Catalonia (IAAC) and Bauhaus Earth
Mass is More

e - flux Architecture October 6, 2022

Tbilisi Architecture Biennial

What’s Next?

e - flux Architecture October 6, 2022

Harvard University Graduate School of Design

New book Inscriptions: Architecture Before Speech

Digestion

e - flux Architecture Essays October 6, 2022

Shifting Porosities

Feifei Zhou, Zahirah Suhaimi, and Jefree Salim

e - flux Architecture October 5, 2022

Copenhagen Architecture Festival

Sense of Place

e - flux Architecture October 5, 2022

Architektur im Ringturm (AIRT)

Austrian Builder-Owner Award 2021

e - flux Architecture October 5, 2022

MAAT—Museum of Art, Architecture and Technology

EXIST/RESIST—Works by Didier Fiúza Faustino: 1995–2022

Video & Film

Subtítulos: saber sin estudiar

Manuel Saiz

October 6–19, 2022

N.P

Lisa Spilliaert

October 6–19, 2022

East/West

Su-Chen Hung

October 6–19, 2022

Live

e - flux Event

Playthroughs: Live music by Keith Fullerton Whitman

October 7, 2022, 7pm

e-flux

Get tickets

e - flux Event

A Life on Video: Shigeko Kubota's Broken Diary

October 11, 2022, 7pm

e-flux Screening Room

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e - flux Event

Altered States: Bruce Conner’s Border Crossings
A lecture by Johanna Gosse

October 13, 2022, 7pm

e-flux Screening Room

RSVP

e - flux Event

Slow Growth

October 18, 2022, 7pm

e-flux Screening Room

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e - flux Event

Souvenirs of Frictions: Three films by Peng Zuqiang

October 20, 2022, 7pm

e-flux Screening Room

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e - flux Event

Impending Catastrophe and Female Agency: A Screening of Peggy Ahwesh’s Work

October 25, 2022, 7pm

e-flux Screening Room

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e - flux Event

A Reality Between Words and Images: Films by Lynne Sachs

October 27, 2022, 7pm

e-flux Screening Room

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e - flux Event

Mutations

November 10, 2022, 7pm

e-flux Screening Room

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Notes

October 6, 2022

Bucha Is a Mirror

By Oxana Timofeeva

October 5, 2022

Is DALL-E a Genius?

By Attay Kremer

September 28, 2022

Letter of Solidarity with Iranian Women and Protesters

September 26, 2022

Anselm Franke on the Future of documenta: “We’re witnessing old structures not wanting to die”

September 23, 2022

What Kind of Science Is This?: On the documenta fifteen “Expert Panel”

By Marion Detjen

September 22, 2022

Charisma in the Age of Trumpism

By William Mazzarella

September 20, 2022

The Contemporary Clinic #3: Psychoanalytical Notes from Russia during the Ukraine War

By Gleb Napreenko

September 15, 2022

The Sense of Cinema: Jean-Luc Godard

By Nathan Brown

September 13, 2022

“Ethical Anastrophe” and Antinomies of the Ethical in the War in Ukraine

By Irina Zherebkina

September 10, 2022

We are angry, we are sad, we are tired, we are united: Letter from lumbung community

We have tried our best to stay above the chaos, hostility, racism and censorship that have engulfed this edition of documenta. We have tried our best to stay focused and committed to our work and the promises and hopes of the lumbung. We have been resilient and in solidarity with our communities, friends, supporters, hosts and guests.

Projects

Animism

Animism on e-flux.com is a digital project that could also be a cinematic lecture, a speculative text performed by voices, images, and sounds, or a guided tour through an archive with multiple points of entry.

Podcasts